{"title":"Mixers \u0026 Signal Processing","description":"\u003cp\u003eShop Mixers \u0026amp; Signal Processing from the top pro audio, lighting and DJ brands at SixStarPSL.\u003c\/p\u003e","products":[{"product_id":"macpoweredmixerbag","title":"Mackie Powered Mixer Bag","description":"\u003cp\u003eMixer Bag for PPM608 \u0026amp; PPM1008\u003c\/p\u003e","brand":"Mackie","offers":[{"title":"Default Title","offer_id":39273090056237,"sku":"Powered Mixer Bag","price":74.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0379\/2529\/0029\/products\/mackie-powered-mixer-bag-7.png?v=1615591493"},{"product_id":"prsstudiolivear8c","title":"PreSonus StudioLive AR8c, 8 Channel Analog Mixer with USB-C Interface","description":"\u003ctable width=\"100%\"\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n      \u003cth height=\"30\" bgcolor=\"#f7f7f7\" style=\"text-align: left\"\u003e \u003c\/th\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd height=\"30\"\u003e\n\u003ch1\u003eStudioLive AR8c\u003c\/h1\u003e\n        \u003ch2\u003ePodcasting and home recording, simplified.\u003c\/h2\u003e\n      \u003cp\u003eWith its instantly familiar analog mixer design, the StudioLive® AR8c is the easiest way to record podcasts, live streams, and music productions. Featuring a pristine analog front-end with four high-gain XMAX mic preamps and an 8x4, 24-bit, 96 kHz, USB-C-compatible USB 2.0 audio interface, the StudioLive AR8c’s hybrid design makes it simple to record from a single intuitive console. Add in tools like a musical 3-band analog EQ, mic\/line boost for low-level broadcast microphones and consumer devices, Bluetooth connectivity, and a stereo SD recorder, and you have a broadcasting and recording powerhouse that fulfills the needs of both modern musicians and content creators.\u003c\/p\u003e\n\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003cth height=\"30\" bgcolor=\"#f7f7f7\" style=\"text-align: left\"\u003e \u003c\/th\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd height=\"30\"\u003e\n\u003cdiv\u003e\n        \u003cdiv\u003e\n          \u003cdiv\u003e\n            \u003ch2\u003eFeatures\u003c\/h2\u003e\n          \u003c\/div\u003e\n        \u003c\/div\u003e\n      \u003c\/div\u003e\n        \u003cdiv\u003e\n          \u003cdiv\u003e\n            \u003cdiv\u003e\n              \u003ch3\u003eRecording\u003c\/h3\u003e\n              \u003cul\u003e\n                \u003cli\u003e8x4 24-bit\/96 kHz, USB 2.0 (over USB-C connection) audio recording interface\n                  \u003cul\u003e\n                    \u003cli\u003eRecord every channel plus the main mix\u003c\/li\u003e\n                  \u003c\/ul\u003e\n                \u003c\/li\u003e\n                \u003cli\u003e2x2 SD recorder to capture the main mix\n                  \u003cul\u003e\n                    \u003cli\u003eSupports SD™ and SDHD™ formats up to 32 GB\u003c\/li\u003e\n                  \u003c\/ul\u003e\n                \u003c\/li\u003e\n              \u003c\/ul\u003e\n              \u003ch3\u003eMixing\u003c\/h3\u003e\n              \u003cul\u003e\n                \u003cli\u003e8-channel analog mixer\u003c\/li\u003e\n                \u003cli\u003e4 balanced microphone inputs with XMAX mic preamps\u003c\/li\u003e\n                \u003cli\u003e2 instrument\/line inputs\u003c\/li\u003e\n                \u003cli\u003e6 balanced line level inputs:\n                  \u003cul\u003e\n                    \u003cli\u003e2 mono\u003c\/li\u003e\n                    \u003cli\u003e2 stereo pairs\u003c\/li\u003e\n                  \u003c\/ul\u003e\n                \u003c\/li\u003e\n                \u003cli\u003eStereo Super Channel (Ch. 13\/14) with Bluetooth 5.0 input, RCA inputs, 1\/8-inch stereo input, and switchable SD\/USB stereo playback\u003c\/li\u003e\n                \u003cli\u003e2 mono and 2 stereo channels, each with level knob, pan, mute, PFL solo, highpass filter, and 3-band semi-parametric EQ\u003c\/li\u003e\n                \u003cli\u003e1 monitor bus with dedicated channel send, AFL solo, and balanced TRS output\u003c\/li\u003e\n                \u003cli\u003eL\/R Control Room outputs with level control\u003c\/li\u003e\n                \u003cli\u003eHeadphone output with level control\u003c\/li\u003e\n              \u003c\/ul\u003e\n              \u003ch3\u003eSignal Processing\u003c\/h3\u003e\n              \u003cul\u003e\n                \u003cli\u003eHighpass filter on every channel\u003c\/li\u003e\n                \u003cli\u003e3-band semi-parametric EQ on every channel\u003c\/li\u003e\n                \u003cli\u003eStereo effects processor with 16 presets, dedicated send and return, and bypass footswitch jack\u003c\/li\u003e\n                \u003cli\u003eMic\/line boost on stereo channels for low-level input sources and consumer devices\u003c\/li\u003e\n              \u003c\/ul\u003e\n              \u003ch3\u003eIncluded Software\u003c\/h3\u003e\n              \u003cul\u003e\n                \u003cli\u003eCapture® live multitrack recording software\u003c\/li\u003e\n                \u003cli\u003eStudio One® Artist recording and production software (DAW)\u003c\/li\u003e\n                \u003cli\u003eStudio Magic Software Suite\u003c\/li\u003e\n              \u003c\/ul\u003e\n              \u003ch3\u003ePower\u003c\/h3\u003e\n              \u003cul\u003e\n                \u003cli\u003eInternal power supply\u003c\/li\u003e\n                \u003cli\u003eStandard IEC power connector\u003c\/li\u003e\n              \u003c\/ul\u003e\n              \u003ch3\u003ePhysical\u003c\/h3\u003e\n              \u003cul\u003e\n                \u003cli\u003eSturdy metal construction\u003c\/li\u003e\n                \u003cli\u003eOptional rackmount kit\u003c\/li\u003e\n              \u003c\/ul\u003e\n            \u003c\/div\u003e\n          \u003c\/div\u003e\n      \u003c\/div\u003e\n\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003cth height=\"30\" bgcolor=\"#f7f7f7\" style=\"text-align: left\"\u003e \u003c\/th\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd height=\"30\"\u003e\n\u003cp\u003eComputer system requirements:\u003cbr\u003e\n        Below are the minimum computer-system requirements for StudioLive AR8c.\u003c\/p\u003e\n        \u003cp\u003emacOS®\u003cbr\u003e\n          macOS version 10.13 or later\u003cbr\u003e\n          200 MB storage space and 8 GB RAM for Universal Control (required for firmware updates)\u003cbr\u003e\n          Available USB port\u003cbr\u003e\n          Windows®\u003cbr\u003e\n          Windows 10 or later (64-Bit Only)\u003cbr\u003e\n          200 MB storage space and 8 GB RAM for Universal Control (required for firmware updates and low-latency ASIO support)\u003cbr\u003e\n          Available USB port\u003cbr\u003e\n          The above are the hardware system requirements for this product.\u003cbr\u003e\n          DAW software and Operating System requirements vary.\u003cbr\u003e\n        \u003c\/p\u003e\n        \u003cp\u003eClick here for Studio One’s system requirements.\u003cbr\u003e\n          VST Compatible Logo ASIO Compatible Logo\u003c\/p\u003e\n        \u003cp\u003eVST is a registered trademark of Steinberg Media Technologies GmbH\u003cbr\u003e\n          ASIO is a trademark and software of Steinberg Media Technologies GmbH\u003cbr\u003e\n          USB-C® is a registered trademark of USB Implementers Forum\u003cbr\u003e\n          All other trademarks are property of their respective holders\u003cbr\u003e\n          Technical Specifications\u003cbr\u003e\n          Microphone Preamp\u003cbr\u003e\n          Type XLR Female, Class A XMAX\u003cbr\u003e\n          Maximum Input level (unity gain) +9 dBu ±1.0 dB\u003cbr\u003e\n          Gain Control Range 43 dB (+12 to +55 dB)\u003cbr\u003e\n          Frequency Response to Analog Outputs 20 Hz to 20 kHz, +0.5\/-1.5 dB\u003cbr\u003e\n          Frequency Response to USB (Direct) 20 Hz to 20 kHz, +0.5\/- 1.5 dB\u003cbr\u003e\n          S\/N Ratio to Outputs (+4 dBu) 94 dB\u003cbr\u003e\n          THD+N (min. gain, A-wtd) \u0026lt; 0.01%\u003cbr\u003e\n          Input Impedance 1 k?\u003cbr\u003e\n          EIN (+55 dB gain, 150? input, 20 Hz-22 kHz, A-wtd) Mono Channels: \u0026lt; 128 dBu\u003cbr\u003e\n          Common Mode Rejection Ratio (1 kHz, +55 dB gain) 65 dB\u003cbr\u003e\n          Phantom Power +48V, ±3V, Global\u003cbr\u003e\n          Note: All Channel Inputs sum through Mic preamp \u003cbr\u003e\n          Instrument Inputs\u003cbr\u003e\n          Type ¼” TS Female, Unbalanced, Hi-Z\u003cbr\u003e\n          Maximum Input Level (min. gain, 1 kHz@0.5% THD+N) +9 dBu ±1.0 dB\u003cbr\u003e\n          Gain Control Range 43 dB, ±1 dB (+12 to +55 dB)\u003cbr\u003e\n          Frequency Response to Analog Outputs 20 Hz to 20 kHz, +0.5\/-1.5 dB\u003cbr\u003e\n          Frequency Response to USB (Direct) 20 Hz to 20 kHz, +0.5\/-1.5 dB\u003cbr\u003e\n          Dynamic Range (min. gain, A-wtd) \u0026gt; 105 dB\u003cbr\u003e\n          Dynamic Range (mid. Gain, unwtd) \u0026gt; 108 dB\u003cbr\u003e\n          THD+N (1 kHz, -1 dBFS, A-wtd) \u0026lt; 0.01%\u003cbr\u003e\n          THD+N (1 kHz, -1 dBFS, unwtd) \u0026lt; 0.01%\u003cbr\u003e\n          Input Impedance \u0026gt; 1 M?\u003cbr\u003e\n          Note: All Channel Inputs sum through Mic preamp \u003cbr\u003e\n          Line Inputs\u003cbr\u003e\n          Type ¼” TRS Female, Balanced\u003cbr\u003e\n          Maximum Input Level (min. gain, 1 kHz@0.5% THD+N) +26 dBu ±1.0 dB\u003cbr\u003e\n          Gain Control Range \u003cbr\u003e\n          Mono Channels: 40 dB, ±1 dB (-5 to +35 dB)\u003c\/p\u003e\n        \u003cp\u003eStereo Channels: 0 dB or +10 dB (+10 dB Boost)\u003c\/p\u003e\n        \u003cp\u003eFrequency Response to Analog Outputs 20 Hz to 20 kHz, +0.5\/-1.5 dB\u003cbr\u003e\n          Frequency Response to USB (Direct) 20 Hz to 20 kHz, +0.5\/-1.5 dB\u003cbr\u003e\n          S\/N Ratio to Analog Outputs (+4 dBu) 85 dB\u003cbr\u003e\n          THD+N (1 kHz, -1 dBFS, A-wtd) \u0026lt; 0.01%\u003cbr\u003e\n          Input Impedance (Balanced) 10 k?\u003cbr\u003e\n          Note: All Channel Inputs sum through Mic preamp \u003cbr\u003e\n          Main, Control Room, Monitor, and FX Outputs\u003cbr\u003e\n          Type (Main Outputs) XLR Male, Impedance Balanced\u003cbr\u003e\n          Type (Control Room, Monitor, FX Outputs) ¼” TRS Female, Balanced\u003cbr\u003e\n          Rated Output Level (Main Outputs) +24 dBu, ±1.0 dB\u003cbr\u003e\n          Rated Outputs Level (Control Room, Monitor, FX Outputs) +18 dBu\u003cbr\u003e\n          Frequency Response 20 Hz to 20 kHz, +0.5\/-1.5 dB\u003cbr\u003e\n          Dynamic Range (A-wtd) \u0026gt; 108 dB\u003cbr\u003e\n          THD+N (Bandwidth 20 Hz - 20 kHz, -1 dBFS, unwtd) \u0026lt; 0.01%\u003cbr\u003e\n          Output Impedance 100 ?\u003cbr\u003e\n          Headphone Output\u003cbr\u003e\n          Type ¼” TRS Female, Stereo, Unbalanced\u003cbr\u003e\n          Maximum Output Level 150 mW\/channel @ 60 ?\u003cbr\u003e\n          Frequency Response 20 Hz to 20 kHz, +0.5\/-1.5 dB\u003cbr\u003e\n          Dynamic Range (A-wtd) \u0026gt; 103 dB\u003cbr\u003e\n          THD+N (Bandwidth 20 Hz - 20 kHz, -1 dBFS, unwtd) \u0026lt; 0.01%\u003cbr\u003e\n          System Crosstalk\u003cbr\u003e\n          Input to Output (Ref = +4dBu, 20 Hz to 20 kHz, unwtd) -90 dBu\u003cbr\u003e\n          Adjacent Channels (Ref = +4 dBu, 20 Hz to 20 kHz, unwtd) -85 dBu\u003cbr\u003e\n          Signal Level LED\u003cbr\u003e\n          Signal -30 dBFS (pre-EQ)\u003cbr\u003e\n          Clip -3.0 dB before clip (pre- or post-EQ)\u003cbr\u003e\n          Channel EQ\u003cbr\u003e\n          Low Cut 100 Hz, -18 dB\/Octave\u003cbr\u003e\n          High Shelving ±15 dB @ 10 kHz\u003cbr\u003e\n          Mid Peaking (Mono Channels) ±15 dB @ 140 Hz to 3.5 kHz (variable)\u003cbr\u003e\n          Mid Peaking (Stereo Channels) ±15 dB @ 2.5 kHz\u003cbr\u003e\n          Mid-Band Q Boost: 1.0, Cut: 2.5\u003cbr\u003e\n          Low Shelving ±15 dB @ 100 Hz\u003cbr\u003e\n          Digital Audio\u003cbr\u003e\n          Host Interface USB 2.0\u003cbr\u003e\n          ADC Dynamic Range (Component) 114 dB\u003cbr\u003e\n          ADC Dynamic Range (Measured: A-wtd, 48 kHz) 105 dB\u003cbr\u003e\n          DAC Dynamic Range (Component) 114 dB\u003cbr\u003e\n          DAC Dynamic Range (Measured: A-wtd, 48 kHz) 105 dB\u003cbr\u003e\n          Signal-to-Noise (a-weighted) -96 dB\u003cbr\u003e\n          Bit Depth 24-bit\u003cbr\u003e\n          Internally Supported Sample Rates 44.1, 48, 88.2, 96 kHz\u003cbr\u003e\n          Jitter \u0026lt; 80 ps RMS (20 Hz – 20 kHz)\u003cbr\u003e\n          Jitter Attenuation \u0026gt; 60 dB (1 ns in =\u0026gt; 1 ps out)\u003cbr\u003e\n          SD Recorder\u003cbr\u003e\n          Supported Media Format FAT16 formatted SD™ card, FAT32 formatted SDHC™ card\u003cbr\u003e\n          Media Storage Capacity SD card: 2 GB; SDHC card: 32 GB\u003cbr\u003e\n          Recording File Format Stereo WAV\u003cbr\u003e\n          Playback File Formats Stereo WAV, MP3 (96-320 kbs, 32 \/ 44.1 \/ 48 kHz)\u003cbr\u003e\n          Sampling Rate (WAV) 44.1 kHz\u003cbr\u003e\n          Bit Depth \u003cbr\u003e\n          Recording: 24-bit\u003c\/p\u003e\n        \u003cp\u003ePlayback: 16- or 24-bit\u003c\/p\u003e\n        \u003cp\u003ePower\/Environmental\u003cbr\u003e\n          Connector IEC\u003cbr\u003e\n          Input Voltage Range 90 to 240 VAC\u003cbr\u003e\n          Recommended Ambient Operating Temperature 0? to 40? Celsius \/ 32? to 104? Fahrenheit\u003cbr\u003e\n          Physical\u003cbr\u003e\n          Height 3.5” (89 mm)\u003cbr\u003e\n          Width (Chassis only) 11” (284 mm)\u003cbr\u003e\n          Depth 12.3” (313 mm)\u003cbr\u003e\n          Weight 7.1 lbs (3.2 kg)\u003cbr\u003e\n          As a commitment to constant improvement, PreSonus® Audio Electronics, Inc., reserves the right to change any specification stated herein, at any time, without notification.\u003c\/p\u003e\n        \u003cp\u003e\u003cbr\u003e\n      \u003c\/p\u003e\n\u003c\/td\u003e\n    \u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"PreSonus","offers":[{"title":"Default Title","offer_id":40393410445357,"sku":"STUDIOLIVE-AR8C","price":399.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0379\/2529\/0029\/products\/presonus-studiolive-ar8c-7.jpg?v=1646767150"},{"product_id":"prsstudiolivear12c","title":"PreSonus StudioLive AR12c, 14 Channel Analog Mixer with USB-C Interface","description":"\u003ctable width=\"100%\"\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n      \u003cth height=\"30\" bgcolor=\"#f7f7f7\" style=\"text-align: left\"\u003e \u003c\/th\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd height=\"30\"\u003e\n\u003ch1\u003eStudioLive AR12c\u003c\/h1\u003e\n        \u003ch2\u003eAudio recording made easy.\u003c\/h2\u003e\n      \u003cp\u003eDon't let the classic analog mixer design fool you - the StudioLive® AR12c was built to record. With a pristine analog front-end, eight high-gain XMAX mic preamps, and a 14x4, 24-bit, 96 kHz, USB-C-compatible USB 2.0 audio interface, its hybrid design makes it simple to record studio productions and mix live shows from a single, intuitive console. Add in a musical three-band analog EQ, mic \/ line boost for low-level vintage synths and broadcast microphones, all-new digital effects with rich reverbs and lush delays, Bluetooth connectivity, and a stereo SD recorder, and you have a mixing and recording powerhouse that fulfills the needs of both modern musicians and content creators.\u003c\/p\u003e\n\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003cth height=\"30\" bgcolor=\"#f7f7f7\" style=\"text-align: left\"\u003e \u003c\/th\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd height=\"30\"\u003e\n\u003ch3\u003eRecording\u003c\/h3\u003e\n        \u003cul\u003e\n          \u003cli\u003e14x4 24-bit\/96 kHz, USB 2.0 (over USB-C connection) audio recording interface\n            \u003cul\u003e\n              \u003cli\u003eRecord every channel plus the main mix\u003c\/li\u003e\n            \u003c\/ul\u003e\n          \u003c\/li\u003e\n          \u003cli\u003e2x2 SD recorder to capture the main mix\n            \u003cul\u003e\n              \u003cli\u003eSupports SD™ and SDHD™ formats up to 32 GB\u003c\/li\u003e\n            \u003c\/ul\u003e\n          \u003c\/li\u003e\n        \u003c\/ul\u003e\n        \u003ch3\u003eMixing\u003c\/h3\u003e\n        \u003cul\u003e\n          \u003cli\u003e14-channel analog mixer\u003c\/li\u003e\n          \u003cli\u003e8 balanced microphone inputs with XMAX mic preamps\u003c\/li\u003e\n          \u003cli\u003e2 insert points\u003c\/li\u003e\n          \u003cli\u003e2 instrument\/line inputs\u003c\/li\u003e\n          \u003cli\u003e12 balanced line level inputs:\n            \u003cul\u003e\n              \u003cli\u003e4 mono\u003c\/li\u003e\n              \u003cli\u003e4 stereo pairs\u003c\/li\u003e\n            \u003c\/ul\u003e\n          \u003c\/li\u003e\n          \u003cli\u003eStereo Super Channel (Ch. 13\/14) with Bluetooth 5.0 input, RCA inputs, 1\/8-inch stereo input, and switchable SD\/USB stereo playback\u003c\/li\u003e\n          \u003cli\u003e4 mono and 4 stereo channels, each with level knob, pan, mute, PFL solo, highpass filter, and 3-band semi-parametric EQ\u003c\/li\u003e\n          \u003cli\u003e2 monitor buses with dedicated channel sends, AFL solo, and balanced TRS output\u003c\/li\u003e\n          \u003cli\u003eL\/R Control Room outputs with level control\u003c\/li\u003e\n          \u003cli\u003eHeadphone output with level control\u003c\/li\u003e\n        \u003c\/ul\u003e\n        \u003ch3\u003eSignal Processing\u003c\/h3\u003e\n        \u003cul\u003e\n          \u003cli\u003eHighpass filter on every channel\u003c\/li\u003e\n          \u003cli\u003e3-band quasi-parametric EQ with sweepable mid-band on each mono channel\u003c\/li\u003e\n          \u003cli\u003e3-band semi-parametric EQ on each stereo channel\u003c\/li\u003e\n          \u003cli\u003eStereo effects processor with 16 presets, dedicated send and return, and bypass footswitch jack\u003c\/li\u003e\n          \u003cli\u003eMic\/line boost on stereo channels for low-level input sources and consumer devices\u003c\/li\u003e\n        \u003c\/ul\u003e\n        \u003ch3\u003eIncluded Software\u003c\/h3\u003e\n        \u003cul\u003e\n          \u003cli\u003eCapture® live multitrack recording software\u003c\/li\u003e\n          \u003cli\u003eStudio One® Artist recording and production software (DAW) \u003c\/li\u003e\n          \u003cli\u003eStudio Magic Software Suite\u003c\/li\u003e\n        \u003c\/ul\u003e\n        \u003ch3\u003ePower\u003c\/h3\u003e\n        \u003cul\u003e\n          \u003cli\u003eInternal power supply\u003c\/li\u003e\n          \u003cli\u003eStandard IEC power connector\u003c\/li\u003e\n        \u003c\/ul\u003e\n        \u003ch3\u003ePhysical\u003c\/h3\u003e\n        \u003cul\u003e\n          \u003cli\u003eSturdy metal construction\u003c\/li\u003e\n          \u003cli\u003e60 mm faders\u003c\/li\u003e\n          \u003cli\u003eOptional rackmount kit\u003c\/li\u003e\n      \u003c\/ul\u003e\n\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003cth height=\"30\" bgcolor=\"#f7f7f7\" style=\"text-align: left\"\u003e \u003c\/th\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd height=\"30\"\u003e\n\u003cp\u003eComputer system requirements:\u003cbr\u003e\n        Below are the minimum computer-system requirements for StudioLive AR12c.\u003c\/p\u003e\n        \u003cp\u003emacOS®\u003cbr\u003e\n          macOS version 10.13 or later\u003cbr\u003e\n          200 MB storage space and 8 GB RAM for Universal Control (required for firmware updates)\u003cbr\u003e\n          Available USB port\u003cbr\u003e\n          Windows®\u003cbr\u003e\n          Windows 10 or later (64-Bit Only)\u003cbr\u003e\n          200 MB storage space and 8 GB RAM for Universal Control (required for firmware updates and low-latency ASIO support)\u003cbr\u003e\n          Available USB port\u003cbr\u003e\n          The above are the hardware system requirements for this product.\u003cbr\u003e\n          DAW software and Operating System requirements vary.\u003cbr\u003e\n        \u003c\/p\u003e\n        \u003cp\u003eClick here for Studio One’s system requirements.\u003cbr\u003e\n          VST Compatible Logo ASIO Compatible Logo\u003c\/p\u003e\n        \u003cp\u003eVST is a registered trademark of Steinberg Media Technologies GmbH\u003cbr\u003e\n          ASIO is a trademark and software of Steinberg Media Technologies GmbH\u003cbr\u003e\n          USB-C® is a registered trademark of USB Implementers Forum\u003cbr\u003e\n          All other trademarks are property of their respective holders\u003cbr\u003e\n          Technical Specifications\u003cbr\u003e\n          Microphone Preamp\u003cbr\u003e\n          Type XLR Female, Class A XMAX\u003cbr\u003e\n          Maximum Input level (unity gain) +9 dBu ± 1.0 dB\u003cbr\u003e\n          Gain Control Range 43 dB (+12 to +55 dB)\u003cbr\u003e\n          Frequency Response to Analog Outputs 20 Hz to 20 kHz, + 0.5 \/ -1.5 dB\u003cbr\u003e\n          Frequency Response to USB (Direct) 20 Hz to 20 kHz, + 0.5 \/ -1.5 dB\u003cbr\u003e\n          S \/ N Ratio to Outputs (+4 dBu) 94 dB\u003cbr\u003e\n          THD + N (min. Gain, A-wtd) \u0026lt;0.01%\u003cbr\u003e\n          Input Impedance 1 k?\u003cbr\u003e\n          EIN (+55 dB gain, 150? input, 20 Hz-22 kHz, A-wtd) Mono Channels: \u0026lt;128 dBu\u003cbr\u003e\n          Common Mode Rejection Ratio (1 kHz, +55 dB gain) 65 dB\u003cbr\u003e\n          Phantom power + 48V, ± 3V, Global\u003cbr\u003e\n          Instrument Inputs\u003cbr\u003e\n          Type ¼” TS Female, Unbalanced, Hi-Z\u003cbr\u003e\n          Maximum Input Level (min. Gain, 1 kHz@0.5% THD + N) +9 dBu ±1.0 dB\u003cbr\u003e\n          Gain Control Range 43 dB, ±1 dB (+12 to +55 dB)\u003cbr\u003e\n          Frequency Response to Analog Outputs 20 Hz to 20 kHz, + 0.5 \/ -1.5 dB\u003cbr\u003e\n          Frequency Response to USB (Direct) 20 Hz to 20 kHz, + 0.5 \/ -1.5 dB\u003cbr\u003e\n          Dynamic Range (min. Gain, A-wtd) \u0026gt; 105 dB\u003cbr\u003e\n          Dynamic Range (mid. Gain, unwtd) \u0026gt; 108 dB\u003cbr\u003e\n          THD + N (1 kHz, -1 dBFS, A-wtd) \u0026lt;0.01%\u003cbr\u003e\n          THD + N (1 kHz, -1 dBFS, unwtd) \u0026lt;0.01%\u003cbr\u003e\n          Input Impedance \u0026gt; 1 M?\u003cbr\u003e\n          Line Inputs\u003cbr\u003e\n          Type ¼” TRS Female, Balanced\u003cbr\u003e\n          Maximum Input Level (min. Gain, 1 kHz@0.5% THD + N) +26 dBu ±1.0 dB\u003cbr\u003e\n          Gain Control Range \u003cbr\u003e\n          Mono Channels: 40 dB, ± 1 dB (-5 to +35 dB)\u003c\/p\u003e\n        \u003cp\u003eStereo Channels: 0 dB or +10 dB (+10 dB Boost)\u003c\/p\u003e\n        \u003cp\u003eFrequency Response to Analog Outputs 20 Hz to 20 kHz, + 0.5 \/ -1.5 dB\u003cbr\u003e\n          Frequency Response to USB (Direct) 20 Hz to 20 kHz, + 0.5 \/ -1.5 dB\u003cbr\u003e\n          S \/ N Ratio to Analog Outputs (+4 dBu) 85 dB\u003cbr\u003e\n          THD + N (1 kHz, -1 dBFS, A-wtd) \u0026lt;0.01%\u003cbr\u003e\n          Input Impedance (Balanced) 10 k?\u003cbr\u003e\n          Main, Control Room, Monitor, and FX Outputs\u003cbr\u003e\n          Type (Main Outputs) XLR Male, Impedance Balanced\u003cbr\u003e\n          Type (Control Room, Monitor, FX Outputs) ¼” TRS Female, Balanced\u003cbr\u003e\n          Rated Output Level (Main Outputs) +24 dBu, ±1.0 dB\u003cbr\u003e\n          Rated Outputs Level (Control Room, Monitor, FX Outputs) +18 dBu\u003cbr\u003e\n          Frequency Response 20 Hz to 20 kHz, + 0.5\/-1.5 dB\u003cbr\u003e\n          Dynamic Range (A-wtd) \u0026gt; 108 dB\u003cbr\u003e\n          THD + N (Bandwidth 20 Hz - 20 kHz, -1 dBFS, unwtd) \u0026lt;0.01%\u003cbr\u003e\n          Output Impedance 100 ?\u003cbr\u003e\n          Headphone Output\u003cbr\u003e\n          Type ¼” TRS Female, Stereo, Unbalanced\u003cbr\u003e\n          Maximum Output Level 150 mW \/ channel @ 60 ?\u003cbr\u003e\n          Frequency Response 20 Hz to 20 kHz, + 0.5 \/ -1.5 dB\u003cbr\u003e\n          Dynamic Range (A-wtd) \u0026gt;103 dB\u003cbr\u003e\n          THD + N (Bandwidth 20 Hz - 20 kHz, -1 dBFS, unwtd) \u0026lt;0.01%\u003cbr\u003e\n          System Crosstalk\u003cbr\u003e\n          Input to Output (Ref = + 4dBu, 20 Hz to 20 kHz, unwtd) -90 dBu\u003cbr\u003e\n          Adjacent Channels (Ref = +4 dBu, 20 Hz to 20 kHz, unwtd) -85 dBu\u003cbr\u003e\n          Signal Level LED\u003cbr\u003e\n          Signal -30 dBFS (pre-EQ)\u003cbr\u003e\n          Clip -3.0 dB before clip (pre or post-EQ)\u003cbr\u003e\n          Channel EQ\u003cbr\u003e\n          Low cut 100 Hz, -18 dB\/Octave\u003cbr\u003e\n          High Shelving ±15 dB @ 10 kHz\u003cbr\u003e\n          Mid Peaking (Mono Channels) ±15 dB @ 140 Hz to 3.5 kHz (variable)\u003cbr\u003e\n          Mid Peaking (Stereo Channels) ±15 dB @ 2.5 kHz\u003cbr\u003e\n          Mid-Band Q Boost: 1.0, Cut: 2.5\u003cbr\u003e\n          Low Shelving ±15 dB @ 100 Hz\u003cbr\u003e\n          Digital Audio\u003cbr\u003e\n          Host interface USB 2.0\u003cbr\u003e\n          ADC Dynamic Range (Component) 114 dB\u003cbr\u003e\n          ADC Dynamic Range (Measured: A-wtd, 48 kHz) 105 dB\u003cbr\u003e\n          DAC Dynamic Range (Component) 114 dB\u003cbr\u003e\n          DAC Dynamic Range (Measured: A-wtd, 48 kHz) 105 dB\u003cbr\u003e\n          Signal-to-Noise (a-weighted) -96 dB\u003cbr\u003e\n          Bit Depth 24-bit\u003cbr\u003e\n          Internally Supported Sample Rates 44.1, 48, 88.2, 96 kHz\u003cbr\u003e\n          Jitter \u0026lt;80 ps RMS (20 Hz - 20 kHz)\u003cbr\u003e\n          Jitter Attenuation \u0026gt; 60 dB (1 ns in =\u0026gt; 1 ps out)\u003cbr\u003e\n          SD Recorder\u003cbr\u003e\n          Supported Media Format FAT16 formatted SD™ card, FAT32 formatted SDHC™ card\u003cbr\u003e\n          Media Storage Capacity SD card: 2 GB; SDHC card: 32 GB\u003cbr\u003e\n          Recording File Format Stereo WAV\u003cbr\u003e\n          Playback File Formats Stereo WAV, MP3 (96-320 kbs, 32\/44.1\/48 kHz)\u003cbr\u003e\n          Sampling Rate (WAV) 44.1 kHz\u003cbr\u003e\n          Bit Depth \u003cbr\u003e\n          Recording: 24-bit\u003c\/p\u003e\n        \u003cp\u003ePlayback: 16- or 24-bit\u003c\/p\u003e\n        \u003cp\u003ePower \/ Environmental\u003cbr\u003e\n          Connector IEC\u003cbr\u003e\n          Input Voltage Range 90 to 240 VAC\u003cbr\u003e\n          Recommended Ambient Operating Temperature 0? to 40? Celsius \/ 32? to 104? Fahrenheit\u003cbr\u003e\n          Physical\u003cbr\u003e\n          Height 3.5” (89 mm)\u003cbr\u003e\n          Width (Chassis only) 15\" (381 mm)\u003cbr\u003e\n          Depth 15.6” (397 mm)\u003cbr\u003e\n          Weight 11.9 lbs (5.4 kg)\u003cbr\u003e\n          As a commitment to constant improvement, PreSonus ® Audio Electronics, Inc., reserves the right to change any specification stated herein, at any time, without notification.\u003c\/p\u003e\n        \u003cp\u003e\u003cbr\u003e\n    \u003c\/p\u003e\n\u003c\/td\u003e\n    \u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"PreSonus","offers":[{"title":"Default Title","offer_id":40393410510893,"sku":"STUDIOLIVE-AR12C","price":499.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0379\/2529\/0029\/products\/presonus-studiolive-ar12c-7.jpg?v=1646767152"},{"product_id":"prsstudiolivear16c","title":"PreSonus StudioLive AR16c, 18 Channel Analog Mixer with USB-C Interface","description":"\u003ctable width=\"100%\"\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n      \u003cth height=\"30\" bgcolor=\"#f7f7f7\" style=\"text-align: left\"\u003e \u003c\/th\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd height=\"30\"\u003e\n\u003ch1\u003eStudioLive AR16c\u003c\/h1\u003e\n        \u003ch2\u003eAudio recording made easy.\u003c\/h2\u003e\n      \u003cp\u003eDon’t let the classic analog mixer design fool you: The StudioLive® AR16c was built to record. With a pristine analog front-end, 12 high-gain XMAX mic preamps, and an 18x4, 24-bit, 96 kHz, USB-C-compatible USB 2.0 audio interface, its hybrid design makes it simple to record studio productions and mix live shows from a single intuitive console. Add in a musical three-band analog EQ, mic\/line boost for low-level vintage synths and broadcast microphones, all-new digital effects with rich reverbs and lush delays, Bluetooth connectivity, and a stereo SD recorder, and you have a mixing and recording powerhouse that fulfills the needs of both modern musicians and content creators.\u003c\/p\u003e\n\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003cth height=\"30\" bgcolor=\"#f7f7f7\" style=\"text-align: left\"\u003e \u003c\/th\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd height=\"30\"\u003e\n\u003cdiv\u003e\n        \u003cdiv\u003e\n          \u003cdiv\u003e\n            \u003ch2\u003eFeatures\u003c\/h2\u003e\n          \u003c\/div\u003e\n        \u003c\/div\u003e\n      \u003c\/div\u003e\n        \u003cdiv\u003e\n          \u003cdiv\u003e\n            \u003cdiv\u003e\n              \u003ch3\u003eRecording\u003c\/h3\u003e\n              \u003cul\u003e\n                \u003cli\u003e18x4 24-bit\/96 kHz, USB 2.0 (over USB-C connector) audio recording interface\n                  \u003cul\u003e\n                    \u003cli\u003eRecord every channel plus the main mix\u003c\/li\u003e\n                  \u003c\/ul\u003e\n                \u003c\/li\u003e\n                \u003cli\u003e2x2 SD recorder to capture the main mix\n                  \u003cul\u003e\n                    \u003cli\u003eSupports SD™ and SDHD™ formats up to 32 GB\u003c\/li\u003e\n                  \u003c\/ul\u003e\n                \u003c\/li\u003e\n              \u003c\/ul\u003e\n              \u003ch3\u003eMixing\u003c\/h3\u003e\n              \u003cul\u003e\n                \u003cli\u003e18-channel analog mixer\u003c\/li\u003e\n                \u003cli\u003e12 balanced microphone inputs with XMAX mic preamps\u003c\/li\u003e\n                \u003cli\u003e2 insert points\u003c\/li\u003e\n                \u003cli\u003e2 instrument\/line inputs\u003c\/li\u003e\n                \u003cli\u003e16 balanced line level inputs:\n                  \u003cul\u003e\n                    \u003cli\u003e8 mono\u003c\/li\u003e\n                    \u003cli\u003e4 stereo pairs\u003c\/li\u003e\n                  \u003c\/ul\u003e\n                \u003c\/li\u003e\n                \u003cli\u003eStereo Super Channel (Ch. 17\/18) with Bluetooth 5.0 input, RCA inputs, 1\/8-inch stereo input, and switchable SD\/USB stereo playback\u003c\/li\u003e\n                \u003cli\u003e8 mono and 4 stereo channels, each with level knob, pan, mute, PFL solo, highpass filter, and 3-band semi-parametric EQ\u003c\/li\u003e\n                \u003cli\u003e2 monitor buses with dedicated channel sends, AFL solo, and balanced TRS output\u003c\/li\u003e\n                \u003cli\u003eL\/R Control Room outputs with level control\u003c\/li\u003e\n                \u003cli\u003eHeadphone output with level control\u003c\/li\u003e\n              \u003c\/ul\u003e\n              \u003ch3\u003eSignal Processing\u003c\/h3\u003e\n              \u003cul\u003e\n                \u003cli\u003eHighpass filter on every channel\u003c\/li\u003e\n                \u003cli\u003e3-band quasi-parametric EQ with sweepable mid-band on each mono channel\u003c\/li\u003e\n                \u003cli\u003e3-band semi-parametric EQ on each stereo channel\u003c\/li\u003e\n                \u003cli\u003eStereo effects processor with 16 presets, dedicated send and return, and bypass footswitch jack\u003c\/li\u003e\n                \u003cli\u003eMic\/line boost on stereo channels for low-level input sources and consumer devices\u003c\/li\u003e\n              \u003c\/ul\u003e\n              \u003ch3\u003eIncluded Software\u003c\/h3\u003e\n              \u003cul\u003e\n                \u003cli\u003eCapture® live multitrack recording software\u003c\/li\u003e\n                \u003cli\u003eStudio One® Artist recording and production software (DAW)\u003c\/li\u003e\n                \u003cli\u003eStudio Magic Software Suite\u003c\/li\u003e\n                \u003cli\u003eAbleton® Live Lite\u003c\/li\u003e\n              \u003c\/ul\u003e\n              \u003ch3\u003ePower\u003c\/h3\u003e\n              \u003cul\u003e\n                \u003cli\u003eInternal power supply\u003c\/li\u003e\n                \u003cli\u003eStandard IEC power connector\u003c\/li\u003e\n              \u003c\/ul\u003e\n              \u003ch3\u003ePhysical\u003c\/h3\u003e\n              \u003cul\u003e\n                \u003cli\u003eSturdy metal construction\u003c\/li\u003e\n                \u003cli\u003e60 mm faders\u003c\/li\u003e\n                \u003cli\u003eRackmount kit included\u003c\/li\u003e\n              \u003c\/ul\u003e\n            \u003c\/div\u003e\n          \u003c\/div\u003e\n      \u003c\/div\u003e\n\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003cth height=\"30\" bgcolor=\"#f7f7f7\" style=\"text-align: left\"\u003e \u003c\/th\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd height=\"30\"\u003e\n\u003cp\u003eComputer system requirements:\u003cbr\u003e\n        Computer system requirements:\u003cbr\u003e\n        Below are the minimum computer-system requirements for StudioLive AR16c.\u003c\/p\u003e\n        \u003cp\u003emacOS®\u003cbr\u003e\n          macOS version 10.13 or later\u003cbr\u003e\n          200 MB storage space and 8 GB RAM for Universal Control (required for firmware updates)\u003cbr\u003e\n          Available USB port\u003cbr\u003e\n          Windows®\u003cbr\u003e\n          Windows 10 or later (64-Bit Only)\u003cbr\u003e\n          200 MB storage space and 8 GB RAM for Universal Control (required for firmware updates and low-latency ASIO support)\u003cbr\u003e\n          Available USB port\u003cbr\u003e\n          The above are the hardware system requirements for this product.\u003cbr\u003e\n          DAW software and Operating System requirements vary.\u003cbr\u003e\n        \u003c\/p\u003e\n        \u003cp\u003eClick here for Studio One’s system requirements.\u003cbr\u003e\n          VST Compatible Logo ASIO Compatible Logo\u003c\/p\u003e\n        \u003cp\u003eVST is a registered trademark of Steinberg Media Technologies GmbH\u003cbr\u003e\n          ASIO is a trademark and software of Steinberg Media Technologies GmbH\u003cbr\u003e\n          USB-C® is a registered trademark of USB Implementers Forum\u003cbr\u003e\n          All other trademarks are property of their respective holders\u003cbr\u003e\n          Technical Specifications\u003cbr\u003e\n          Microphone Preamp\u003cbr\u003e\n          Type XLR Female, Class A XMAX\u003cbr\u003e\n          Maximum Input level (unity gain) +9 dBu ±1.0 dB\u003cbr\u003e\n          Gain Control Range 43 dB (+12 to +55 dB)\u003cbr\u003e\n          Frequency Response to Analog Outputs 20 Hz to 20 kHz, +0.5\/-1.5 dB\u003cbr\u003e\n          Frequency Response to USB (Direct) 20 Hz to 20 kHz, +0.5\/- 1.5 dB\u003cbr\u003e\n          S\/N Ratio to Outputs (+4 dBu) 94 dB\u003cbr\u003e\n          THD+N (min. gain, A-wtd) \u0026lt; 0.01%\u003cbr\u003e\n          Input Impedance 1 k?\u003cbr\u003e\n          EIN (+55 dB gain, 150? input, 20 Hz-22 kHz, A-wtd) Mono Channels: \u0026lt; 128 dBu\u003cbr\u003e\n          Common Mode Rejection Ratio (1 kHz, +55 dB gain) 65 dB\u003cbr\u003e\n          Phantom Power +48V, ±3V, Global\u003cbr\u003e\n          Note: All Channel Inputs sum through Mic preamp \u003cbr\u003e\n          Instrument Inputs\u003cbr\u003e\n          Type ¼” TS Female, Unbalanced, Hi-Z\u003cbr\u003e\n          Maximum Input Level (min. gain, 1 kHz@0.5% THD+N) +9 dBu ±1.0 dB\u003cbr\u003e\n          Gain Control Range 43 dB, ±1 dB (+12 to +55 dB)\u003cbr\u003e\n          Frequency Response to Analog Outputs 20 Hz to 20 kHz, +0.5\/-1.5 dB\u003cbr\u003e\n          Frequency Response to USB (Direct) 20 Hz to 20 kHz, +0.5\/-1.5 dB\u003cbr\u003e\n          Dynamic Range (min. gain, A-wtd) \u0026gt; 105 dB\u003cbr\u003e\n          Dynamic Range (mid. Gain, unwtd) \u0026gt; 108 dB\u003cbr\u003e\n          THD+N (1 kHz, -1 dBFS, A-wtd) \u0026lt; 0.01%\u003cbr\u003e\n          THD+N (1 kHz, -1 dBFS, unwtd) \u0026lt; 0.01%\u003cbr\u003e\n          Input Impedance \u0026gt; 1 M?\u003cbr\u003e\n          Note: All Channel Inputs sum through Mic preamp \u003cbr\u003e\n          Line Inputs\u003cbr\u003e\n          Type ¼” TRS Female, Balanced\u003cbr\u003e\n          Maximum Input Level (min. gain, 1 kHz@0.5% THD+N) +26 dBu ±1.0 dB\u003cbr\u003e\n          Gain Control Range \u003cbr\u003e\n          Mono Channels: 40 dB, ±1 dB (-5 to +35 dB)\u003c\/p\u003e\n        \u003cp\u003eStereo Channels: 0 dB or +10 dB (+10 dB Boost)\u003c\/p\u003e\n        \u003cp\u003eFrequency Response to Analog Outputs 20 Hz to 20 kHz, +0.5\/-1.5 dB\u003cbr\u003e\n          Frequency Response to USB (Direct) 20 Hz to 20 kHz, +0.5\/-1.5 dB\u003cbr\u003e\n          S\/N Ratio to Analog Outputs (+4 dBu) 85 dB\u003cbr\u003e\n          THD+N (1 kHz, -1 dBFS, A-wtd) \u0026lt; 0.01%\u003cbr\u003e\n          Input Impedance (Balanced) 10 k?\u003cbr\u003e\n          Note: All Channel Inputs sum through Mic preamp \u003cbr\u003e\n          Main, Control Room, Monitor, and FX Outputs\u003cbr\u003e\n          Type (Main Outputs) XLR Male, Impedance Balanced\u003cbr\u003e\n          Type (Control Room, Monitor, FX Outputs) ¼” TRS Female, Balanced\u003cbr\u003e\n          Rated Output Level (Main Outputs) +24 dBu, ±1.0 dB\u003cbr\u003e\n          Rated Outputs Level (Control Room, Monitor, FX Outputs) +18 dBu\u003cbr\u003e\n          Frequency Response 20 Hz to 20 kHz, +0.5\/-1.5 dB\u003cbr\u003e\n          Dynamic Range (A-wtd) \u0026gt; 108 dB\u003cbr\u003e\n          THD+N (Bandwidth 20 Hz - 20 kHz, -1 dBFS, unwtd) \u0026lt; 0.01%\u003cbr\u003e\n          Output Impedance 100 ?\u003cbr\u003e\n          Headphone Output\u003cbr\u003e\n          Type ¼” TRS Female, Stereo, Unbalanced\u003cbr\u003e\n          Maximum Output Level 150 mW\/channel @ 60 ?\u003cbr\u003e\n          Frequency Response 20 Hz to 20 kHz, +0.5\/-1.5 dB\u003cbr\u003e\n          Dynamic Range (A-wtd) \u0026gt; 103 dB\u003cbr\u003e\n          THD+N (Bandwidth 20 Hz - 20 kHz, -1 dBFS, unwtd) \u0026lt; 0.01%\u003cbr\u003e\n          System Crosstalk\u003cbr\u003e\n          Input to Output (Ref = +4dBu, 20 Hz to 20 kHz, unwtd) -90 dBu\u003cbr\u003e\n          Adjacent Channels (Ref = +4 dBu, 20 Hz to 20 kHz, unwtd) -85 dBu\u003cbr\u003e\n          Signal Level LED\u003cbr\u003e\n          Signal -30 dBFS (pre-EQ)\u003cbr\u003e\n          Clip -3.0 dB before clip (pre- or post-EQ)\u003cbr\u003e\n          Channel EQ\u003cbr\u003e\n          Low Cut 100 Hz, -18 dB\/Octave\u003cbr\u003e\n          High Shelving ±15 dB @ 10 kHz\u003cbr\u003e\n          Mid Peaking (Mono Channels) ±15 dB @ 140 Hz to 3.5 kHz (variable)\u003cbr\u003e\n          Mid Peaking (Stereo Channels) ±15 dB @ 2.5 kHz\u003cbr\u003e\n          Mid-Band Q Boost: 1.0, Cut: 2.5\u003cbr\u003e\n          Low Shelving ±15 dB @ 100 Hz\u003cbr\u003e\n          Digital Audio\u003cbr\u003e\n          Host Interface USB 2.0\u003cbr\u003e\n          ADC Dynamic Range (Component) 114 dB\u003cbr\u003e\n          ADC Dynamic Range (Measured: A-wtd, 48 kHz) 105 dB\u003cbr\u003e\n          DAC Dynamic Range (Component) 114 dB\u003cbr\u003e\n          DAC Dynamic Range (Measured: A-wtd, 48 kHz) 105 dB\u003cbr\u003e\n          Signal-to-Noise (a-weighted) -96 dB\u003cbr\u003e\n          Bit Depth 24-bit\u003cbr\u003e\n          Internally Supported Sample Rates 44.1, 48, 88.2, 96 kHz\u003cbr\u003e\n          Jitter \u0026lt; 80 ps RMS (20 Hz – 20 kHz)\u003cbr\u003e\n          Jitter Attenuation \u0026gt; 60 dB (1 ns in =\u0026gt; 1 ps out)\u003cbr\u003e\n          SD Recorder\u003cbr\u003e\n          Supported Media Format FAT16 formatted SD™ card, FAT32 formatted SDHC™ card\u003cbr\u003e\n          Media Storage Capacity SD card: 2 GB; SDHC card: 32 GB\u003cbr\u003e\n          Recording File Format Stereo WAV\u003cbr\u003e\n          Playback File Formats Stereo WAV, MP3 (96-320 kbs, 32\/44.1\/48 kHz)\u003cbr\u003e\n          Sampling Rate (WAV) 44.1 kHz\u003cbr\u003e\n          Bit Depth \u003cbr\u003e\n          Recording: 24-bit\u003c\/p\u003e\n        \u003cp\u003ePlayback: 16- or 24-bit\u003c\/p\u003e\n        \u003cp\u003ePower\/Environmental\u003cbr\u003e\n          Connector IEC\u003cbr\u003e\n          Input Voltage Range 90 to 240 VAC\u003cbr\u003e\n          Recommended Ambient Operating Temperature 0? to 40? Celsius \/ 32? to 104? Fahrenheit\u003cbr\u003e\n          Physical\u003cbr\u003e\n          Height 3.5” (89 mm)\u003cbr\u003e\n          Width (Chassis only) 18.9” (480 mm)\u003cbr\u003e\n          Depth 15.6” (397 mm)\u003cbr\u003e\n          Weight 14.1 lbs (6.4 kg)\u003cbr\u003e\n          As a commitment to constant improvement, PreSonus® Audio Electronics, Inc., reserves the right to change any specification stated herein, at any time, without notification.\u003c\/p\u003e\n        \u003cp\u003e\u003cbr\u003e\n  \u003c\/p\u003e\n\u003c\/td\u003e\n    \u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"PreSonus","offers":[{"title":"Default Title","offer_id":40393410576429,"sku":"STUDIOLIVE-AR16C","price":599.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0379\/2529\/0029\/products\/presonus-studiolive-ar16c-7.jpg?v=1646767153"},{"product_id":"prsstudiolive32scseriesiii","title":"PreSonus StudioLive 32SC, 32 Channel Series III Compact Digital Mixer","description":"\u003ctable width=\"100%\"\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n      \u003cth height=\"30\" bgcolor=\"#f7f7f7\" style=\"text-align: left\"\u003e \u003c\/th\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd height=\"30\"\u003e\n\u003ch1\u003eStudioLive 32SC\u003c\/h1\u003e\n        \u003ch2\u003eSmall digital mixer. Big power.\u003c\/h2\u003e\n        \u003cp\u003eThe StudioLive® 32SC is a compact, rack-mountable 32-channel digital mixer that can be quickly and easily scaled for 16-, 24-, and 32-channel applications. Don't let the road-ready size fool you; the StudioLive 32SC sports a dual-core PreSonus® FLEX DSP Engine powering 40 mixing channels, 26 mix buses, and 286 simultaneous processors—including 4 stereo reverberation systems and Fat Channel plug-in models on every input channel and mix bus. With 128 (64x64) channels of USB recording and AVB network audio I\/O, flexible routing options, and studio-grade audio quality, the StudioLive 32SC provides all the tools you need—whether you’re building your dream studio or putting together a pro touring rig.\u003c\/p\u003e\n      \u003cp\u003e \u003c\/p\u003e\n\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003cth height=\"30\" bgcolor=\"#f7f7f7\" style=\"text-align: left\"\u003e \u003c\/th\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd height=\"30\"\u003e\n\u003cdiv\u003e\n        \u003cdiv\u003e\n          \u003cdiv\u003e\n            \u003ch2\u003eFeatures\u003c\/h2\u003e\n          \u003c\/div\u003e\n        \u003c\/div\u003e\n      \u003c\/div\u003e\n        \u003cdiv\u003e\n          \u003cdiv\u003e\n            \u003cdiv\u003e\n              \u003cul\u003e\n                \u003cli\u003ePowered by the new dual-core PreSonus® FLEX DSP Engine to provide the most processing of any digital mixer in its class\u003c\/li\u003e\n                \u003cli\u003e40 input-channel digital mixer with 17 touch-sensitive motorized faders\n                  \u003cul\u003e\n                    \u003cli\u003e16 local digitally controlled XMAX mic\/line inputs\u003c\/li\u003e\n                    \u003cli\u003e16 digital channels (AVB, USB, or SD)\u003c\/li\u003e\n                    \u003cli\u003e2 balanced stereo aux inputs\u003c\/li\u003e\n                    \u003cli\u003e1 stereo tape input (RCA, USB, AVB or SD)\u003c\/li\u003e\n                    \u003cli\u003e4 FLEX FX returns\u003c\/li\u003e\n                    \u003cli\u003e1 Talkback\u003c\/li\u003e\n                  \u003c\/ul\u003e\n                \u003c\/li\u003e\n                \u003cli\u003e26 mix buses\n                  \u003cul\u003e\n                    \u003cli\u003e16 FlexMixes (Aux, Subgroup, Matrix)\u003c\/li\u003e\n                    \u003cli\u003e4 dedicated FLEX FX buses\u003c\/li\u003e\n                    \u003cli\u003e4 dedicated subgroups\u003c\/li\u003e\n                    \u003cli\u003eStereo main bus\u003c\/li\u003e\n                  \u003c\/ul\u003e\n                \u003c\/li\u003e\n                \u003cli\u003e286 simultaneous processors\n                  \u003cul\u003e\n                    \u003cli\u003eHPF\u003c\/li\u003e\n                    \u003cli\u003eGate\/expander\u003c\/li\u003e\n                    \u003cli\u003eCompressor with Fat Channel plug-in models\u003c\/li\u003e\n                    \u003cli\u003e4-band\/6-band parametric EQ with Fat Channel plug-in models\u003c\/li\u003e\n                    \u003cli\u003eLimiter\u003c\/li\u003e\n                    \u003cli\u003e31-band graphic EQ\u003c\/li\u003e\n                    \u003cli\u003e4 FLEX FX slots featuring legendary classic reverb emulations and delays\u003c\/li\u003e\n                  \u003c\/ul\u003e\n                \u003c\/li\u003e\n                \u003cli\u003eState Space Modeled Fat Channel compressor and EQ plug-ins available on every input channel and output bus\u003c\/li\u003e\n                \u003cli\u003eFLEX FX multi-effects processor with 4 slots to load legendary reverb emulations and delays with 4 dedicated effects buses\u003c\/li\u003e\n                \u003cli\u003e24 DCAs to control groups of channels\u003c\/li\u003e\n                \u003cli\u003e128-channel (64x64) recording over USB\u003c\/li\u003e\n                \u003cli\u003eOnboard multi-channel SD recorder (34x34) with true Virtual Soundcheck mode\u003c\/li\u003e\n                \u003cli\u003eAVB networking onboard (64x64) to connect with other mixers, NSB-series stage boxes, EarMix 16M personal monitor mixers, and more\u003c\/li\u003e\n                \u003cli\u003eUser Profiles for managing multiple operators with custom permissions\u003c\/li\u003e\n                \u003cli\u003ePer-channel digital patching from any analog, AVB, USB, or SD Card source\u003c\/li\u003e\n                \u003cli\u003eDAW Control\n                  \u003cul\u003e\n                    \u003cli\u003eAdvanced Studio One® control integration\u003c\/li\u003e\n                    \u003cli\u003eMCU emulation mode optimized for Logic\u003c\/li\u003e\n                    \u003cli\u003eHUI emulation mode optimized for ProTools\u003c\/li\u003e\n                  \u003c\/ul\u003e\n                \u003c\/li\u003e\n                \u003cli\u003eRemote control every mix function from your computer, iPad®, or Android™ tablet with UC Surface (included)\u003c\/li\u003e\n                \u003cli\u003ePut your musicians’ monitor mix under their fingers with QMix®-UC (included) for iOS® or Android\u003c\/li\u003e\n                \u003cli\u003eCapture® 3.0 multitrack software included\n                  \u003cul\u003e\n                    \u003cli\u003eAutomated Virtual Soundcheck\u003c\/li\u003e\n                    \u003cli\u003eStore StudioLive® mix scenes with your audio\u003c\/li\u003e\n                  \u003c\/ul\u003e\n                \u003c\/li\u003e\n                \u003cli\u003eAdvanced Studio One integration (Studio One Artist Included)\n                  \u003cul\u003e\n                    \u003cli\u003eXMAX mic preamp control from Studio One\u003c\/li\u003e\n                    \u003cli\u003eControl Fat Channel parameters from Studio One mixing console\u003c\/li\u003e\n                  \u003c\/ul\u003e\n                \u003c\/li\u003e\n                \u003cli\u003eFits in a standard 19-inch rack with optional rackmount kit\u003c\/li\u003e\n                \u003cli\u003eAbleton® Live Lite included\u003c\/li\u003e\n              \u003c\/ul\u003e\n            \u003c\/div\u003e\n          \u003c\/div\u003e\n      \u003c\/div\u003e\n\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003cth height=\"30\" bgcolor=\"#f7f7f7\" style=\"text-align: left\"\u003e \u003c\/th\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd height=\"30\"\u003e\n\u003cp\u003eComputer system requirements:\u003cbr\u003e\n        Below are the minimum computer-system requirements for StudioLive 32SC.\u003c\/p\u003e\n        \u003cp\u003emacOS®\u003cbr\u003e\n          macOS version 10.13 or later\u003cbr\u003e\n          200 MB storage space and 8 GB RAM for Universal Control (required for firmware updates)\u003cbr\u003e\n          Available USB port\u003cbr\u003e\n          Windows®\u003cbr\u003e\n          Windows 10 or later (64-Bit Only)\u003cbr\u003e\n          200 MB storage space and 8 GB RAM for Universal Control (required for firmware updates and low-latency ASIO support)\u003cbr\u003e\n          Available USB port\u003cbr\u003e\n          The above are the hardware system requirements for this product.\u003cbr\u003e\n          DAW software and Operating System requirements vary.\u003c\/p\u003e\n        \u003cp\u003eClick here for Studio One’s system requirements.\u003c\/p\u003e\n        \u003cp\u003eClick here for Qmix-UC’s system requirements\u003c\/p\u003e\n        \u003cp\u003eClick here for UC Surface’s system requirements.\u003cbr\u003e\n          VST Compatible Logo ASIO Compatible Logo\u003c\/p\u003e\n        \u003cp\u003eVST is a registered trademark of Steinberg Media Technologies GmbH\u003cbr\u003e\n          ASIO is a trademark and software of Steinberg Media Technologies GmbH\u003cbr\u003e\n          USB-C® is a registered trademark of USB Implementers Forum\u003cbr\u003e\n          All other trademarks are property of their respective holders\u003cbr\u003e\n          Technical Specifications\u003cbr\u003e\n          Microphone preamplifier\u003cbr\u003e\n          Input Type\u003c\/p\u003e\n        \u003cp\u003eXLR Female, balanced\u003c\/p\u003e\n        \u003cp\u003eFrequency Response to Main Output (at unity gain)\u003c\/p\u003e\n        \u003cp\u003e20-20 kHz, ±0.5 dBu\u003c\/p\u003e\n        \u003cp\u003eInput Impedance\u003c\/p\u003e\n        \u003cp\u003e1 k?\u003c\/p\u003e\n        \u003cp\u003eTHD to Main Output\u003c\/p\u003e\n        \u003cp\u003e\u0026lt;0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd\u003c\/p\u003e\n        \u003cp\u003eS \/ N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd)\u003c\/p\u003e\n        \u003cp\u003e94 dB\u003c\/p\u003e\n        \u003cp\u003eCommon Mode Rejection Ratio (1 kHz at unity gain)\u003c\/p\u003e\n        \u003cp\u003e65 dB\u003c\/p\u003e\n        \u003cp\u003eGain Control Range (± 1 dB)\u003c\/p\u003e\n        \u003cp\u003e0 dB to +60 dB\u003c\/p\u003e\n        \u003cp\u003eMaximum Input Level (unity gain)\u003c\/p\u003e\n        \u003cp\u003e+12 dBu\u003c\/p\u003e\n        \u003cp\u003ePhantom Power (± 2 VDC)\u003c\/p\u003e\n        \u003cp\u003e48 VDC, switchable per channel\u003c\/p\u003e\n        \u003cp\u003eLine Inputs\u003cbr\u003e\n          grade\u003c\/p\u003e\n        \u003cp\u003e¼\" TRS Female, balanced\u003c\/p\u003e\n        \u003cp\u003eFrequency Response to Main Output (at unity gain)\u003c\/p\u003e\n        \u003cp\u003e20-20 kHz, ±0.5 dBu\u003c\/p\u003e\n        \u003cp\u003eInput Impedance\u003c\/p\u003e\n        \u003cp\u003e10 k?\u003c\/p\u003e\n        \u003cp\u003eTHD to Main Output\u003c\/p\u003e\n        \u003cp\u003e\u0026lt;0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd\u003c\/p\u003e\n        \u003cp\u003eS \/ N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd)\u003c\/p\u003e\n        \u003cp\u003e94 dB\u003c\/p\u003e\n        \u003cp\u003eMaximum Input Level\u003c\/p\u003e\n        \u003cp\u003e+18 dBu\u003c\/p\u003e\n        \u003cp\u003eTape Inputs\u003cbr\u003e\n          grade\u003c\/p\u003e\n        \u003cp\u003eRCA Female, unbalanced (stereo pair)\u003c\/p\u003e\n        \u003cp\u003eMaximum Input Level\u003c\/p\u003e\n        \u003cp\u003e+12 dBu, ±0.5 dBu\u003c\/p\u003e\n        \u003cp\u003eXLR Outputs\u003cbr\u003e\n          grade\u003c\/p\u003e\n        \u003cp\u003eXLR Male, balanced\u003c\/p\u003e\n        \u003cp\u003eMaximum Output Level\u003c\/p\u003e\n        \u003cp\u003e+24 dBu, ±0.5 dBu\u003c\/p\u003e\n        \u003cp\u003eOutput Impedance\u003c\/p\u003e\n        \u003cp\u003e100?\u003c\/p\u003e\n        \u003cp\u003eLine Outputs\u003cbr\u003e\n          grade\u003c\/p\u003e\n        \u003cp\u003e¼ \"TRS Female, balanced\u003c\/p\u003e\n        \u003cp\u003eMaximum Output Level\u003c\/p\u003e\n        \u003cp\u003e+ 18 dBu, ±0.5 dBu\u003c\/p\u003e\n        \u003cp\u003eOutput Impedance\u003c\/p\u003e\n        \u003cp\u003e100?\u003c\/p\u003e\n        \u003cp\u003eTape Outputs\u003cbr\u003e\n          grade\u003c\/p\u003e\n        \u003cp\u003eRCA Female, unbalanced (stereo pair)\u003c\/p\u003e\n        \u003cp\u003eMaximum Output Level\u003c\/p\u003e\n        \u003cp\u003e+18 dBu, ±0.5 dBu\u003c\/p\u003e\n        \u003cp\u003eOutput Impedance\u003c\/p\u003e\n        \u003cp\u003e100?\u003c\/p\u003e\n        \u003cp\u003eHeadphone Output\u003cbr\u003e\n          grade\u003c\/p\u003e\n        \u003cp\u003e¼\" TRS Female, active stereo\u003c\/p\u003e\n        \u003cp\u003eMaximum Output\u003c\/p\u003e\n        \u003cp\u003e100 mW \/ ch. @ 60? load\u003c\/p\u003e\n        \u003cp\u003eFrequency Response\u003c\/p\u003e\n        \u003cp\u003e20 Hz - 20 kHz (±0.5 dB)\u003c\/p\u003e\n        \u003cp\u003eTHD + N\u003c\/p\u003e\n        \u003cp\u003e0.01%, 1 kHz, max gain, 20 Hz BW, unwtd\u003c\/p\u003e\n        \u003cp\u003eS \/ N ratio\u003c\/p\u003e\n        \u003cp\u003e96 dB, 1 kHz, max gain, 20 Hz BW, unwtd\u003c\/p\u003e\n        \u003cp\u003eSystem Crosstalk\u003cbr\u003e\n          Input to Output\u003c\/p\u003e\n        \u003cp\u003e-90 dB (Ref = +4 dBu, 20 Hz-20 kHz, unwtd)\u003c\/p\u003e\n        \u003cp\u003eAdjacent Channels\u003c\/p\u003e\n        \u003cp\u003e-87 dB (Ref = +4 dBu, 20 Hz-20 kHz, unwtd)\u003c\/p\u003e\n        \u003cp\u003eDigital Audio and Control\u003cbr\u003e\n          ADC Dynamic Range\u003c\/p\u003e\n        \u003cp\u003e115 dB (A-wtd, 48 kHz)\u003c\/p\u003e\n        \u003cp\u003eDAC Dynamic Range\u003c\/p\u003e\n        \u003cp\u003e115 dB (A-wtd, 48 kHz)\u003c\/p\u003e\n        \u003cp\u003eUSB Recording Port\u003c\/p\u003e\n        \u003cp\u003eUSB 2.0, Type-B\u003c\/p\u003e\n        \u003cp\u003eAES \/ EBU output\u003c\/p\u003e\n        \u003cp\u003eXLR Male\u003c\/p\u003e\n        \u003cp\u003eNetwork Control Port\u003c\/p\u003e\n        \u003cp\u003eRJ-45\u003c\/p\u003e\n        \u003cp\u003eAVB Audio Network Port\u003c\/p\u003e\n        \u003cp\u003eLocking XLR Ethernet\u003c\/p\u003e\n        \u003cp\u003eInternal Processing\u003c\/p\u003e\n        \u003cp\u003e32-bit, floating point\u003c\/p\u003e\n        \u003cp\u003eSampling rate\u003c\/p\u003e\n        \u003cp\u003e48 kHz, 44.1 kHz\u003c\/p\u003e\n        \u003cp\u003eA \/ D \/ A Bit Depth\u003c\/p\u003e\n        \u003cp\u003e24\u003c\/p\u003e\n        \u003cp\u003eReference Level for 0 dBFS\u003c\/p\u003e\n        \u003cp\u003e+18 dBu\u003c\/p\u003e\n        \u003cp\u003eTotal System Latency\u003c\/p\u003e\n        \u003cp\u003e1.9 ms (local routing, analog in-analog out, all processing active)\u003c\/p\u003e\n        \u003cp\u003eClock\u003cbr\u003e\n          jitter\u003c\/p\u003e\n        \u003cp\u003e\u0026lt;20 ps RMS (20 Hz - 20 kHz)\u003c\/p\u003e\n        \u003cp\u003eJitter Attenuation\u003c\/p\u003e\n        \u003cp\u003e\u0026gt; 60 dB (1 ns in, 1 ps out)\u003c\/p\u003e\n        \u003cp\u003ePower \/ Environmental\u003cbr\u003e\n          Connector\u003c\/p\u003e\n        \u003cp\u003eIEC\u003c\/p\u003e\n        \u003cp\u003eInput-Voltage Range\u003c\/p\u003e\n        \u003cp\u003e90 to 230 VAC (± 10%)\u003c\/p\u003e\n        \u003cp\u003ePower Requirements (continuous)\u003c\/p\u003e\n        \u003cp\u003e85W\u003c\/p\u003e\n        \u003cp\u003eRecommended Ambient Operating Temperature\u003c\/p\u003e\n        \u003cp\u003e0? to 40? Celsius \/ 32? to 104? Fahrenheit\u003c\/p\u003e\n        \u003cp\u003ePhysical\u003cbr\u003e\n          height\u003c\/p\u003e\n        \u003cp\u003e6.51” (165.36 mm)\u003c\/p\u003e\n        \u003cp\u003eWidth\u003c\/p\u003e\n        \u003cp\u003e17.59” (446.66 mm)\u003c\/p\u003e\n        \u003cp\u003eDepth\u003c\/p\u003e\n        \u003cp\u003e22.97” (583.48 mm)\u003c\/p\u003e\n        \u003cp\u003eWeight\u003c\/p\u003e\n        \u003cp\u003e23.15 lbs. (10.5 kg)\u003c\/p\u003e\n        \u003cp\u003eAs a commitment to constant improvement, PreSonus® Audio Electronics, Inc., reserves the right to change any specification stated herein, at any time, without notification.\u003c\/p\u003e\n        \u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003c\/td\u003e\n    \u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"PreSonus","offers":[{"title":"Default Title","offer_id":40393410641965,"sku":"STUDIOLIVE-32SC-SERIES-III","price":1689.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0379\/2529\/0029\/products\/presonus-studiolive-32sc-series-iii-7.jpg?v=1646767155"},{"product_id":"prsstudiolive32sxseriesiii","title":"PreSonus StudioLive 32SX, 32 Channel Series III Digital Mixer","description":"\u003ctable width=\"100%\"\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n      \u003cth height=\"30\" bgcolor=\"#f7f7f7\" style=\"text-align: left\"\u003e \u003c\/th\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd height=\"30\"\u003e\n\u003ch1\u003eStudioLive 32SX\u003c\/h1\u003e\n        \u003ch2\u003ePower meets efficiency.\u003c\/h2\u003e\n        \u003cp\u003eLoaded with the processing power, studio-grade audio quality, and flexible routing options that made StudioLive® mixers famous, the StudioLive 32SX is the perfect compact, 32-channel digital mixing solution. Powered by the dual-core PreSonus® FLEX DSP Engine, the StudioLive 32SX digital mixer is equipped with 40 mixing channels, 26 mix buses, and 286 simultaneous processors, including 4 stereo reverberation systems, and Fat Channel plug-in models on every input and mix. The low profile of the StudioLive 32SX makes it an ideal solution for any mixing environment where desk real estate is at a premium. The split-fader workflow lets you manage 32 input channels in two fader layers, while still providing access to your mix outputs on eight additional faders. With 32 XMAX mic preamps and 16 balanced mix outputs, the StudioLive 32SX packs connectivity and power into an efficient use of space.\u003c\/p\u003e\n      \u003cp\u003e \u003c\/p\u003e\n\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003cth height=\"30\" bgcolor=\"#f7f7f7\" style=\"text-align: left\"\u003e \u003c\/th\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd height=\"30\"\u003e\n\u003cdiv\u003e\n        \u003cdiv\u003e\n          \u003cdiv\u003e\n            \u003ch2\u003eFeatures\u003c\/h2\u003e\n          \u003c\/div\u003e\n        \u003c\/div\u003e\n      \u003c\/div\u003e\n        \u003cdiv\u003e\n          \u003cdiv\u003e\n            \u003cdiv\u003e\n              \u003cul\u003e\n                \u003cli\u003ePowered by the new dual-core PreSonus® FLEX DSP Engine to provide the most processing of any digital mixer in its class\u003c\/li\u003e\n                \u003cli\u003e40 input-channel digital mixer with 25 touch-sensitive motorized faders\n                  \u003cul\u003e\n                    \u003cli\u003e32 local digitally controlled XMAX mic\/line inputs\u003c\/li\u003e\n                    \u003cli\u003e2 balanced stereo aux inputs\u003c\/li\u003e\n                    \u003cli\u003e1 stereo tape input (RCA, USB, AVB or SD)\u003c\/li\u003e\n                    \u003cli\u003e4 FLEX FX returns\u003c\/li\u003e\n                    \u003cli\u003e1 Talkback\u003c\/li\u003e\n                  \u003c\/ul\u003e\n                \u003c\/li\u003e\n                \u003cli\u003e26 mix buses\n                  \u003cul\u003e\n                    \u003cli\u003e16 FlexMixes (Aux, Subgroup, Matrix)\u003c\/li\u003e\n                    \u003cli\u003e4 dedicated FLEX FX buses\u003c\/li\u003e\n                    \u003cli\u003e4 dedicated subgroups\u003c\/li\u003e\n                    \u003cli\u003eStereo Main bus\u003c\/li\u003e\n                  \u003c\/ul\u003e\n                \u003c\/li\u003e\n                \u003cli\u003e286 simultaneous processors\n                  \u003cul\u003e\n                    \u003cli\u003eHPF\u003c\/li\u003e\n                    \u003cli\u003eGate\/Expander\u003c\/li\u003e\n                    \u003cli\u003eCompressor with Fat Channel plug-in models\u003c\/li\u003e\n                    \u003cli\u003e4-band\/6-band parametric EQ with Fat Channel plug-in models\u003c\/li\u003e\n                    \u003cli\u003eLimiter\u003c\/li\u003e\n                    \u003cli\u003e31-band graphic EQ\u003c\/li\u003e\n                    \u003cli\u003e4 FLEX FX slots featuring legendary classic reverb emulations and delays\u003c\/li\u003e\n                  \u003c\/ul\u003e\n                \u003c\/li\u003e\n                \u003cli\u003eState Space Modeled Fat Channel compressor and EQ plug-ins available on every input channel and output bus\u003c\/li\u003e\n                \u003cli\u003eFLEX FX multi-effects processor with 4 slots to load legendary reverb emulations and delays, with 4 dedicated effects buses\u003c\/li\u003e\n                \u003cli\u003e24 DCAs to control groups of channels\u003c\/li\u003e\n                \u003cli\u003e128-channel (64x64) recording over USB\u003c\/li\u003e\n                \u003cli\u003eOnboard multi-channel SD recorder (34x34) with true Virtual Soundcheck mode\u003c\/li\u003e\n                \u003cli\u003eAVB networking onboard (64x64) to connect with other mixers, NSB-series stage boxes, EarMix 16M personal monitor mixers and more\u003c\/li\u003e\n                \u003cli\u003eUser Profiles for managing multiple operators with custom permissions\u003c\/li\u003e\n                \u003cli\u003ePer channel digital patching from any analog, AVB, USB, or SD Card source\u003c\/li\u003e\n                \u003cli\u003eDAW Control\n                  \u003cul\u003e\n                    \u003cli\u003eAdvanced Studio One® control integration\u003c\/li\u003e\n                    \u003cli\u003eMCU emulation mode optimized for Logic\u003c\/li\u003e\n                    \u003cli\u003eHUI emulation mode optimized for Pro Tools\u003c\/li\u003e\n                  \u003c\/ul\u003e\n                \u003c\/li\u003e\n                \u003cli\u003eRemote control every mix function from your computer, iPad®, or Android™ tablet with UC Surface (included)\u003c\/li\u003e\n                \u003cli\u003ePut your musicians’ monitor mix under their fingers with QMix®-UC (included) for iOS® or Android\u003c\/li\u003e\n                \u003cli\u003eCapture® 3.0 multitrack software included\n                  \u003cul\u003e\n                    \u003cli\u003eAutomated Virtual Soundcheck\u003c\/li\u003e\n                    \u003cli\u003eStore StudioLive® mix scenes with your audio\u003c\/li\u003e\n                  \u003c\/ul\u003e\n                \u003c\/li\u003e\n                \u003cli\u003eAdvanced Studio One integration (Studio One Artist Included)\n                  \u003cul\u003e\n                    \u003cli\u003eXMAX mic preamp control from Studio One\u003c\/li\u003e\n                    \u003cli\u003eControl Fat Channel parameters from Studio One mixing console\u003c\/li\u003e\n                  \u003c\/ul\u003e\n                \u003c\/li\u003e\n                \u003cli\u003eAbleton® Live Lite included\u003c\/li\u003e\n              \u003c\/ul\u003e\n            \u003c\/div\u003e\n          \u003c\/div\u003e\n      \u003c\/div\u003e        \u003cp\u003e \u003c\/p\u003e\n\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003cth height=\"30\" bgcolor=\"#f7f7f7\" style=\"text-align: left\"\u003e \u003c\/th\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd height=\"30\"\u003e\n\u003cp\u003eComputer system requirements:\u003cbr\u003e\n        Below are the minimum computer-system requirements for StudioLive 32SX.\u003c\/p\u003e\n        \u003cp\u003emacOS®\u003cbr\u003e\n          macOS version 10.13 or later\u003cbr\u003e\n          200 MB storage space and 8 GB RAM for Universal Control (required for firmware updates)\u003cbr\u003e\n          Available USB port\u003cbr\u003e\n          Windows®\u003cbr\u003e\n          Windows 10 or later (64-Bit Only)\u003cbr\u003e\n          200 MB storage space and 8 GB RAM for Universal Control (required for firmware updates and low-latency ASIO support)\u003cbr\u003e\n          Available USB port\u003cbr\u003e\n          The above are the hardware system requirements for this product.\u003cbr\u003e\n          DAW software and Operating System requirements vary.\u003c\/p\u003e\n        \u003cp\u003eClick here for Studio One’s system requirements.\u003c\/p\u003e\n        \u003cp\u003eClick here for Qmix-UC’s system requirements\u003c\/p\u003e\n        \u003cp\u003eClick here for UC Surface’s system requirements.\u003cbr\u003e\n          VST Compatible Logo ASIO Compatible Logo\u003c\/p\u003e\n        \u003cp\u003eVST is a registered trademark of Steinberg Media Technologies GmbH\u003cbr\u003e\n          ASIO is a trademark and software of Steinberg Media Technologies GmbH\u003cbr\u003e\n          USB-C® is a registered trademark of USB Implementers Forum\u003cbr\u003e\n          All other trademarks are property of their respective holders\u003cbr\u003e\n          Technical Specifications\u003cbr\u003e\n          Mi crophone Preamplifier\u003cbr\u003e\n          Input Type\u003c\/p\u003e\n        \u003cp\u003eXLR Female, balanced\u003c\/p\u003e\n        \u003cp\u003eFrequency Response to Main Output (at unity gain)\u003c\/p\u003e\n        \u003cp\u003e20-20 kHz, ±0.5 dBu\u003c\/p\u003e\n        \u003cp\u003eInput Impedance\u003c\/p\u003e\n        \u003cp\u003e1 k?\u003c\/p\u003e\n        \u003cp\u003eTHD to Main Output\u003c\/p\u003e\n        \u003cp\u003e\u0026lt;0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd\u003c\/p\u003e\n        \u003cp\u003eS\/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd)\u003c\/p\u003e\n        \u003cp\u003e94 dB\u003c\/p\u003e\n        \u003cp\u003eCommon Mode Rejection Ratio (1 kHz at unity gain)\u003c\/p\u003e\n        \u003cp\u003e65 dB\u003c\/p\u003e\n        \u003cp\u003eGain Control Range (±1 dB)\u003c\/p\u003e\n        \u003cp\u003e0 dB to +60 dB\u003c\/p\u003e\n        \u003cp\u003eMaximum Input Level (unity gain)\u003c\/p\u003e\n        \u003cp\u003e+12 dBu\u003c\/p\u003e\n        \u003cp\u003ePhantom Power (±2 VDC)\u003c\/p\u003e\n        \u003cp\u003e48 VDC, switchable per channel\u003c\/p\u003e\n        \u003cp\u003eLine Inputs\u003cbr\u003e\n          Type\u003c\/p\u003e\n        \u003cp\u003e¼” TRS Female, balanced\u003c\/p\u003e\n        \u003cp\u003eFrequency Response to Main Output (at unity gain)\u003c\/p\u003e\n        \u003cp\u003e20-20 kHz, ±0.5 dBu\u003c\/p\u003e\n        \u003cp\u003eInput Impedance\u003c\/p\u003e\n        \u003cp\u003e10 k?\u003c\/p\u003e\n        \u003cp\u003eTHD to Main Output\u003c\/p\u003e\n        \u003cp\u003e\u0026lt;0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd\u003c\/p\u003e\n        \u003cp\u003eS\/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd)\u003c\/p\u003e\n        \u003cp\u003e94 dB\u003c\/p\u003e\n        \u003cp\u003eMaximum Input Level\u003c\/p\u003e\n        \u003cp\u003e+18 dBu\u003c\/p\u003e\n        \u003cp\u003eTape Inputs\u003cbr\u003e\n          Type\u003c\/p\u003e\n        \u003cp\u003eRCA Female, unbalanced (stereo pair)\u003c\/p\u003e\n        \u003cp\u003eMaximum Input Level\u003c\/p\u003e\n        \u003cp\u003e+12 dBu, ±0.5 dBu\u003c\/p\u003e\n        \u003cp\u003eXLR Outputs\u003cbr\u003e\n          Type\u003c\/p\u003e\n        \u003cp\u003eXLR Male, balanced\u003c\/p\u003e\n        \u003cp\u003eMaximum Output Level\u003c\/p\u003e\n        \u003cp\u003e+24 dBu, ±0.5 dBu\u003c\/p\u003e\n        \u003cp\u003eOutput Impedance\u003c\/p\u003e\n        \u003cp\u003e100?\u003c\/p\u003e\n        \u003cp\u003eLine Outputs\u003cbr\u003e\n          Type\u003c\/p\u003e\n        \u003cp\u003e¼” TRS Female, balanced\u003c\/p\u003e\n        \u003cp\u003eMaximum Output Level\u003c\/p\u003e\n        \u003cp\u003e+18 dBu, ±0.5 dBu\u003c\/p\u003e\n        \u003cp\u003eOutput Impedance\u003c\/p\u003e\n        \u003cp\u003e100?\u003c\/p\u003e\n        \u003cp\u003eTape Outputs\u003cbr\u003e\n          Type\u003c\/p\u003e\n        \u003cp\u003eRCA Female, unbalanced (stereo pair)\u003c\/p\u003e\n        \u003cp\u003eMaximum Output Level\u003c\/p\u003e\n        \u003cp\u003e+18 dBu, ±0.5 dBu\u003c\/p\u003e\n        \u003cp\u003eOutput Impedance\u003c\/p\u003e\n        \u003cp\u003e100?\u003c\/p\u003e\n        \u003cp\u003eHeadphone Output\u003cbr\u003e\n          Type\u003c\/p\u003e\n        \u003cp\u003e¼” TRS Female, active stereo\u003c\/p\u003e\n        \u003cp\u003eMaximum Output\u003c\/p\u003e\n        \u003cp\u003e100 mW\/ch. @ 60? load\u003c\/p\u003e\n        \u003cp\u003eFrequency Response\u003c\/p\u003e\n        \u003cp\u003e20 Hz – 20 kHz (± 0.5 dB)\u003c\/p\u003e\n        \u003cp\u003eTHD+N\u003c\/p\u003e\n        \u003cp\u003e0.01%, 1 kHz, max gain, 20 Hz BW, unwtd\u003c\/p\u003e\n        \u003cp\u003eS\/N Ratio\u003c\/p\u003e\n        \u003cp\u003e96 dB, 1 kHz, max gain, 20 Hz BW, unwtd\u003c\/p\u003e\n        \u003cp\u003eSystem Crosstalk\u003cbr\u003e\n          Input to Output\u003c\/p\u003e\n        \u003cp\u003e-90 dB (Ref = +4 dBu, 20 Hz-20 kHz, unwtd)\u003c\/p\u003e\n        \u003cp\u003eAdjacent Channels\u003c\/p\u003e\n        \u003cp\u003e-87 dB (Ref = +4 dBu, 20 Hz-20 kHz, unwtd)\u003c\/p\u003e\n        \u003cp\u003eDigital Audio and Control\u003cbr\u003e\n          ADC Dynamic Range\u003c\/p\u003e\n        \u003cp\u003e115 dB (A-wtd, 48 kHz)\u003c\/p\u003e\n        \u003cp\u003eDAC Dynamic Range\u003c\/p\u003e\n        \u003cp\u003e115 dB (A-wtd, 48 kHz)\u003c\/p\u003e\n        \u003cp\u003eUSB Recording Port\u003c\/p\u003e\n        \u003cp\u003eUSB 2.0, Type-B\u003c\/p\u003e\n        \u003cp\u003eAES\/EBU Output\u003c\/p\u003e\n        \u003cp\u003eXLR Male\u003c\/p\u003e\n        \u003cp\u003eNetwork Control Port\u003c\/p\u003e\n        \u003cp\u003eRJ-45\u003c\/p\u003e\n        \u003cp\u003eAVB Audio Network Port\u003c\/p\u003e\n        \u003cp\u003eLocking XLR Ethernet\u003c\/p\u003e\n        \u003cp\u003eInternal Processing\u003c\/p\u003e\n        \u003cp\u003e32-bit, ?oating point\u003c\/p\u003e\n        \u003cp\u003eSampling Rate\u003c\/p\u003e\n        \u003cp\u003e48 kHz, 44.1 kHz\u003c\/p\u003e\n        \u003cp\u003eA\/D\/A Bit Depth\u003c\/p\u003e\n        \u003cp\u003e24\u003c\/p\u003e\n        \u003cp\u003eReference Level for 0 dBFS\u003c\/p\u003e\n        \u003cp\u003e+18 dBu\u003c\/p\u003e\n        \u003cp\u003eTotal System Latency\u003c\/p\u003e\n        \u003cp\u003e1.9 ms (local routing, analog in-analog out, all processing active)\u003c\/p\u003e\n        \u003cp\u003eClock\u003cbr\u003e\n          Jitter\u003c\/p\u003e\n        \u003cp\u003e\u0026lt;20 ps RMS (20 Hz - 20 kHz)\u003c\/p\u003e\n        \u003cp\u003eJitter Attenuation\u003c\/p\u003e\n        \u003cp\u003e\u0026gt;60 dB (1 ns in, 1 ps out)\u003c\/p\u003e\n        \u003cp\u003ePower \/ Environmental\u003cbr\u003e\n          Connector\u003c\/p\u003e\n        \u003cp\u003eIEC\u003c\/p\u003e\n        \u003cp\u003eInput-Voltage Range\u003c\/p\u003e\n        \u003cp\u003e90 to 230 VAC (±10%)\u003c\/p\u003e\n        \u003cp\u003ePower Requirements (continuous)\u003c\/p\u003e\n        \u003cp\u003e85W\u003c\/p\u003e\n        \u003cp\u003eRecommended Ambient Operating Temperature\u003c\/p\u003e\n        \u003cp\u003e0? to 40? Celsius \/ 32? to 104? Fahrenheit\u003c\/p\u003e\n        \u003cp\u003ePhysical\u003cbr\u003e\n          Height\u003c\/p\u003e\n        \u003cp\u003e6.51” (165.36 mm)\u003c\/p\u003e\n        \u003cp\u003eWidth\u003c\/p\u003e\n        \u003cp\u003e25.98” (659.81 mm)\u003c\/p\u003e\n        \u003cp\u003eDepth\u003c\/p\u003e\n        \u003cp\u003e22.97” (583.84 mm)\u003c\/p\u003e\n        \u003cp\u003eWeight\u003c\/p\u003e\n        \u003cp\u003e30 lbs. (13.6 kg)\u003c\/p\u003e\n      \u003cp\u003eAs a commitment to constant improvement, PreSonus® Audio Electronics, Inc., reserves the right to change any specification stated herein, at any time, without notification.\u003c\/p\u003e\n\u003c\/td\u003e\n    \u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"PreSonus","offers":[{"title":"Default Title","offer_id":40393410674733,"sku":"STUDIOLIVE-32SX-SERIES-III","price":1599.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0379\/2529\/0029\/products\/presonus-studiolive-32sx-series-iii-7.jpg?v=1646767157"},{"product_id":"prsstudiolive32sseriesiii","title":"PreSonus StudioLive 32S, 32 Channel Series III Digital Mixer","description":"\u003ctable width=\"100%\"\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n      \u003cth height=\"30\" bgcolor=\"#f7f7f7\" style=\"text-align: left\"\u003e \u003c\/th\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd height=\"30\"\u003e\n\u003ch1\u003eStudioLive 32S\u003c\/h1\u003e\n        \u003ch2\u003ehe small-format mixer with one-to-one control.\u003c\/h2\u003e\n      \u003cp\u003eThe StudioLive® 32S is a powerful 32-channel mixer that provides the ultimate mixing experience, packing large-format features into a small-format chassis. Powered by the dual-core PreSonus® FLEX DSP Engine, the StudioLive 32S digital mixer is equipped with 40 mixing channels, 26 mix buses, and 286 simultaneous processors—including 4 stereo reverberation systems—and Fat Channel plug-in models on every input channel and mix bus. With 128 (64x64) channels of USB recording, 128 channels of AVB network audio I\/O, flexible routing options, and studio-grade audio quality, the StudioLive 32S delivers a fast and intuitive, surface-driven workflow for total control. Spend less time menu-diving and more time mixing—hands-on.\u003c\/p\u003e\n\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003cth height=\"30\" bgcolor=\"#f7f7f7\" style=\"text-align: left\"\u003e \u003c\/th\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd height=\"30\"\u003e\n\u003cdiv\u003e\n        \u003cdiv\u003e\n          \u003cdiv\u003e\n            \u003ch2\u003eFeatures\u003c\/h2\u003e\n          \u003c\/div\u003e\n        \u003c\/div\u003e\n      \u003c\/div\u003e\n        \u003cdiv\u003e\n          \u003cdiv\u003e\n            \u003cdiv\u003e\n              \u003cul\u003e\n                \u003cli\u003ePowered by the new dual-core PreSonus® FLEX DSP Engine to provide the most processing of any digital mixer in its class\u003c\/li\u003e\n                \u003cli\u003e40 input-channel digital mixer with 33 touch-sensitive motorized faders\n                  \u003cul\u003e\n                    \u003cli\u003e32 local digitally controlled XMAX mic\/line inputs\u003c\/li\u003e\n                    \u003cli\u003e2 balanced stereo aux inputs\u003c\/li\u003e\n                    \u003cli\u003e1 stereo tape input (RCA, Bluetooth™ connectivity, USB, AVB, or SD)\u003c\/li\u003e\n                    \u003cli\u003e4 FLEX FX returns\u003c\/li\u003e\n                    \u003cli\u003e1 Talkback\u003c\/li\u003e\n                  \u003c\/ul\u003e\n                \u003c\/li\u003e\n                \u003cli\u003e26 mix buses\n                  \u003cul\u003e\n                    \u003cli\u003e16 FlexMixes (Aux, Subgroup, Matrix)\u003c\/li\u003e\n                    \u003cli\u003e4 dedicated FLEX FX buses\u003c\/li\u003e\n                    \u003cli\u003e4 dedicated subgroups\u003c\/li\u003e\n                    \u003cli\u003eStereo Main bus\u003c\/li\u003e\n                  \u003c\/ul\u003e\n                \u003c\/li\u003e\n                \u003cli\u003e286 simultaneous processors\n                  \u003cul\u003e\n                    \u003cli\u003eHPF\u003c\/li\u003e\n                    \u003cli\u003eGate\/Expander\u003c\/li\u003e\n                    \u003cli\u003eCompressor with Fat Channel plug-in models\u003c\/li\u003e\n                    \u003cli\u003e4-band\/6-band parametric EQ with Fat Channel plug-in models\u003c\/li\u003e\n                    \u003cli\u003eLimiter\u003c\/li\u003e\n                    \u003cli\u003e31-band graphic EQ\u003c\/li\u003e\n                    \u003cli\u003e4 FLEX FX slots featuring legendary classic reverb emulations and delays\u003c\/li\u003e\n                  \u003c\/ul\u003e\n                \u003c\/li\u003e\n                \u003cli\u003eState Space Modeled Fat Channel compressor and EQ plug-ins available on every input channel and output bus\u003c\/li\u003e\n                \u003cli\u003eFLEX FX multi-effects processor with 4 slots to load legendary reverb emulations and delays with 4 dedicated effects buses\u003c\/li\u003e\n                \u003cli\u003e24 DCAs to control groups of channels\u003c\/li\u003e\n                \u003cli\u003e128-channel (64x64) recording over USB\u003c\/li\u003e\n                \u003cli\u003eOnboard multi-channel SD recorder (34x34) with true Virtual Soundcheck mode\u003c\/li\u003e\n                \u003cli\u003eAVB networking onboard (64x64) to connect with other mixers, NSB-series stage boxes, EarMix 16M personal monitor mixers, and more\u003c\/li\u003e\n                \u003cli\u003eUser Profiles for managing multiple operators with custom permissions\u003c\/li\u003e\n                \u003cli\u003ePer-channel digital patching from any analog, AVB, USB, or SD Card source\u003c\/li\u003e\n                \u003cli\u003eDAW Control\n                  \u003cul\u003e\n                    \u003cli\u003eAdvanced Studio One® control integration\u003c\/li\u003e\n                    \u003cli\u003eMCU emulation mode optimized for Logic\u003c\/li\u003e\n                    \u003cli\u003eHUI emulation mode optimized for Pro Tools\u003c\/li\u003e\n                  \u003c\/ul\u003e\n                \u003c\/li\u003e\n                \u003cli\u003eRemote control every mix function from your computer, iPad®, or Android™ tablet with UC Surface (included)\u003c\/li\u003e\n                \u003cli\u003ePut your musicians’ monitor mix under their fingers with QMix®-UC (included) for iOS® or Android\u003c\/li\u003e\n                \u003cli\u003eCapture® 3.0 multitrack software included\n                  \u003cul\u003e\n                    \u003cli\u003eAutomated Virtual Soundcheck\u003c\/li\u003e\n                    \u003cli\u003eStore StudioLive mix scenes with your audio\u003c\/li\u003e\n                  \u003c\/ul\u003e\n                \u003c\/li\u003e\n                \u003cli\u003eAdvanced Studio One integration (Studio One Artist Included)\n                  \u003cul\u003e\n                    \u003cli\u003eXMAX mic preamp control from Studio One\u003c\/li\u003e\n                    \u003cli\u003eControl Fat Channel parameters from Studio One mixing console\u003c\/li\u003e\n                  \u003c\/ul\u003e\n                \u003c\/li\u003e\n                \u003cli\u003eAbleton® Live Lite included\u003c\/li\u003e\n              \u003c\/ul\u003e\n            \u003c\/div\u003e\n          \u003c\/div\u003e\n      \u003c\/div\u003e        \u003cp\u003e \u003c\/p\u003e\n\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003cth height=\"30\" bgcolor=\"#f7f7f7\" style=\"text-align: left\"\u003e \u003c\/th\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd height=\"30\"\u003e\n\u003cp\u003eComputer system requirements:\u003cbr\u003e\n        Below are the minimum computer-system requirements for StudioLive 32S.\u003c\/p\u003e\n        \u003cp\u003emacOS®\u003cbr\u003e\n          macOS version 10.13 or later\u003cbr\u003e\n          200 MB storage space and 8 GB RAM for Universal Control (required for firmware updates)\u003cbr\u003e\n          Available USB port\u003cbr\u003e\n          Windows®\u003cbr\u003e\n          Windows 10 or later (64-Bit Only)\u003cbr\u003e\n          200 MB storage space and 8 GB RAM for Universal Control (required for firmware updates and low-latency ASIO support)\u003cbr\u003e\n          Available USB port\u003cbr\u003e\n          The above are the hardware system requirements for this product.\u003cbr\u003e\n          DAW software and Operating System requirements vary.\u003c\/p\u003e\n        \u003cp\u003eClick here for Studio One’s system requirements.\u003c\/p\u003e\n        \u003cp\u003eClick here for Qmix-UC’s system requirements\u003c\/p\u003e\n        \u003cp\u003eClick here for UC Surface’s system requirements.\u003c\/p\u003e\n        \u003cp\u003eVST Compatible Logo ASIO Compatible Logo\u003c\/p\u003e\n        \u003cp\u003eVST is a registered trademark of Steinberg Media Technologies GmbH\u003cbr\u003e\n          ASIO is a trademark and software of Steinberg Media Technologies GmbH\u003cbr\u003e\n          USB-C® is a registered trademark of USB Implementers Forum\u003cbr\u003e\n          All other trademarks are property of their respective holders\u003cbr\u003e\n          Technical Specifications\u003cbr\u003e\n          Microphone Preamplifier\u003cbr\u003e\n          Input Type\u003c\/p\u003e\n        \u003cp\u003eXLR Female, balanced\u003c\/p\u003e\n        \u003cp\u003eFrequency Response to Main Output (at unity gain)\u003c\/p\u003e\n        \u003cp\u003e20-20 kHz, ±0.5 dBu\u003c\/p\u003e\n        \u003cp\u003eInput Impedance\u003c\/p\u003e\n        \u003cp\u003e1 k?\u003c\/p\u003e\n        \u003cp\u003eTHD to Main Output\u003c\/p\u003e\n        \u003cp\u003e\u0026lt;0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd\u003c\/p\u003e\n        \u003cp\u003eS\/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd)\u003c\/p\u003e\n        \u003cp\u003e94 dB\u003c\/p\u003e\n        \u003cp\u003eCommon Mode Rejection Ratio (1 kHz at unity gain)\u003c\/p\u003e\n        \u003cp\u003e65 dB\u003c\/p\u003e\n        \u003cp\u003eGain Control Range (±1 dB)\u003c\/p\u003e\n        \u003cp\u003e0 dB to +60 dB\u003c\/p\u003e\n        \u003cp\u003eMaximum Input Level (unity gain)\u003c\/p\u003e\n        \u003cp\u003e+12 dBu\u003c\/p\u003e\n        \u003cp\u003ePhantom Power (±2 VDC)\u003c\/p\u003e\n        \u003cp\u003e48 VDC, switchable per channel\u003c\/p\u003e\n        \u003cp\u003eLine Inputs\u003cbr\u003e\n          Type\u003c\/p\u003e\n        \u003cp\u003e¼” TRS Female, balanced\u003c\/p\u003e\n        \u003cp\u003eFrequency Response to Main Output (at unity gain)\u003c\/p\u003e\n        \u003cp\u003e20-20 kHz, ±0.5 dBu\u003c\/p\u003e\n        \u003cp\u003eInput Impedance\u003c\/p\u003e\n        \u003cp\u003e10 k?\u003c\/p\u003e\n        \u003cp\u003eTHD to Main Output\u003c\/p\u003e\n        \u003cp\u003e\u0026lt;0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd\u003c\/p\u003e\n        \u003cp\u003eS\/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd)\u003c\/p\u003e\n        \u003cp\u003e94 dB\u003c\/p\u003e\n        \u003cp\u003eMaximum Input Level\u003c\/p\u003e\n        \u003cp\u003e+18 dBu\u003c\/p\u003e\n        \u003cp\u003eTape Inputs\u003cbr\u003e\n          Type\u003c\/p\u003e\n        \u003cp\u003eRCA Female, unbalanced (stereo pair)\u003c\/p\u003e\n        \u003cp\u003eMaximum Input Level\u003c\/p\u003e\n        \u003cp\u003e+12 dBu, ±0.5 dBu\u003c\/p\u003e\n        \u003cp\u003eXLR Outputs\u003cbr\u003e\n          Type\u003c\/p\u003e\n        \u003cp\u003eXLR Male, balanced\u003c\/p\u003e\n        \u003cp\u003eMaximum Output Level\u003c\/p\u003e\n        \u003cp\u003e+24 dBu, ±0.5 dBu\u003c\/p\u003e\n        \u003cp\u003eOutput Impedance\u003c\/p\u003e\n        \u003cp\u003e100?\u003c\/p\u003e\n        \u003cp\u003eLine Outputs\u003cbr\u003e\n          Type\u003c\/p\u003e\n        \u003cp\u003e¼” TRS Female, balanced\u003c\/p\u003e\n        \u003cp\u003eMaximum Output Level\u003c\/p\u003e\n        \u003cp\u003e+18 dBu, ±0.5 dBu\u003c\/p\u003e\n        \u003cp\u003eOutput Impedance\u003c\/p\u003e\n        \u003cp\u003e100?\u003c\/p\u003e\n        \u003cp\u003eTape Outputs\u003cbr\u003e\n          Type\u003c\/p\u003e\n        \u003cp\u003eRCA Female, unbalanced (stereo pair)\u003c\/p\u003e\n        \u003cp\u003eMaximum Output Level\u003c\/p\u003e\n        \u003cp\u003e+18 dBu, ±0.5 dBu\u003c\/p\u003e\n        \u003cp\u003eOutput Impedance\u003c\/p\u003e\n        \u003cp\u003e100?\u003c\/p\u003e\n        \u003cp\u003eHeadphone Output\u003cbr\u003e\n          Type\u003c\/p\u003e\n        \u003cp\u003e¼” TRS Female, active stereo\u003c\/p\u003e\n        \u003cp\u003eMaximum Output\u003c\/p\u003e\n        \u003cp\u003e100 mW\/ch. @ 60? load\u003c\/p\u003e\n        \u003cp\u003eFrequency Response\u003c\/p\u003e\n        \u003cp\u003e20 Hz – 20 kHz (±0.5 dB)\u003c\/p\u003e\n        \u003cp\u003eTHD+N\u003c\/p\u003e\n        \u003cp\u003e0.01%, 1 kHz, max gain, 20 Hz BW, unwtd\u003c\/p\u003e\n        \u003cp\u003eS\/N Ratio\u003c\/p\u003e\n        \u003cp\u003e96 dB, 1 kHz, max gain, 20 Hz BW, unwtd\u003c\/p\u003e\n        \u003cp\u003eSystem Crosstalk\u003cbr\u003e\n          Input to Output\u003c\/p\u003e\n        \u003cp\u003e-90 dB (Ref = +4 dBu, 20 Hz-20 kHz, unwtd)\u003c\/p\u003e\n        \u003cp\u003eAdjacent Channels\u003c\/p\u003e\n        \u003cp\u003e-87 dB (Ref = +4 dBu, 20 Hz-20 kHz, unwtd)\u003c\/p\u003e\n        \u003cp\u003eDigital Audio and Control\u003cbr\u003e\n          ADC Dynamic Range\u003c\/p\u003e\n        \u003cp\u003e115 dB (A-wtd, 48 kHz)\u003c\/p\u003e\n        \u003cp\u003eDAC Dynamic Range\u003c\/p\u003e\n        \u003cp\u003e115 dB (A-wtd, 48 kHz)\u003c\/p\u003e\n        \u003cp\u003eUSB Recording Port\u003c\/p\u003e\n        \u003cp\u003eUSB 2.0, Type-B\u003c\/p\u003e\n        \u003cp\u003eBluetooth™ Input\u003c\/p\u003e\n        \u003cp\u003e4.1, stereo\u003c\/p\u003e\n        \u003cp\u003eAES\/EBU Output\u003c\/p\u003e\n        \u003cp\u003eXLR Male\u003c\/p\u003e\n        \u003cp\u003eNetwork Control Port\u003c\/p\u003e\n        \u003cp\u003eRJ-45\u003c\/p\u003e\n        \u003cp\u003eAVB Audio Network Port\u003c\/p\u003e\n        \u003cp\u003eLocking XLR Ethernet\u003c\/p\u003e\n        \u003cp\u003eInternal Processing\u003c\/p\u003e\n        \u003cp\u003e32-bit, ?oating point\u003c\/p\u003e\n        \u003cp\u003eSampling Rate\u003c\/p\u003e\n        \u003cp\u003e48 kHz, 44.1 kHz\u003c\/p\u003e\n        \u003cp\u003eA\/D\/A Bit Depth\u003c\/p\u003e\n        \u003cp\u003e24\u003c\/p\u003e\n        \u003cp\u003eReference Level for 0 dBFS\u003c\/p\u003e\n        \u003cp\u003e+18 dBu\u003c\/p\u003e\n        \u003cp\u003eTotal System Latency\u003c\/p\u003e\n        \u003cp\u003e1.9 ms (local routing, analog in-analog out, all processing active)\u003c\/p\u003e\n        \u003cp\u003eClock\u003cbr\u003e\n          Jitter\u003c\/p\u003e\n        \u003cp\u003e\u0026lt;20 ps RMS (20 Hz - 20 kHz)\u003c\/p\u003e\n        \u003cp\u003eJitter Attenuation\u003c\/p\u003e\n        \u003cp\u003e\u0026gt;60 dB (1 ns in, 1 ps out)\u003c\/p\u003e\n        \u003cp\u003ePower \/ Environmental\u003cbr\u003e\n          Connector\u003c\/p\u003e\n        \u003cp\u003eIEC\u003c\/p\u003e\n        \u003cp\u003eInput-Voltage Range\u003c\/p\u003e\n        \u003cp\u003e90 to 230 VAC (±10%)\u003c\/p\u003e\n        \u003cp\u003ePower Requirements (continuous)\u003c\/p\u003e\n        \u003cp\u003e85W\u003c\/p\u003e\n        \u003cp\u003eRecommended Ambient Operating Temperature\u003c\/p\u003e\n        \u003cp\u003e0? to 40? Celsius \/ 32? to 104? Fahrenheit\u003c\/p\u003e\n        \u003cp\u003ePhysical\u003cbr\u003e\n          Height\u003c\/p\u003e\n        \u003cp\u003e6.51” (165.36 mm)\u003c\/p\u003e\n        \u003cp\u003eWidth\u003c\/p\u003e\n        \u003cp\u003e32.37” (822.21 mm)\u003c\/p\u003e\n        \u003cp\u003eDepth\u003c\/p\u003e\n        \u003cp\u003e22.97” (583.48 mm)\u003c\/p\u003e\n        \u003cp\u003eWeight\u003c\/p\u003e\n        \u003cp\u003e37.2 lbs. (16.9 kg)\u003c\/p\u003e\n      \u003cp\u003eAs a commitment to constant improvement, PreSonus® Audio Electronics, Inc., reserves the right to change any specification stated herein, at any time, without notification.\u003c\/p\u003e\n\u003c\/td\u003e\n    \u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"PreSonus","offers":[{"title":"Default Title","offer_id":40393410740269,"sku":"STUDIOLIVE-32S-SERIES-III","price":1799.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0379\/2529\/0029\/products\/presonus-studiolive-32s-series-iii-7.jpg?v=1646767159"},{"product_id":"prsstudiolive64sseriesiii","title":"PreSonus StudioLive 64S, 64 Channel Series III Digital Mixer","description":"\u003ctable width=\"100%\"\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n      \u003cth height=\"30\" bgcolor=\"#f7f7f7\" style=\"text-align: left\"\u003e \u003c\/th\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd height=\"30\"\u003e\n\u003ch1\u003eStudioLive 64S\u003c\/h1\u003e\n        \u003ch2\u003eThe small format mixer with large format power.\u003c\/h2\u003e\n      \u003cp\u003eThe StudioLive® 64S is a 64-channel mixer that brings the power of a large-format console to small-format digital mixing. Powered by the quad-core PreSonus® FLEX DSP Engine, the StudioLive 64S digital mixer is equipped with 76 mixing channels, 43 mix buses, and 526 simultaneous processors, including 8 stereo reverberation systems, and with Fat Channel plug-in models on every input channel and mix bus. With 128 (64x64) channels of USB recording, 128 channels of AVB I\/O, flexible routing options, and the studio-grade audio quality that made StudioLive mixers famous, the StudioLive 64S delivers a truly exceptional mixing experience that's in a class of its own\u003c\/p\u003e\n\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003cth height=\"30\" bgcolor=\"#f7f7f7\" style=\"text-align: left\"\u003e \u003c\/th\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd height=\"30\"\u003e\n\u003cdiv\u003e\n        \u003cdiv\u003e\n          \u003cdiv\u003e\n            \u003ch2\u003eFeatures\u003c\/h2\u003e\n          \u003c\/div\u003e\n        \u003c\/div\u003e\n      \u003c\/div\u003e\n        \u003cdiv\u003e\n          \u003cdiv\u003e\n            \u003cdiv\u003e\n              \u003cul\u003e\n                \u003cli\u003ePowered by the new quad-core PreSonus® FLEX DSP Engine to provide the most processing of any digital mixer in its class\u003c\/li\u003e\n                \u003cli\u003e76 input-channel digital mixer with 33 touch-sensitive motorized faders\n                  \u003cul\u003e\n                    \u003cli\u003e64 channels (individually sourced from any of the 32 local digitally controlled XMAX mic\/line inputs or any AVB, USB, or SD input)\u003c\/li\u003e\n                    \u003cli\u003e2 balanced stereo aux inputs\u003c\/li\u003e\n                    \u003cli\u003e1 stereo tape input (RCA, Bluetooth™ connectivity, USB, AVB or SD)\u003c\/li\u003e\n                    \u003cli\u003e8 FLEX FX returns\u003c\/li\u003e\n                    \u003cli\u003e1 Talkback\u003c\/li\u003e\n                  \u003c\/ul\u003e\n                \u003c\/li\u003e\n                \u003cli\u003e43 mix buses\n                  \u003cul\u003e\n                    \u003cli\u003e32 FlexMixes (Aux, Subgroup, Matrix)\u003c\/li\u003e\n                    \u003cli\u003e8 dedicated FLEX FX buses\u003c\/li\u003e\n                    \u003cli\u003eStereo Main bus\u003c\/li\u003e\n                    \u003cli\u003eMain Mono\/Center bus with per-channel level send and Center Divergence\u003c\/li\u003e\n                  \u003c\/ul\u003e\n                \u003c\/li\u003e\n                \u003cli\u003e526 simultaneous processors\n                  \u003cul\u003e\n                    \u003cli\u003eHPF\u003c\/li\u003e\n                    \u003cli\u003eGate\/Expander\u003c\/li\u003e\n                    \u003cli\u003eCompressor with Fat Channel plug-in models\u003c\/li\u003e\n                    \u003cli\u003e4-band\/6-band parametric EQ with Fat Channel plug-in models\u003c\/li\u003e\n                    \u003cli\u003eLimiter\u003c\/li\u003e\n                    \u003cli\u003e31-band graphic EQ\u003c\/li\u003e\n                    \u003cli\u003e8 FLEX FX slots featuring legendary classic reverb emulations and delays\u003c\/li\u003e\n                  \u003c\/ul\u003e\n                \u003c\/li\u003e\n                \u003cli\u003eState Space Modeled Fat Channel compressor and EQ plug-ins available on every input channel and output bus\u003c\/li\u003e\n                \u003cli\u003eFLEX FX multi-effects processor with 8 slots to load legendary reverb emulations and delays with 8 dedicated effects buses\u003c\/li\u003e\n                \u003cli\u003e24 DCAs to control groups of channels\u003c\/li\u003e\n                \u003cli\u003e128-channel (64x64) recording over USB\u003c\/li\u003e\n                \u003cli\u003eOnboard multi-channel SD recorder (34x34) with true Virtual Soundcheck mode\u003c\/li\u003e\n                \u003cli\u003eAVB networking onboard (64x64) to connect with other mixers, NSB-series stage boxes, EarMix 16M personal monitor mixers and more\u003c\/li\u003e\n                \u003cli\u003eUser Profiles for managing multiple operators with custom permissions\u003c\/li\u003e\n                \u003cli\u003ePer channel digital patching from any analog, AVB, USB, or SD Card source\u003c\/li\u003e\n                \u003cli\u003eDAW Control\n                  \u003cul\u003e\n                    \u003cli\u003eAdvanced Studio One® control integration\u003c\/li\u003e\n                    \u003cli\u003eMCU emulation mode optimized for Logic\u003c\/li\u003e\n                    \u003cli\u003eHUI emulation mode optimized for Pro Tools\u003c\/li\u003e\n                  \u003c\/ul\u003e\n                \u003c\/li\u003e\n                \u003cli\u003eRemote control every mix function from your computer, iPad®, or Android™ tablet with UC Surface (included)\u003c\/li\u003e\n                \u003cli\u003ePut your musicians’ monitor mix under their fingers with QMix®-UC (included) for iOS® or Android\u003c\/li\u003e\n                \u003cli\u003eCapture® multitrack software included\n                  \u003cul\u003e\n                    \u003cli\u003eAutomated Virtual Soundcheck\u003c\/li\u003e\n                    \u003cli\u003eStore StudioLive® mix scenes with your audio\u003c\/li\u003e\n                  \u003c\/ul\u003e\n                \u003c\/li\u003e\n                \u003cli\u003eAdvanced Studio One integration (Studio One Artist Included)\n                  \u003cul\u003e\n                    \u003cli\u003eXMAX mic preamp control from Studio One\u003c\/li\u003e\n                    \u003cli\u003eControl Fat Channel parameters from Studio One mixing console\u003c\/li\u003e\n                  \u003c\/ul\u003e\n                \u003c\/li\u003e\n                \u003cli\u003eAbleton® Live Lite included\u003c\/li\u003e\n              \u003c\/ul\u003e\n            \u003c\/div\u003e\n          \u003c\/div\u003e\n      \u003c\/div\u003e\n\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003cth height=\"30\" bgcolor=\"#f7f7f7\" style=\"text-align: left\"\u003e \u003c\/th\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd height=\"30\"\u003e\n\u003cp\u003eComputer system requirements:\u003cbr\u003e\n        Below are the minimum computer-system requirements for StudioLive 64S.\u003c\/p\u003e\n        \u003cp\u003emacOS®\u003cbr\u003e\n          macOS version 10.13 or later\u003cbr\u003e\n          200 MB storage space and 8 GB RAM for Universal Control (required for firmware updates)\u003cbr\u003e\n          Available USB port\u003cbr\u003e\n          Windows®\u003cbr\u003e\n          Windows 10 or later (64-Bit Only)\u003cbr\u003e\n          200 MB storage space and 8 GB RAM for Universal Control (required for firmware updates and low-latency ASIO support)\u003cbr\u003e\n          Available USB port\u003cbr\u003e\n          The above are the hardware system requirements for this product.\u003cbr\u003e\n          DAW software and Operating System requirements vary.\u003c\/p\u003e\n        \u003cp\u003eClick here for Studio One’s system requirements.\u003c\/p\u003e\n        \u003cp\u003eClick here for Qmix-UC’s system requirements\u003c\/p\u003e\n        \u003cp\u003eClick here for UC Surface’s system requirements.\u003cbr\u003e\n          VST Compatible Logo ASIO Compatible Logo\u003c\/p\u003e\n        \u003cp\u003eVST is a registered trademark of Steinberg Media Technologies GmbH\u003cbr\u003e\n          ASIO is a trademark and software of Steinberg Media Technologies GmbH\u003cbr\u003e\n          USB-C® is a registered trademark of USB Implementers Forum\u003cbr\u003e\n          All other trademarks are property of their respective holders\u003cbr\u003e\n          Technical Specifications\u003cbr\u003e\n          Mi crophone Preamplifier\u003cbr\u003e\n          Input Type\u003c\/p\u003e\n        \u003cp\u003eXLR Female, balanced\u003c\/p\u003e\n        \u003cp\u003eFrequency Response to Main Output (at unity gain)\u003c\/p\u003e\n        \u003cp\u003e20-20 kHz, ±0.5 dBu\u003c\/p\u003e\n        \u003cp\u003eInput Impedance\u003c\/p\u003e\n        \u003cp\u003e1 k?\u003c\/p\u003e\n        \u003cp\u003eTHD to Main Output\u003c\/p\u003e\n        \u003cp\u003e\u0026lt;0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd\u003c\/p\u003e\n        \u003cp\u003eS\/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd)\u003c\/p\u003e\n        \u003cp\u003e94 dB\u003c\/p\u003e\n        \u003cp\u003eCommon Mode Rejection Ratio (1 kHz at unity gain)\u003c\/p\u003e\n        \u003cp\u003e65 dB\u003c\/p\u003e\n        \u003cp\u003eGain Control Range (±1 dB)\u003c\/p\u003e\n        \u003cp\u003e0 dB to +60 dB\u003c\/p\u003e\n        \u003cp\u003eMaximum Input Level (unity gain)\u003c\/p\u003e\n        \u003cp\u003e+12 dBu\u003c\/p\u003e\n        \u003cp\u003ePhantom Power (±2 VDC)\u003c\/p\u003e\n        \u003cp\u003e48 VDC, switchable per channel\u003c\/p\u003e\n        \u003cp\u003eLine Inputs\u003cbr\u003e\n          Type\u003c\/p\u003e\n        \u003cp\u003e¼” TRS Female, balanced\u003c\/p\u003e\n        \u003cp\u003eFrequency Response to Main Output (at unity gain)\u003c\/p\u003e\n        \u003cp\u003e20-20 kHz, ±0.5 dBu\u003c\/p\u003e\n        \u003cp\u003eInput Impedance\u003c\/p\u003e\n        \u003cp\u003e10 k?\u003c\/p\u003e\n        \u003cp\u003eTHD to Main Output\u003c\/p\u003e\n        \u003cp\u003e\u0026lt;0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd\u003c\/p\u003e\n        \u003cp\u003eS\/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd)\u003c\/p\u003e\n        \u003cp\u003e94 dB\u003c\/p\u003e\n        \u003cp\u003eMaximum Input Level\u003c\/p\u003e\n        \u003cp\u003e+18 dBu\u003c\/p\u003e\n        \u003cp\u003eTape Inputs\u003cbr\u003e\n          Type\u003c\/p\u003e\n        \u003cp\u003eRCA Female, unbalanced (stereo pair)\u003c\/p\u003e\n        \u003cp\u003eMaximum Input Level\u003c\/p\u003e\n        \u003cp\u003e+12 dBu, ±0.5 dBu\u003c\/p\u003e\n        \u003cp\u003eXLR Outputs\u003cbr\u003e\n          Type\u003c\/p\u003e\n        \u003cp\u003eXLR Male, balanced\u003c\/p\u003e\n        \u003cp\u003eMaximum Output Level\u003c\/p\u003e\n        \u003cp\u003e+24 dBu, ±0.5 dBu\u003c\/p\u003e\n        \u003cp\u003eOutput Impedance\u003c\/p\u003e\n        \u003cp\u003e100?\u003c\/p\u003e\n        \u003cp\u003eLine Outputs\u003cbr\u003e\n          Type\u003c\/p\u003e\n        \u003cp\u003e¼” TRS Female, balanced\u003c\/p\u003e\n        \u003cp\u003eMaximum Output Level\u003c\/p\u003e\n        \u003cp\u003e+18 dBu, ±0.5 dBu\u003c\/p\u003e\n        \u003cp\u003eOutput Impedance\u003c\/p\u003e\n        \u003cp\u003e100?\u003c\/p\u003e\n        \u003cp\u003eTape Outputs\u003cbr\u003e\n          Type\u003c\/p\u003e\n        \u003cp\u003eRCA Female, unbalanced (stereo pair)\u003c\/p\u003e\n        \u003cp\u003eMaximum Output Level\u003c\/p\u003e\n        \u003cp\u003e+18 dBu, ±0.5 dBu\u003c\/p\u003e\n        \u003cp\u003eOutput Impedance\u003c\/p\u003e\n        \u003cp\u003e100?\u003c\/p\u003e\n        \u003cp\u003eHeadphone Output\u003cbr\u003e\n          Type\u003c\/p\u003e\n        \u003cp\u003e¼” TRS Female, active stereo\u003c\/p\u003e\n        \u003cp\u003eMaximum Output\u003c\/p\u003e\n        \u003cp\u003e100 mW\/ch. @ 60? load\u003c\/p\u003e\n        \u003cp\u003eFrequency Response\u003c\/p\u003e\n        \u003cp\u003e20 Hz – 20 kHz (± 0.5 dB)\u003c\/p\u003e\n        \u003cp\u003eTHD+N\u003c\/p\u003e\n        \u003cp\u003e0.01%, 1 kHz, max gain, 20 Hz BW, unwtd\u003c\/p\u003e\n        \u003cp\u003eS\/N Ratio\u003c\/p\u003e\n        \u003cp\u003e96 dB, 1 kHz, max gain, 20 Hz BW, unwtd\u003c\/p\u003e\n        \u003cp\u003eSystem Crosstalk\u003cbr\u003e\n          Input to Output\u003c\/p\u003e\n        \u003cp\u003e-90 dB (Ref = +4 dBu, 20 Hz-20 kHz, unwtd)\u003c\/p\u003e\n        \u003cp\u003eAdjacent Channels\u003c\/p\u003e\n        \u003cp\u003e-87 dB (Ref = +4 dBu, 20 Hz-20 kHz, unwtd)\u003c\/p\u003e\n        \u003cp\u003eDigital Audio and Control\u003cbr\u003e\n          ADC Dynamic Range\u003c\/p\u003e\n        \u003cp\u003e115 dB (A-wtd, 48 kHz)\u003c\/p\u003e\n        \u003cp\u003eDAC Dynamic Range\u003c\/p\u003e\n        \u003cp\u003e115 dB (A-wtd, 48 kHz)\u003c\/p\u003e\n        \u003cp\u003eUSB Recording Port\u003c\/p\u003e\n        \u003cp\u003eUSB 2.0, Type-B\u003c\/p\u003e\n        \u003cp\u003eBluetooth™ Input\u003c\/p\u003e\n        \u003cp\u003e4.1, stereo\u003c\/p\u003e\n        \u003cp\u003eAES\/EBU Output\u003c\/p\u003e\n        \u003cp\u003eXLR Male\u003c\/p\u003e\n        \u003cp\u003eNetwork Control Port\u003c\/p\u003e\n        \u003cp\u003eRJ-45\u003c\/p\u003e\n        \u003cp\u003eAVB Audio Network Port\u003c\/p\u003e\n        \u003cp\u003eLocking XLR Ethernet\u003c\/p\u003e\n        \u003cp\u003eInternal Processing\u003c\/p\u003e\n        \u003cp\u003e32-bit, ?oating point\u003c\/p\u003e\n        \u003cp\u003eSampling Rate\u003c\/p\u003e\n        \u003cp\u003e48 kHz, 44.1 kHz\u003c\/p\u003e\n        \u003cp\u003eA\/D\/A Bit Depth\u003c\/p\u003e\n        \u003cp\u003e24\u003c\/p\u003e\n        \u003cp\u003eReference Level for 0 dBFS\u003c\/p\u003e\n        \u003cp\u003e+18 dBu\u003c\/p\u003e\n        \u003cp\u003eTotal System Latency\u003c\/p\u003e\n        \u003cp\u003e1.9 ms (local routing, analog in-analog out, all processing active)\u003c\/p\u003e\n        \u003cp\u003eClock\u003cbr\u003e\n          Jitter\u003c\/p\u003e\n        \u003cp\u003e\u0026lt;20 ps RMS (20 Hz - 20 kHz)\u003c\/p\u003e\n        \u003cp\u003eJitter Attenuation\u003c\/p\u003e\n        \u003cp\u003e\u0026gt;60 dB (1 ns in, 1 ps out)\u003c\/p\u003e\n        \u003cp\u003ePower \/ Environmental\u003cbr\u003e\n          Connector\u003c\/p\u003e\n        \u003cp\u003eIEC\u003c\/p\u003e\n        \u003cp\u003eInput-Voltage Range\u003c\/p\u003e\n        \u003cp\u003e90 to 230 VAC (±10%)\u003c\/p\u003e\n        \u003cp\u003ePower Requirements (continuous)\u003c\/p\u003e\n        \u003cp\u003e85W\u003c\/p\u003e\n        \u003cp\u003eRecommended Ambient Operating Temperature\u003c\/p\u003e\n        \u003cp\u003e0? to 40? Celsius \/ 32? to 104? Fahrenheit\u003c\/p\u003e\n        \u003cp\u003ePhysical\u003cbr\u003e\n          Height\u003c\/p\u003e\n        \u003cp\u003e6.51” (165.36 mm)\u003c\/p\u003e\n        \u003cp\u003eWidth\u003c\/p\u003e\n        \u003cp\u003e32.37” (822.21 mm)\u003c\/p\u003e\n        \u003cp\u003eDepth\u003c\/p\u003e\n        \u003cp\u003e22.97” (583.48 mm)\u003c\/p\u003e\n        \u003cp\u003eWeight\u003c\/p\u003e\n        \u003cp\u003e37.2 lbs. (16.9 kg)\u003c\/p\u003e\n      \u003cp\u003eAs a commitment to constant improvement, PreSonus® Audio Electronics, Inc., reserves the right to change any specification stated herein, at any time, without notification.\u003c\/p\u003e\n\u003c\/td\u003e\n    \u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"PreSonus","offers":[{"title":"Default Title","offer_id":40393410773037,"sku":"STUDIOLIVE-64S-SERIES-III","price":3499.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0379\/2529\/0029\/products\/presonus-studiolive-64s-series-iii-7.jpg?v=1646767161"},{"product_id":"prsnsb88","title":"PreSonus NSB 8.8, 8x8 AVB Networked Stage Box","description":"\u003ctable width=\"100%\"\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n      \u003cth height=\"30\" bgcolor=\"#f7f7f7\" style=\"text-align: left\"\u003e \u003c\/th\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd height=\"30\"\u003e\n\u003ch1\u003eNSB 8.8\u003c\/h1\u003e\n        \u003ch2\u003eInputs and outputs wherever you need them.\u003c\/h2\u003e\n      \u003cp\u003eThe PreSonus® NSB 8.8 networked stage box lets you put your analog I\/O for your StudioLive® Series III digital mixer wherever you need it. Equipped with eight digitally controlled XMAX mic preamps, eight balanced line-level inputs, and eight analog outputs, the NSB 8.8 integrates seamlessly into StudioLive Series III digital mixers with a single Ethernet connection. Remote control input trims, phantom power, and more directly from your StudioLive Series III console or from UC Surface remote mixing software on your tablet or laptop.\u003c\/p\u003e\n\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003cth height=\"30\" bgcolor=\"#f7f7f7\" style=\"text-align: left\"\u003e \u003c\/th\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd height=\"30\"\u003e\n\u003cdiv\u003e\n        \u003cdiv\u003e\n          \u003cdiv\u003e\n            \u003ch2\u003eFeatures\u003c\/h2\u003e\n          \u003c\/div\u003e\n        \u003c\/div\u003e\n      \u003c\/div\u003e\n        \u003cdiv\u003e\n          \u003cdiv\u003e\n            \u003cdiv\u003e\n              \u003cul\u003e\n                \u003cli\u003e8x8 network stage box for StudioLive Series III console mixers\u003c\/li\u003e\n                \u003cli\u003e8 digitally controlled XMAX mic\/line inputs with gain compensation for shared streams\u003c\/li\u003e\n                \u003cli\u003e8 line outputs\u003c\/li\u003e\n                \u003cli\u003eEasy configuration from StudioLive Series III console mixers and UC Surface\u003c\/li\u003e\n                \u003cli\u003eBuilt-in 2-port AVB switch with locking Ethernet connections for easy point-to-point and daisy-chain network configurations\u003c\/li\u003e\n                \u003cli\u003eRugged all-metal stage box enclosure\u003c\/li\u003e\n                \u003cli\u003eOptional rack ears\u003c\/li\u003e\n                \u003cli\u003eCompatible with stage pockets from Ace Backstage\u003c\/li\u003e\n              \u003c\/ul\u003e\n            \u003c\/div\u003e\n          \u003c\/div\u003e\n      \u003c\/div\u003e\n\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003cth height=\"30\" bgcolor=\"#f7f7f7\" style=\"text-align: left\"\u003e \u003c\/th\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd height=\"30\"\u003e\u003cp\u003eTechnical Specifications\u003cbr\u003e\n        Mi?crophone Preamplifier\u003cbr\u003e\n        Input Type XLR Female, balanced\u003cbr\u003e\n        Frequency Response to Main Output (at unity gain) 20-20 kHz, ±0.5 dBu\u003cbr\u003e\n        Input Impedance 1 k?\u003cbr\u003e\n        THD to Main Output \u0026lt;0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd\u003cbr\u003e\n        S\/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) 94 dB\u003cbr\u003e\n        Common Mode Rejection Ratio (1 kHz at unity gain) 65 dB\u003cbr\u003e\n        Gain Control Range (±1 dB) 0 dB to +60 dB\u003cbr\u003e\n        Maximum Input Level (unity gain) +12 dBu\u003cbr\u003e\n        Phantom Power (±2 VDC) 48 VDC, switchable per channel\u003cbr\u003e\n        Line Inputs\u003cbr\u003e\n        Type ¼” TRS Female, balanced\u003cbr\u003e\n        Frequency Response to Main Output (at unity gain) 20-20 kHz, ±0.5 dBu\u003cbr\u003e\n        Input Impedance 10 k?\u003cbr\u003e\n        THD to Main Output \u0026lt;0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd\u003cbr\u003e\n        S\/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) 94 dB\u003cbr\u003e\n        Maximum Input Level +18 dBu\u003cbr\u003e\n        XLR Outputs\u003cbr\u003e\n        Type XLR Male, balanced\u003cbr\u003e\n        Maximum Output Level +24 dBu, ±0.5 dBu\u003cbr\u003e\n        Output Impedance 100?\u003cbr\u003e\n        Digital Audio\u003cbr\u003e\n        ADC Dynamic Range 115 dB (A-wtd, 48 kHz)\u003cbr\u003e\n        DAC Dynamic Range 115 dB (A-wtd, 48 kHz)\u003cbr\u003e\n        AVB Audio Network Ports Locking XLR Ethernet\u003cbr\u003e\n        Sampling Rate 48 kHz, 44.1 kHz\u003cbr\u003e\n        Power\u003cbr\u003e\n        Connector Locking IEC\u003cbr\u003e\n        Input-Voltage Range 90 to 230 VAC (±10%)\u003cbr\u003e\n        Physical\u003cbr\u003e\n        Height 5.2” (132 mm)\u003cbr\u003e\n        Width 16.7” (424 mm)\u003cbr\u003e\n        Depth 4.5” (114 mm)\u003cbr\u003e\n      Weight 5.4 lbs. (2.4 kg)\u003c\/p\u003e\u003c\/td\u003e\n    \u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"PreSonus","offers":[{"title":"Default Title","offer_id":40393411133485,"sku":"NSB-8-8","price":599.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0379\/2529\/0029\/products\/presonus-nsb-8-8-7.jpg?v=1646767169"},{"product_id":"prsnsb168","title":"PreSonus NSB 16.8, 16x8 AVB Networked Stage Box","description":"\u003ctable width=\"100%\"\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n      \u003cth height=\"30\" bgcolor=\"#f7f7f7\" style=\"text-align: left\"\u003e \u003c\/th\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd height=\"30\"\u003e\n\u003ch1\u003eNSB 16.8\u003c\/h1\u003e\n        \u003ch2\u003eInputs and outputs wherever you need them.\u003c\/h2\u003e\n      \u003cp\u003eThe PreSonus® NSB 16.8 networked stage box lets you put analog I\/O for your StudioLive® Series III digital mixer wherever you need it. Equipped with 16 digitally controlled XMAX mic preamps, 16 balanced line-level inputs, and 8 analog outputs, the NSB 16.8 integrates seamlessly into StudioLive Series III digital mixers with a single Ethernet connection. Remote-control input trims, phantom power, and more directly from your StudioLive Series III console or from UC Surface remote mixing software on your tablet or laptop.\u003c\/p\u003e\n\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003cth height=\"30\" bgcolor=\"#f7f7f7\" style=\"text-align: left\"\u003e \u003c\/th\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd height=\"30\"\u003e\n\u003cdiv\u003e\n        \u003cdiv\u003e\n          \u003cdiv\u003e\n            \u003ch2\u003eFeatures\u003c\/h2\u003e\n          \u003c\/div\u003e\n        \u003c\/div\u003e\n      \u003c\/div\u003e\n        \u003cdiv\u003e\n          \u003cdiv\u003e\n            \u003cdiv\u003e\n              \u003cul\u003e\n                \u003cli\u003e16x8 network stage box for StudioLive® Series III console mixers\u003c\/li\u003e\n                \u003cli\u003e16 digitally controlled XMAX mic\/line inputs with gain compensation for shared streams\u003c\/li\u003e\n                \u003cli\u003e8 line outputs\u003c\/li\u003e\n                \u003cli\u003eEasy configuration from StudioLive Series III console mixers and UC Surface\u003c\/li\u003e\n                \u003cli\u003eBuilt-in 2-port AVB switch with locking Ethernet connections for easy point-to-point and daisy-chain network configurations\u003c\/li\u003e\n                \u003cli\u003eRugged all-metal stage box enclosure\u003c\/li\u003e\n                \u003cli\u003eOptional rack ears\u003c\/li\u003e\n                \u003cli\u003eCompatible with stage pockets from Ace Backstage\u003c\/li\u003e\n              \u003c\/ul\u003e\n            \u003c\/div\u003e\n          \u003c\/div\u003e\n      \u003c\/div\u003e\n\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003cth height=\"30\" bgcolor=\"#f7f7f7\" style=\"text-align: left\"\u003e \u003c\/th\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd height=\"30\"\u003e\u003cp\u003eTechnical Specifications\u003cbr\u003e\n        Mi?crophone Preamplifier\u003cbr\u003e\n        Input Type XLR Female, balanced\u003cbr\u003e\n        Frequency Response to Main Output (at unity gain) 20-20 kHz, ±0.5 dBu\u003cbr\u003e\n        Input Impedance 1 k?\u003cbr\u003e\n        THD to Main Output \u0026lt;0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd\u003cbr\u003e\n        S\/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) 94 dB\u003cbr\u003e\n        Common Mode Rejection Ratio (1 kHz at unity gain) 65 dB\u003cbr\u003e\n        Gain Control Range (±1 dB) 0 dB to +60 dB\u003cbr\u003e\n        Maximum Input Level (unity gain) +12 dBu\u003cbr\u003e\n        Phantom Power (±2 VDC) 48 VDC, switchable per channel\u003cbr\u003e\n        Line Inputs\u003cbr\u003e\n        Type ¼” TRS Female, balanced\u003cbr\u003e\n        Frequency Response to Main Output (at unity gain) 20-20 kHz, ±0.5 dBu\u003cbr\u003e\n        Input Impedance 10 k?\u003cbr\u003e\n        THD to Main Output \u0026lt;0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd\u003cbr\u003e\n        S\/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) 94 dB\u003cbr\u003e\n        Maximum Input Level +18 dBu\u003cbr\u003e\n        XLR Outputs\u003cbr\u003e\n        Type XLR Male, balanced\u003cbr\u003e\n        Maximum Output Level +24 dBu, ±0.5 dBu\u003cbr\u003e\n        Output Impedance 100?\u003cbr\u003e\n        Digital Audio\u003cbr\u003e\n        ADC Dynamic Range 115 dB (A-wtd, 48 kHz)\u003cbr\u003e\n        DAC Dynamic Range 115 dB (A-wtd, 48 kHz)\u003cbr\u003e\n        AVB Audio Network Ports Locking XLR Ethernet\u003cbr\u003e\n        Sampling Rate 48 kHz, 44.1 kHz\u003cbr\u003e\n        Power\u003cbr\u003e\n        Connector Locking IEC\u003cbr\u003e\n        Input-Voltage Range 90 to 230 VAC (±10%)\u003cbr\u003e\n        Physical\u003cbr\u003e\n        Height 7” (178 mm)\u003cbr\u003e\n        Width 16.7” (424 mm)\u003cbr\u003e\n        Depth 4.5” (114 mm)\u003cbr\u003e\n      Weight 6.2 lbs. (2.8 kg)\u003c\/p\u003e\u003c\/td\u003e\n    \u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"PreSonus","offers":[{"title":"Default Title","offer_id":40393411199021,"sku":"NSB-16-8","price":799.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0379\/2529\/0029\/products\/presonus-nsb-16-8-7.jpg?v=1646767171"},{"product_id":"prsstudiolive1602usb","title":"PreSonus StudioLive Classic 16.0.2, 16 Channel Digital Mixer with USB","description":"\u003ctable width=\"100%\"\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n      \u003cth height=\"30\" bgcolor=\"#f7f7f7\" style=\"text-align: left\"\u003e \u003c\/th\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd height=\"30\"\u003e\n\u003ch1\u003eStudioLive 16.0.2 USB\u003c\/h1\u003e\n        \u003ch2\u003eThe ease of analog meets the power of digital.\u003c\/h2\u003e\n      \u003cp\u003eWhen you’re mixing a live event or have an artist in the studio, you need to be able to work quickly. The StudioLive® 16.0.2 USB’s familiar, easy-to-use interface keeps all critical controls visible and accessible —not buried in menus or layers. Our design philosophy is simple: One fader for every mono or stereo channel; one output for every bus. Add to that easily accessed, color-coded function buttons; rotary trim controls; and clearly labeled, individual knobs for EQ and dynamics processing. Aux sends have their own physical controls. Every channel has a big, bright meter display. But don’t let the analog feel fool you: The StudioLive 16.0.2 USB offers the power of modern digital mixing, multitrack recording, wireless remote control, and more.\u003c\/p\u003e\n\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003cth height=\"30\" bgcolor=\"#f7f7f7\" style=\"text-align: left\"\u003e \u003c\/th\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd height=\"30\"\u003e\n\u003cdiv\u003e\n        \u003cdiv\u003e\n          \u003cdiv\u003e\n            \u003ch2\u003eFeatures\u003c\/h2\u003e\n          \u003c\/div\u003e\n        \u003c\/div\u003e\n      \u003c\/div\u003e\n        \u003cdiv\u003e\n          \u003cdiv\u003e\n            \u003cdiv\u003e\n              \u003ch3\u003e8 mono mic\/line channel inputs, each with:\u003c\/h3\u003e\n              \u003cul\u003e\n                \u003cli\u003eHigh-headroom Class A XMAX mic preamplifier\u003c\/li\u003e\n                \u003cli\u003eXLR mic and balanced ¼-inch line inputs\u003c\/li\u003e\n                \u003cli\u003e60 mm precision fader\u003cbr\u003e\n                \u003c\/li\u003e\n              \u003c\/ul\u003e\n              \u003ch3\u003e4 stereo line channel inputs, with:\u003c\/h3\u003e\n              \u003cul\u003e\n                \u003cli\u003eHigh-headroom Class A XMAX mic preamplifier (Ch. 9, 11, 13, and 15)\u003c\/li\u003e\n                \u003cli\u003eXLR mic inputs (Ch. 9, 11, 13, and 15)\u003c\/li\u003e\n                \u003cli\u003eBalanced ¼-inch line inputs (Ch. 9-16)\u003c\/li\u003e\n                \u003cli\u003eUnbalanced RCA line inputs (Ch. 13-16)\u003c\/li\u003e\n                \u003cli\u003e60 mm precision fader (4 stereo)\u003c\/li\u003e\n                \u003cli\u003e4 Auxiliary buses (pre\/post-fader send)\u003cbr\u003e\n                \u003c\/li\u003e\n              \u003c\/ul\u003e\n              \u003ch3\u003e2 Internal FX buses\u003c\/h3\u003e\n              \u003ch3\u003e2 stereo 32-bit digital effects processors with customizable reverb and delay presets\u003c\/h3\u003e\n              \u003ch3\u003eFat Channel signal processing on all channels and buses, with:\u003c\/h3\u003e\n              \u003cul\u003e\n                \u003cli\u003e3-band semi-parametric EQ (individual band on\/off)\u003c\/li\u003e\n                \u003cli\u003eFull-featured compressor\u003c\/li\u003e\n                \u003cli\u003eStandard downward expander\u003c\/li\u003e\n                \u003cli\u003eLimiter\u003c\/li\u003e\n                \u003cli\u003ePhase reverse (12 mic preamplifiers only)\u003c\/li\u003e\n                \u003cli\u003ePan with dedicated 15-LED display\u003c\/li\u003e\n                \u003cli\u003eStereo link for input channels and aux buses\u003c\/li\u003e\n                \u003cli\u003eHighpass filter\u003cbr\u003e\n                \u003c\/li\u003e\n              \u003c\/ul\u003e\n              \u003ch3\u003eOne 31-band stereo graphic EQ (on main outputs only)\u003c\/h3\u003e\n              \u003ch3\u003e18-in\/16-out USB recording interface (24-bit\/44.1 kHz and 48 kHz)\u003c\/h3\u003e\n              \u003cul\u003e\n                \u003cli\u003eCompatible with most audio software via ASIO, Windows Audio, Core Audio\u003c\/li\u003e\n              \u003c\/ul\u003e\n              \u003ch3\u003eScene store and recall\u003c\/h3\u003e\n              \u003ch3\u003eSettings can be copied among channels and buses and saved as user presets.\u003c\/h3\u003e\n              \u003ch3\u003eSoftware bundle includes:\u003c\/h3\u003e\n              \u003cul\u003e\n                \u003cli\u003ePreSonus® Studio One® Artist digital audio workstation for macOS® and Windows ®\u003c\/li\u003e\n                \u003cli\u003ePreSonus Capture® live-recording software for macOS and Windows\u003c\/li\u003e\n                \u003cli\u003ePreSonus UC Surface mixer-control software for macOS, Windows, Android™, and iPadOS®\u003c\/li\u003e\n                \u003cli\u003eFree downloadable PreSonus QMix®-UC software for iPhone®\/iPod touch® and Android provides wireless remote control of aux mixes\u003c\/li\u003e\n                \u003cli\u003eAbleton® Live Lite\u003cbr\u003e\n                  \u003cbr\u003e\n                \u003c\/li\u003e\n              \u003c\/ul\u003e\n              \u003ch3\u003e\n\u003cbr\u003e\n                Lockout mode protects your settings from meddlers and accidents\u003c\/h3\u003e\n              \u003ch3\u003eMIDI Control Mode provides control over:\u003c\/h3\u003e\n              \u003cul\u003e\n                \u003cli\u003eScene and FX Preset recall\u003c\/li\u003e\n                \u003cli\u003eMain Volume, FXA, and FXB output levels\u003c\/li\u003e\n                \u003cli\u003eFXA and FXB assign\/unassign to Mains\u003c\/li\u003e\n              \u003c\/ul\u003e\n            \u003c\/div\u003e\n          \u003c\/div\u003e\n      \u003c\/div\u003e\n\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003cth height=\"30\" bgcolor=\"#f7f7f7\" style=\"text-align: left\"\u003e \u003c\/th\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd height=\"30\"\u003e\n\u003cp\u003eComputer system requirements:\u003cbr\u003e\n        Below are the minimum computer-system requirements for StudioLive 16.0.2 USB.\u003c\/p\u003e\n        \u003cp\u003emacOS®\u003cbr\u003e\n          macOS version 10.13 or later\u003cbr\u003e\n          200 MB storage space and 8 GB RAM for Universal Control (required for firmware updates)\u003cbr\u003e\n          Available USB port\u003cbr\u003e\n          Windows®\u003cbr\u003e\n          Windows 10 or later (64-Bit Only)\u003cbr\u003e\n          200 MB storage space and 8 GB RAM for Universal Control (required for firmware updates and low-latency ASIO support)\u003cbr\u003e\n          Available USB port\u003cbr\u003e\n          The above are the hardware system requirements for this product.\u003cbr\u003e\n          DAW software and Operating System requirements vary.\u003cbr\u003e\n        \u003c\/p\u003e\n        \u003cp\u003eClick here for Studio One’s system requirements.\u003cbr\u003e\n          VST Compatible Logo ASIO Compatible Logo\u003c\/p\u003e\n        \u003cp\u003eVST is a registered trademark of Steinberg Media Technologies GmbH\u003cbr\u003e\n          ASIO is a trademark and software of Steinberg Media Technologies GmbH\u003cbr\u003e\n          USB-C® is a registered trademark of USB Implementers Forum\u003cbr\u003e\n          All other trademarks are property of their respective holders\u003cbr\u003e\n          Technical Specifications\u003cbr\u003e\n          Microphone Preamp\u003cbr\u003e\n          Type XLR Female, Balanced\u003cbr\u003e\n          Frequency Response to Direct Output (at unity gain) 20 Hz-20 kHz, 0 \/ -0.5 dBu\u003cbr\u003e\n          Frequency Response to Main Output (at unity gain) 20 Hz-20 kHz, ±0.5 dBu\u003cbr\u003e\n          Input Impedance (Balanced) 1 k?\u003cbr\u003e\n          THD to Direct Output (1 kHz at unity gain) \u0026lt;0.005%, +4 dBu, 20 Hz–20 kHz, unity gain, unwtd\u003cbr\u003e\n          THD to Main Output (1 kHz at unity gain) 0.005%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd\u003cbr\u003e\n          EIN to Direct Output +125 dB unwtd, +130 dB A-wtd\u003cbr\u003e\n          S\/N Ratio to Direct Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) -102 dB\u003cbr\u003e\n          S\/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) -95 dB\u003cbr\u003e\n          Common Mode Rejection Ratio (1 kHz at unity gain) +65 dB\u003cbr\u003e\n          Gain Control Range (± 1 dB) -16 dB to +67 dB\u003cbr\u003e\n          Maximum Input Level (unity gain) +16 dBu\u003cbr\u003e\n          Phantom Power (± 2 VDC) +48 VDC\u003cbr\u003e\n          Line Inputs, Balanced\u003cbr\u003e\n          Type ¼\" TRS Female, balanced mono\u003cbr\u003e\n          Frequency Response to Direct Outputs (at unity gain) 10 Hz-20 kHz, 0 \/ -0.5 dBu\u003cbr\u003e\n          Frequency Response to Main Outputs (at unity gain) 20 Hz-20 kHz, 0\/-0.5 dBu\u003cbr\u003e\n          Input Impedance 10 k?\u003cbr\u003e\n          THD to Direct Output (1 kHz at unity gain) \u0026lt;0.0007%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd\u003cbr\u003e\n          THD to Main Output (1 kHz at unity gain) \u0026lt;0.005%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd\u003cbr\u003e\n          S\/N Ratio to Direct Output (Ref = +4 dBu, 20 kHz BW, unity gain, A-wtd) -105 dB\u003cbr\u003e\n          S\/N Ratio to Main Output (Ref = +4 dBu, 20 kHz BW, unity gain, A-wtd) -95 dB\u003cbr\u003e\n          Gain Control Range (± 1 dB) -20 dB to +20 dB\u003cbr\u003e\n          Maximum Input level (unity gain) +22 dBu\u003cbr\u003e\n          Line Inputs, Unbalanced\u003cbr\u003e\n          Type RCA Female, unbalanced (stereo pair)\u003cbr\u003e\n          Maximum Input Level +22 dBu\u003cbr\u003e\n          Main Outputs\u003cbr\u003e\n          Type XLR Male, balanced (stereo pair); ¼” TRS Female, balanced (stereo pair)\u003cbr\u003e\n          Rated Output Level +24 dBu\u003cbr\u003e\n          Output Impedance 100?\u003cbr\u003e\n          Aux Outputs\u003cbr\u003e\n          Type ¼” TRS Female, balanced (mono)\u003cbr\u003e\n          Rated Output Level +18 dBu\u003cbr\u003e\n          Output Impedance 100?\u003cbr\u003e\n          Monitor Outputs\u003cbr\u003e\n          Type ¼” TRS Female, balanced (stereo pair)\u003cbr\u003e\n          Rated Output Level z +18 dBu\u003cbr\u003e\n          Output Impedance 100?\u003cbr\u003e\n          System Crosstalk\u003cbr\u003e\n          Input to Output (Ref = +4 dBu, 20 Hz-20 kHz, unwtd) -90 dBu\u003cbr\u003e\n          Adjacent Channels (Ref = +4 dBu, 20 Hz-20 kHz, unwtd) -87 dBu\u003cbr\u003e\n          Noise Gate (Expander)\u003cbr\u003e\n          Threshold Range -84 dB to 0 dB\u003cbr\u003e\n          Attack Time Adaptive (0.2 - 2.5 ms)\u003cbr\u003e\n          Release Time 70 ms\u003cbr\u003e\n          Expander Attenuation Range 2:1\u003cbr\u003e\n          Compressor\u003cbr\u003e\n          Threshold Range -56 dB to 0 dB\u003cbr\u003e\n          Ratio 1:1 to 14:1\u003cbr\u003e\n          Response Time (Attack\/Release 0.2 ms \/ 1.0s (“Tight”) to 180 ms \/ 1.0s (“Smooth”)\u003cbr\u003e\n          Auto Attack and Release Attack = 10 ms, Release = 150 ms\u003cbr\u003e\n          Curve Types hard and soft knee\u003cbr\u003e\n          EQ\u003cbr\u003e\n          Type 2nd-order shelving filter (Q = 0.55)\u003cbr\u003e\n          Low (Low-pass or Bandpass) 36 to 465 Hz, ±15 dB\u003cbr\u003e\n          Mid 260 Hz to 3.5 kHz, ±15 dB\u003cbr\u003e\n          High (High-pass or Bandpass) 1.4 kHz to 18 kHz, ±15 dB\u003cbr\u003e\n          Digital Audio\u003cbr\u003e\n          Host Interface USB 2.0\u003cbr\u003e\n          ADC Dynamic Range (A-wtd, 48 kHz) 118 dB\u003cbr\u003e\n          DAC Dynamic Range (A-wtd, 48 kHz) 118 dB\u003cbr\u003e\n          Internal Processing 32-bit, floating point\u003cbr\u003e\n          Sampling Rate 44.1, 48 kHz\u003cbr\u003e\n          A\/D\/A Bit Depth 24 bits\u003cbr\u003e\n          Reference Level for 0 dBFS +18 dBu\u003cbr\u003e\n          Clock\u003cbr\u003e\n          Jitter \u0026lt;20 ps rms (20 Hz - 20 kHz)\u003cbr\u003e\n          Jitter Attenuation \u0026gt;60 dB (1 ns in ? 1 ps out)\u003cbr\u003e\n          Power\u003cbr\u003e\n          Connector IEC\u003cbr\u003e\n          Input-Voltage Range 100 to 240 VAC (factory-configured for country of destination)\u003cbr\u003e\n          Power Requirements (continuous) 100W\u003cbr\u003e\n          Physical\u003cbr\u003e\n          Length 15.56 inches (397 mm)\u003cbr\u003e\n          Width 16 inches (406 mm)\u003cbr\u003e\n          Maximum Height 5.5 inches (140 mm)\u003cbr\u003e\n          Weight 20 lbs.\u003cbr\u003e\n      As a commitment to constant improvement, PreSonus Audio Electronics, Inc., reserves the right to change any specification stated herein, at any time, without notification.\u003c\/p\u003e\n\u003c\/td\u003e\n    \u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"PreSonus","offers":[{"title":"Default Title","offer_id":40393411297325,"sku":"STUDIOLIVE-16-0-2-USB","price":999.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0379\/2529\/0029\/products\/presonus-studiolive-16-0-2-usb-7.jpg?v=1646767174"},{"product_id":"prsair10","title":"PreSonus AIR10, 10 Inch 1200W Active Loudspeaker","description":"\u003ctable width=\"100%\"\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n      \u003cth height=\"30\" bgcolor=\"#f7f7f7\" style=\"text-align: left\"\u003e \u003c\/th\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd height=\"30\"\u003e\n\u003ch1\u003eAIR10\u003c\/h1\u003e\n        \u003ch2\u003eAIR10: Versatile, customizable, and easy to transport.\u003c\/h2\u003e\n        \u003cp\u003eCompact and lightweight, AIR10 active loudspeakers provide a rich, extended low-end and natural high-frequency extension in an enclosure that will easily fit in the backseat of a small car. Backed by 1,200W (dynamic) of Class D\/Class AB power and enhanced with easy-to-use digital tuning functions, the AIR10 gives you all the power and tools you need for both mobile and installed sound.\u003c\/p\u003e\n      \u003cp\u003e \u003c\/p\u003e\n\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003cth height=\"30\" bgcolor=\"#f7f7f7\" style=\"text-align: left\"\u003e \u003c\/th\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd height=\"30\"\u003e\n\u003cdiv\u003e\n        \u003cdiv\u003e\n          \u003cdiv\u003e\n            \u003ch2\u003eFeatures\u003c\/h2\u003e\n          \u003c\/div\u003e\n        \u003c\/div\u003e\n      \u003c\/div\u003e\n        \u003cdiv\u003e\n          \u003cdiv\u003e\n            \u003cdiv\u003e\n              \u003ch3\u003eMain Components\u003c\/h3\u003e\n              \u003cul\u003e\n                \u003cli\u003eHybrid “best of both worlds” 1,200W (peak) power amp configuration:\n                  \u003cul\u003e\n                    \u003cli\u003eLow-frequency driver: 900W, Class D amplifier\u003c\/li\u003e\n                    \u003cli\u003eHigh-frequency driver: 300W, Class A\/B amplifier\u003c\/li\u003e\n                    \u003cli\u003eMaximum SPL 121 dB peak\u003c\/li\u003e\n                  \u003c\/ul\u003e\n                \u003c\/li\u003e\n                \u003cli\u003e1-inch, high-frequency compression driver\u003c\/li\u003e\n                \u003cli\u003e10-inch woofer with a 2-inch voice coil\u003c\/li\u003e\n                \u003cli\u003e66 Hz to 20 kHz frequency response\u003c\/li\u003e\n                \u003cli\u003e121 dB SPL (max)\u003c\/li\u003e\n                \u003cli\u003e90° x 60° (horizontal x vertical) dispersion pattern\u003c\/li\u003e\n                \u003cli\u003eOnboard mixer with two combo XLR and ¼” inputs and one summed balanced output\u003c\/li\u003e\n              \u003c\/ul\u003e\n              \u003ch3\u003eControls\u003c\/h3\u003e\n              \u003cul\u003e\n                \u003cli\u003eEasy-to-use DSP performance presets:\n                  \u003cul\u003e\n                    \u003cli\u003eDJ — music playback\u003c\/li\u003e\n                    \u003cli\u003eFOH — normal front-of-house Enhance – enhanced low end for a warmer sound\u003c\/li\u003e\n                    \u003cli\u003eMonitor — optimized for floor wedge placement\u003c\/li\u003e\n                    \u003cli\u003eSpeech — applications where speech intelligibility is critical\u003c\/li\u003e\n                  \u003c\/ul\u003e\n                \u003c\/li\u003e\n                \u003cli\u003eAdditional presets and controls:\n                  \u003cul\u003e\n                    \u003cli\u003eStand — for mounting on a pole or tripod\u003c\/li\u003e\n                    \u003cli\u003eBracket — for wall-mount applications\u003c\/li\u003e\n                    \u003cli\u003eSuspend — for suspended applications\u003c\/li\u003e\n                  \u003c\/ul\u003e\n                \u003c\/li\u003e\n              \u003c\/ul\u003e\n              \u003ch3\u003eConvenience Features\u003c\/h3\u003e\n              \u003cul\u003e\n                \u003cli\u003eMulti-angle enclosure for mains or monitor-wedge applications\u003c\/li\u003e\n                \u003cli\u003eComfortable ergonomic handle\u003c\/li\u003e\n                \u003cli\u003e35 mm pole socket with 7.5? downward tilt\u003c\/li\u003e\n                \u003cli\u003eM10 rigging points for suspended installation\u003c\/li\u003e\n                \u003cli\u003eDefeatable front-panel LED\u003c\/li\u003e\n                \u003cli\u003eRugged plastic enclosure\u003c\/li\u003e\n                \u003cli\u003eTour-grade, 1.2 mm steel grille\u003c\/li\u003e\n              \u003c\/ul\u003e\n            \u003c\/div\u003e\n          \u003c\/div\u003e\n      \u003c\/div\u003e\n\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003cth height=\"30\" bgcolor=\"#f7f7f7\" style=\"text-align: left\"\u003e \u003c\/th\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd height=\"30\"\u003e\n\u003cp\u003eComputer system requirements:\u003cbr\u003e\n        Below are the minimum computer-system requirements for StudioLive 16.0.2 USB.\u003c\/p\u003e\n        \u003cp\u003emacOS®\u003cbr\u003e\n          macOS version 10.13 or later\u003cbr\u003e\n          200 MB storage space and 8 GB RAM for Universal Control (required for firmware updates)\u003cbr\u003e\n          Available USB port\u003cbr\u003e\n          Windows®\u003cbr\u003e\n          Windows 10 or later (64-Bit Only)\u003cbr\u003e\n          200 MB storage space and 8 GB RAM for Universal Control (required for firmware updates and low-latency ASIO support)\u003cbr\u003e\n          Available USB port\u003cbr\u003e\n          The above are the hardware system requirements for this product.\u003cbr\u003e\n          DAW software and Operating System requirements vary.\u003cbr\u003e\n        \u003c\/p\u003e\n        \u003cp\u003eClick here for Studio One’s system requirements.\u003cbr\u003e\n          VST Compatible Logo ASIO Compatible Logo\u003c\/p\u003e\n        \u003cp\u003eVST is a registered trademark of Steinberg Media Technologies GmbH\u003cbr\u003e\n          ASIO is a trademark and software of Steinberg Media Technologies GmbH\u003cbr\u003e\n          USB-C® is a registered trademark of USB Implementers Forum\u003cbr\u003e\n          All other trademarks are property of their respective holders\u003cbr\u003e\n          Technical Specifications\u003cbr\u003e\n          Microphone Preamp\u003cbr\u003e\n          Type XLR Female, Balanced\u003cbr\u003e\n          Frequency Response to Direct Output (at unity gain) 20 Hz-20 kHz, 0 \/ -0.5 dBu\u003cbr\u003e\n          Frequency Response to Main Output (at unity gain) 20 Hz-20 kHz, ±0.5 dBu\u003cbr\u003e\n          Input Impedance (Balanced) 1 k?\u003cbr\u003e\n          THD to Direct Output (1 kHz at unity gain) \u0026lt;0.005%, +4 dBu, 20 Hz–20 kHz, unity gain, unwtd\u003cbr\u003e\n          THD to Main Output (1 kHz at unity gain) 0.005%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd\u003cbr\u003e\n          EIN to Direct Output +125 dB unwtd, +130 dB A-wtd\u003cbr\u003e\n          S\/N Ratio to Direct Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) -102 dB\u003cbr\u003e\n          S\/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) -95 dB\u003cbr\u003e\n          Common Mode Rejection Ratio (1 kHz at unity gain) +65 dB\u003cbr\u003e\n          Gain Control Range (± 1 dB) -16 dB to +67 dB\u003cbr\u003e\n          Maximum Input Level (unity gain) +16 dBu\u003cbr\u003e\n          Phantom Power (± 2 VDC) +48 VDC\u003cbr\u003e\n          Line Inputs, Balanced\u003cbr\u003e\n          Type ¼\" TRS Female, balanced mono\u003cbr\u003e\n          Frequency Response to Direct Outputs (at unity gain) 10 Hz-20 kHz, 0 \/ -0.5 dBu\u003cbr\u003e\n          Frequency Response to Main Outputs (at unity gain) 20 Hz-20 kHz, 0\/-0.5 dBu\u003cbr\u003e\n          Input Impedance 10 k?\u003cbr\u003e\n          THD to Direct Output (1 kHz at unity gain) \u0026lt;0.0007%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd\u003cbr\u003e\n          THD to Main Output (1 kHz at unity gain) \u0026lt;0.005%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd\u003cbr\u003e\n          S\/N Ratio to Direct Output (Ref = +4 dBu, 20 kHz BW, unity gain, A-wtd) -105 dB\u003cbr\u003e\n          S\/N Ratio to Main Output (Ref = +4 dBu, 20 kHz BW, unity gain, A-wtd) -95 dB\u003cbr\u003e\n          Gain Control Range (± 1 dB) -20 dB to +20 dB\u003cbr\u003e\n          Maximum Input level (unity gain) +22 dBu\u003cbr\u003e\n          Line Inputs, Unbalanced\u003cbr\u003e\n          Type RCA Female, unbalanced (stereo pair)\u003cbr\u003e\n          Maximum Input Level +22 dBu\u003cbr\u003e\n          Main Outputs\u003cbr\u003e\n          Type XLR Male, balanced (stereo pair); ¼” TRS Female, balanced (stereo pair)\u003cbr\u003e\n          Rated Output Level +24 dBu\u003cbr\u003e\n          Output Impedance 100?\u003cbr\u003e\n          Aux Outputs\u003cbr\u003e\n          Type ¼” TRS Female, balanced (mono)\u003cbr\u003e\n          Rated Output Level +18 dBu\u003cbr\u003e\n          Output Impedance 100?\u003cbr\u003e\n          Monitor Outputs\u003cbr\u003e\n          Type ¼” TRS Female, balanced (stereo pair)\u003cbr\u003e\n          Rated Output Level z +18 dBu\u003cbr\u003e\n          Output Impedance 100?\u003cbr\u003e\n          System Crosstalk\u003cbr\u003e\n          Input to Output (Ref = +4 dBu, 20 Hz-20 kHz, unwtd) -90 dBu\u003cbr\u003e\n          Adjacent Channels (Ref = +4 dBu, 20 Hz-20 kHz, unwtd) -87 dBu\u003cbr\u003e\n          Noise Gate (Expander)\u003cbr\u003e\n          Threshold Range -84 dB to 0 dB\u003cbr\u003e\n          Attack Time Adaptive (0.2 - 2.5 ms)\u003cbr\u003e\n          Release Time 70 ms\u003cbr\u003e\n          Expander Attenuation Range 2:1\u003cbr\u003e\n          Compressor\u003cbr\u003e\n          Threshold Range -56 dB to 0 dB\u003cbr\u003e\n          Ratio 1:1 to 14:1\u003cbr\u003e\n          Response Time (Attack\/Release 0.2 ms \/ 1.0s (“Tight”) to 180 ms \/ 1.0s (“Smooth”)\u003cbr\u003e\n          Auto Attack and Release Attack = 10 ms, Release = 150 ms\u003cbr\u003e\n          Curve Types hard and soft knee\u003cbr\u003e\n          EQ\u003cbr\u003e\n          Type 2nd-order shelving filter (Q = 0.55)\u003cbr\u003e\n          Low (Low-pass or Bandpass) 36 to 465 Hz, ±15 dB\u003cbr\u003e\n          Mid 260 Hz to 3.5 kHz, ±15 dB\u003cbr\u003e\n          High (High-pass or Bandpass) 1.4 kHz to 18 kHz, ±15 dB\u003cbr\u003e\n          Digital Audio\u003cbr\u003e\n          Host Interface USB 2.0\u003cbr\u003e\n          ADC Dynamic Range (A-wtd, 48 kHz) 118 dB\u003cbr\u003e\n          DAC Dynamic Range (A-wtd, 48 kHz) 118 dB\u003cbr\u003e\n          Internal Processing 32-bit, floating point\u003cbr\u003e\n          Sampling Rate 44.1, 48 kHz\u003cbr\u003e\n          A\/D\/A Bit Depth 24 bits\u003cbr\u003e\n          Reference Level for 0 dBFS +18 dBu\u003cbr\u003e\n          Clock\u003cbr\u003e\n          Jitter \u0026lt;20 ps rms (20 Hz - 20 kHz)\u003cbr\u003e\n          Jitter Attenuation \u0026gt;60 dB (1 ns in ? 1 ps out)\u003cbr\u003e\n          Power\u003cbr\u003e\n          Connector IEC\u003cbr\u003e\n          Input-Voltage Range 100 to 240 VAC (factory-configured for country of destination)\u003cbr\u003e\n          Power Requirements (continuous) 100W\u003cbr\u003e\n          Physical\u003cbr\u003e\n          Length 15.56 inches (397 mm)\u003cbr\u003e\n          Width 16 inches (406 mm)\u003cbr\u003e\n          Maximum Height 5.5 inches (140 mm)\u003cbr\u003e\n          Weight 20 lbs.\u003cbr\u003e\n      As a commitment to constant improvement, PreSonus Audio Electronics, Inc., reserves the right to change any specification stated herein, at any time, without notification.\u003c\/p\u003e\n\u003c\/td\u003e\n    \u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"PreSonus","offers":[{"title":"Default Title","offer_id":40393411330093,"sku":"AIR10","price":299.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0379\/2529\/0029\/products\/presonus-air10-7.jpg?v=1646767176"},{"product_id":"prsair12","title":"PreSonus AIR12, 12 Inch 1200W Active Loudspeaker","description":"\u003ctable width=\"100%\"\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n      \u003cth height=\"30\" bgcolor=\"#f7f7f7\" style=\"text-align: left\"\u003e \u003c\/th\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd height=\"30\"\u003e\n\u003ch1\u003eAIR12\u003c\/h1\u003e\n        \u003ch2\u003eAIR12: Versatile, customizable, and easy to transport.\u003c\/h2\u003e\n        \u003cp\u003eCompact and lightweight, AIR12 active loudspeakers provide a rich, extended low-end and natural high-frequency extension in an enclosure that will easily fit in the backseat of a small car. Backed by 1,200W (dynamic) of Class D\/Class AB power and enhanced with easy-to-use digital tuning functions, the AIR12 gives you all the power and tools you need for both mobile and installed sound.\u003c\/p\u003e\n      \u003cp\u003e \u003c\/p\u003e\n\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003cth height=\"30\" bgcolor=\"#f7f7f7\" style=\"text-align: left\"\u003e \u003c\/th\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd height=\"30\"\u003e\n\u003cdiv\u003e\n        \u003cdiv\u003e\n          \u003cdiv\u003e\n            \u003ch2\u003eFeatures\u003c\/h2\u003e\n          \u003c\/div\u003e\n        \u003c\/div\u003e\n      \u003c\/div\u003e\n        \u003cdiv\u003e\n          \u003cdiv\u003e\n            \u003cdiv\u003e\n              \u003ch3\u003eMain Components\u003c\/h3\u003e\n              \u003cul\u003e\n                \u003cli\u003eHybrid “best of both worlds” 1,200W (dynamic) power amp configuration:\n                  \u003cul\u003e\n                    \u003cli\u003eLow-frequency driver: 900W, Class D amplifier\u003c\/li\u003e\n                    \u003cli\u003eHigh-frequency driver: 300W, Class A\/B amplifier\u003c\/li\u003e\n                    \u003cli\u003eMaximum SPL 123 dB peak\u003c\/li\u003e\n                  \u003c\/ul\u003e\n                \u003c\/li\u003e\n                \u003cli\u003e1.35-inch, high-frequency compression driver\u003c\/li\u003e\n                \u003cli\u003e12-inch woofer with a 2.5-inch voice coil\u003c\/li\u003e\n                \u003cli\u003e51 Hz to 20 kHz frequency response\u003c\/li\u003e\n                \u003cli\u003e123 dB SPL (max)\u003c\/li\u003e\n                \u003cli\u003e90° x 60° (horizontal x vertical) dispersion pattern\u003c\/li\u003e\n                \u003cli\u003eOnboard mixer with two combo XLR and ¼” inputs and one summed balanced output\u003c\/li\u003e\n              \u003c\/ul\u003e\n              \u003ch3\u003eControls\u003c\/h3\u003e\n              \u003cul\u003e\n                \u003cli\u003eEasy-to-use DSP performance presets:\n                  \u003cul\u003e\n                    \u003cli\u003eDJ — music playback\u003c\/li\u003e\n                    \u003cli\u003eFOH — normal front-of-house o Enhance – enhanced low end for a warmer sound\u003c\/li\u003e\n                    \u003cli\u003eMonitor — optimized for floor wedge placement\u003c\/li\u003e\n                    \u003cli\u003eSpeech — applications where speech intelligibility is critical\u003c\/li\u003e\n                  \u003c\/ul\u003e\n                \u003c\/li\u003e\n                \u003cli\u003eEQ\n                  \u003cul\u003e\n                    \u003cli\u003eHF response ±10 dB\u003c\/li\u003e\n                    \u003cli\u003eLF response ±10 dB\u003c\/li\u003e\n                  \u003c\/ul\u003e\n                \u003c\/li\u003e\n                \u003cli\u003eAdditional presets and controls:\n                  \u003cul\u003e\n                    \u003cli\u003eStand — for mounting on a pole or tripod\u003c\/li\u003e\n                    \u003cli\u003eBracket — for wall-mount applications\u003c\/li\u003e\n                    \u003cli\u003eSuspend — for suspended applications\u003c\/li\u003e\n                  \u003c\/ul\u003e\n                \u003c\/li\u003e\n              \u003c\/ul\u003e\n              \u003ch3\u003eConvenience Features\u003c\/h3\u003e\n              \u003cul\u003e\n                \u003cli\u003eMulti-angle enclosure for mains or monitor-wedge applications\u003c\/li\u003e\n                \u003cli\u003eComfortable ergonomic handle\u003c\/li\u003e\n                \u003cli\u003e35 mm pole socket with 7.5? downward tilt\u003c\/li\u003e\n                \u003cli\u003eM10 rigging points for suspended installation\u003c\/li\u003e\n                \u003cli\u003eDefeatable front-panel LED\u003c\/li\u003e\n                \u003cli\u003eRugged plastic enclosure\u003c\/li\u003e\n                \u003cli\u003eTour-grade, 1.2 mm steel grille\u003c\/li\u003e\n              \u003c\/ul\u003e\n            \u003c\/div\u003e\n          \u003c\/div\u003e\n      \u003c\/div\u003e\n\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003cth height=\"30\" bgcolor=\"#f7f7f7\" style=\"text-align: left\"\u003e \u003c\/th\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd height=\"30\"\u003e\n\u003cp\u003eTechnical Specifications\u003cbr\u003e\n        Acoustic Performance\u003cbr\u003e\n        Configuration Active 2-way\u003cbr\u003e\n        Frequency Range (-3 dB) 51 Hz to 20 kHz\u003cbr\u003e\n        Frequency Range (-10 dB) 48 Hz to 20 kHz\u003cbr\u003e\n        Crossover Frequency 1.6 kHz\u003cbr\u003e\n        Maximum Output 123 dB SPL\u003cbr\u003e\n        Nominal Dispersion (HxV) 90?x 60?\u003cbr\u003e\n        Transducer\u003cbr\u003e\n        LF Driver 12” (2.5” voice coil)\u003cbr\u003e\n        HF Driver 1.35” compression\u003cbr\u003e\n        Amplifier\u003cbr\u003e\n        Amplifier Type Class D (LF), Class AB (HF)\u003cbr\u003e\n        Total System Power 1,200W dynamic\u003cbr\u003e\n        LF Power 900W\u003cbr\u003e\n        HF Power 300W\u003cbr\u003e\n        Connections and Controls\u003cbr\u003e\n        Inputs 2 x XLR\/TRS mic\/line combo; 1 x 1\/8” TRS stereo\u003cbr\u003e\n        Outputs 1 x XLR Mix Out\u003cbr\u003e\n        DSP\u003cbr\u003e\n        DSP Features LCD screen with EQ and multiple presets\u003cbr\u003e\n        Enclosure\u003cbr\u003e\n        Cabinet H-PP molded\u003cbr\u003e\n        Grille 1.2 mm steel\u003cbr\u003e\n        Handles 1 top, 1 side\u003cbr\u003e\n        Flypoints 2 top, 1 back\u003cbr\u003e\n        Pole Mounting Dual position (0?, 7.5?)*\u003cbr\u003e\n        Dimensions (H x W x D) 24.4\" x 14.2\" x 13.8\" (619 mm x 360 mm x 351 mm)\u003cbr\u003e\n        Weight 37.5 lbs (17 kg)\u003cbr\u003e\n        Power\u003cbr\u003e\n        Power Input 115V \/ 230V ~50\/60 switchable\u003cbr\u003e\n        Maximum Current 3.5A (230V-50 Hz), 7A (120V)\u003cbr\u003e\n        As a commitment to constant improvement, PreSonus® Audio Electronics, Inc., reserves the right to change any specification stated herein, at any time, without notification.\u003c\/p\u003e\n      \u003cp\u003e*AIR Speaker mounts are compatible with M20-threaded screw poles with a diameter of 33 mm and a length of 31.5\"\u003c\/p\u003e\n\u003c\/td\u003e\n    \u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"PreSonus","offers":[{"title":"Default Title","offer_id":40393411395629,"sku":"AIR12","price":399.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0379\/2529\/0029\/products\/presonus-air12-7.jpg?v=1646767178"},{"product_id":"prsair15","title":"PreSonus AIR15, 15 Inch 1200W Active Loudspeaker","description":"\u003ctable width=\"100%\"\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n      \u003cth height=\"30\" bgcolor=\"#f7f7f7\" style=\"text-align: left\"\u003e \u003c\/th\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd height=\"30\"\u003e\n\u003ch1\u003eAIR15\u003c\/h1\u003e\n        \u003ch2\u003eAIR15: Versatile, customizable, and easy to transport.\u003c\/h2\u003e\n      \u003cp\u003eCompact and lightweight, AIR15 active loudspeakers provide a rich, extended low-end and natural high-frequency extension in an enclosure that will easily fit in the backseat of a small car. Backed by 1,200W (dynamic) of Class D\/Class AB power and enhanced with easy-to-use digital tuning functions, the AIR15 gives you all the power and tools you need for both mobile and installed sound.\u003c\/p\u003e\n\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003cth height=\"30\" bgcolor=\"#f7f7f7\" style=\"text-align: left\"\u003e \u003c\/th\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd height=\"30\"\u003e\n\u003cdiv\u003e\n        \u003cdiv\u003e\n          \u003cdiv\u003e\n            \u003ch2\u003eFeatures\u003c\/h2\u003e\n          \u003c\/div\u003e\n        \u003c\/div\u003e\n      \u003c\/div\u003e\n        \u003cdiv\u003e\n          \u003cdiv\u003e\n            \u003cdiv\u003e\n              \u003ch3\u003eMain Components\u003c\/h3\u003e\n              \u003cul\u003e\n                \u003cli\u003eHybrid “best of both worlds” 1,200W (dynamic) power amp configuration:\n                  \u003cul\u003e\n                    \u003cli\u003eLow-frequency driver: 900W, Class D amplifier\u003c\/li\u003e\n                    \u003cli\u003eHigh-frequency driver: 300W, Class A\/B amplifier\u003c\/li\u003e\n                    \u003cli\u003eMaximum SPL 124 dB peak\u003c\/li\u003e\n                  \u003c\/ul\u003e\n                \u003c\/li\u003e\n                \u003cli\u003e1.35-inch, high-frequency compression driver\u003c\/li\u003e\n                \u003cli\u003e15-inch woofer with a 2.5-inch voice coil\u003c\/li\u003e\n                \u003cli\u003e45 Hz to 20 kHz frequency response\u003c\/li\u003e\n                \u003cli\u003e124 dB SPL (max)\u003c\/li\u003e\n                \u003cli\u003e90° x 60° (horizontal x vertical) dispersion pattern\u003c\/li\u003e\n                \u003cli\u003eOnboard mixer with two combo XLR and ¼-inch inputs and one summed balanced output\u003c\/li\u003e\n              \u003c\/ul\u003e\n              \u003ch3\u003eControls\u003c\/h3\u003e\n              \u003cul\u003e\n                \u003cli\u003eEasy-to-use DSP performance presets:\n                  \u003cul\u003e\n                    \u003cli\u003eDJ — music playback\u003c\/li\u003e\n                    \u003cli\u003eFOH — normal front-of-house Enhance – enhanced low end for a warmer sound\u003c\/li\u003e\n                    \u003cli\u003eMonitor — optimized for floor wedge placement\u003c\/li\u003e\n                    \u003cli\u003eSpeech — applications where speech intelligibility is critical\u003c\/li\u003e\n                  \u003c\/ul\u003e\n                \u003c\/li\u003e\n                \u003cli\u003eEQ\n                  \u003cul\u003e\n                    \u003cli\u003eHF response ±10 dB\u003c\/li\u003e\n                    \u003cli\u003eLF response ±10 dB\u003c\/li\u003e\n                  \u003c\/ul\u003e\n                \u003c\/li\u003e\n                \u003cli\u003eAdditional presets and controls:\n                  \u003cul\u003e\n                    \u003cli\u003eStand — for mounting on a pole or tripod\u003c\/li\u003e\n                    \u003cli\u003eBracket — for wall-mount applications\u003c\/li\u003e\n                    \u003cli\u003eSuspend — for suspended applications\u003c\/li\u003e\n                  \u003c\/ul\u003e\n                \u003c\/li\u003e\n              \u003c\/ul\u003e\n              \u003ch3\u003eConvenience Features\u003c\/h3\u003e\n              \u003cul\u003e\n                \u003cli\u003eMulti-angle enclosure for mains or monitor-wedge applications\u003c\/li\u003e\n                \u003cli\u003eComfortable ergonomic handle\u003c\/li\u003e\n                \u003cli\u003e35 mm pole socket with 7.5? downward tilt\u003c\/li\u003e\n                \u003cli\u003eM10 rigging points for suspended installation\u003c\/li\u003e\n                \u003cli\u003eDefeatable front-panel LED\u003c\/li\u003e\n                \u003cli\u003eRugged plastic enclosure\u003c\/li\u003e\n                \u003cli\u003eTour-grade, 1.2 mm steel grille\u003c\/li\u003e\n              \u003c\/ul\u003e\n            \u003c\/div\u003e\n          \u003c\/div\u003e\n      \u003c\/div\u003e\n\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003cth height=\"30\" bgcolor=\"#f7f7f7\" style=\"text-align: left\"\u003e \u003c\/th\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd height=\"30\"\u003e\n\u003cp\u003eTechnical Specifications\u003cbr\u003e\n        Acoustic Performance\u003cbr\u003e\n        Configuration Active 2-way\u003cbr\u003e\n        Frequency Range (-3 dB) 47 Hz to 20 kHz\u003cbr\u003e\n        Frequency Range (-10 dB) 40 Hz to 20 kHz\u003cbr\u003e\n        Crossover Frequency 1.6 kHz\u003cbr\u003e\n        Maximum Output 124 dB SPL\u003cbr\u003e\n        Nominal Dispersion (HxV) 90?x 60?\u003cbr\u003e\n        Transducer\u003cbr\u003e\n        LF Driver 15” (2.5” voice coil)\u003cbr\u003e\n        HF Driver 1.35” compression\u003cbr\u003e\n        Amplifier\u003cbr\u003e\n        Amplifier Type Class D (LF), Class AB (HF)\u003cbr\u003e\n        Total System Power 1,200W dynamic\u003cbr\u003e\n        LF Power 900W\u003cbr\u003e\n        HF Power 300W\u003cbr\u003e\n        Connections and Controls\u003cbr\u003e\n        Inputs 2 x XLR\/TRS mic\/line combo; 1 x 1\/8” TRS stereo\u003cbr\u003e\n        Outputs 1 x XLR Mix Out\u003cbr\u003e\n        DSP\u003cbr\u003e\n        DSP Features LCD screen with EQ and multiple presets\u003cbr\u003e\n        Enclosure\u003cbr\u003e\n        Cabinet H-PP molded\u003cbr\u003e\n        Grille 1.2 mm steel\u003cbr\u003e\n        Handles 1 top, 1 side\u003cbr\u003e\n        Flypoints 2 top, 1 back\u003cbr\u003e\n        Pole Mounting Dual position (0?, 7.5?)*\u003cbr\u003e\n        Dimensions (H x W x D) 27.9\" x 16.9\" x 15.8\" (708 mm x 430 mm x 402 mm)\u003cbr\u003e\n        Weight 46.3 lbs (21 kg)\u003cbr\u003e\n        Power\u003cbr\u003e\n        Power Input 115V \/ 230V ~50\/60 switchable\u003cbr\u003e\n        Maximum Current 3.5A (230V-50 Hz), 7A (120V)\u003cbr\u003e\n        As a commitment to constant improvement, PreSonus® Audio Electronics, Inc., reserves the right to change any specification stated herein, at any time, without notification.\u003c\/p\u003e\n      \u003cp\u003e*AIR Speaker mounts are compatible with M20-threaded screw poles with a diameter of 33 mm and a length of 31.5\"\u003c\/p\u003e\n\u003c\/td\u003e\n    \u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"PreSonus","offers":[{"title":"Default Title","offer_id":40393411461165,"sku":"AIR15","price":499.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0379\/2529\/0029\/products\/presonus-air15-7.jpg?v=1646767180"},{"product_id":"prscdl12p","title":"PreSonus CDL12P, 12 Inch Constant Directivity Active Loudspeaker","description":"\u003ctable width=\"100%\"\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n      \u003cth height=\"30\" bgcolor=\"#f7f7f7\" style=\"text-align: left\"\u003e \u003c\/th\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd height=\"30\"\u003e\n\u003ch1\u003eCDL12P\u003c\/h1\u003e\n        \u003ch2\u003eThe CDL that fits your venue AND your budget.\u003c\/h2\u003e\n      \u003cp\u003eThe CDL12 loudspeakers impressed ears around the world when we introduced them, thanks in no small part to their unique, patent-pending driver design that fills venues with consistent, articulate speech and music reproduction without sacrificing consistent SPL. Now that same constant-directivity performance is available in the new CDL12P, a lighter-weight design ideal for touring bands and mobile DJs who want the same scalability and sonic performance in portable design.\u003c\/p\u003e\n\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003cth height=\"30\" bgcolor=\"#f7f7f7\" style=\"text-align: left\"\u003e \u003c\/th\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd height=\"30\"\u003e\n\u003cdiv\u003e\n        \u003cdiv\u003e\n          \u003cdiv\u003e\n            \u003ch2\u003eFeatures\u003c\/h2\u003e\n          \u003c\/div\u003e\n        \u003c\/div\u003e\n      \u003c\/div\u003e\n        \u003cdiv\u003e\n          \u003cdiv\u003e\n            \u003ch3\u003eMain Components\u003c\/h3\u003e\n            \u003cul\u003e\n              \u003cli\u003eContinuous-directivity constant curve array with eight 2-inch cone drivers disperse sound an amazing 120° horizontally\u003c\/li\u003e\n              \u003cli\u003e15? vertical directivity can be extended from 30? up to 90? with additional arrayable CDL12Ps\u003c\/li\u003e\n              \u003cli\u003e12-inch, long-throw LF transducer with 2.5-inch voice coil\u003c\/li\u003e\n              \u003cli\u003eLow crossover point minimizes comb filtering and enhances line array intelligibility\u003c\/li\u003e\n              \u003cli\u003e500 x 500 watts Class D power for high SPLs and lightning-fast transient response\u003c\/li\u003e\n              \u003cli\u003eLocking AC connector in and out\u003c\/li\u003e\n              \u003cli\u003eBalanced XLR input and output\u003c\/li\u003e\n            \u003c\/ul\u003e\n            \u003ch3\u003eControls\u003c\/h3\u003e\n            \u003cul\u003e\n              \u003cli\u003e90 High-pass filter\u003c\/li\u003e\n              \u003cli\u003eArray Mode (1-6 boxes)\u003c\/li\u003e\n              \u003cli\u003eSub Mode (Off, CDL18s, ULT18, or AIR18s)\u003c\/li\u003e\n            \u003c\/ul\u003e\n            \u003ch3\u003eConvenience Features\u003c\/h3\u003e\n            \u003cul\u003e\n              \u003cli\u003e35 mm pole socket with 7.5? downward tilt for use with up to two CDL12P on a tripod or atop an 18-inch PreSonus® subwoofer (Note: a CDL18s must be used when two CDL12Ps are arrayed.)\u003c\/li\u003e\n              \u003cli\u003eIntegrated flyware to create an array of up to six CDL12Ps\u003c\/li\u003e\n              \u003cli\u003eSignal, -3 dB, Limiter Protection, and Clip Monitoring?\u003c\/li\u003e\n              \u003cli\u003eEasy-to-handle, compact form factor and 63 lb. weight\u003c\/li\u003e\n              \u003cli\u003eRugged plastic enclosure\u003c\/li\u003e\n              \u003cli\u003eTour-grade, 1.2 mm steel grille?\u003c\/li\u003e\n            \u003c\/ul\u003e\n            \u003ch3\u003eAccessories and companion products:\u003c\/h3\u003e\n            \u003cul\u003e\n              \u003cli\u003eCDL18s Subwoofer (Supports up to 2 CDL12Ps mounted atop)\u003c\/li\u003e\n              \u003cli\u003eULT18 Subwoofer (Supports 1 CDL12P atop)\u003c\/li\u003e\n              \u003cli\u003eAIR18S Subwoofer (Support 1 CDL12P atop)\u003c\/li\u003e\n              \u003cli\u003eCDL12P Rigging System Components\u003c\/li\u003e\n            \u003c\/ul\u003e\n            \u003cp\u003e?\u003c\/p\u003e\n          \u003c\/div\u003e\n      \u003c\/div\u003e\n\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003cth height=\"30\" bgcolor=\"#f7f7f7\" style=\"text-align: left\"\u003e \u003c\/th\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd height=\"30\"\u003e\n\u003cp\u003eTechnical Specifications\u003cbr\u003e\n        Acoustic Performance\u003cbr\u003e\n        Configuration Active 2-way\u003cbr\u003e\n        Frequency Response (-3 dB) 48 Hz – 18 kHz\u003cbr\u003e\n        Nominal Coverage (-6 dB) 120° (H) x 15° (V) per enclosure\u003cbr\u003e\n        Maximum Peak SPL 130 dB\u003cbr\u003e\n        Crossover Frequency 420 Hz\u003cbr\u003e\n        Transducer\u003cbr\u003e\n        LF Transducer 12” (2.5” voice coil)\u003cbr\u003e\n        HF Transducer 8 x 2” (1” Voice Coil)\u003cbr\u003e\n        Amplifier\u003cbr\u003e\n        Type Class D\u003cbr\u003e\n        Total Power Output 2,000W Peak, 1,000W Program (500W RMS)\u003cbr\u003e\n        LF Power 1,000W Peak, 500W Program (250W RMS)\u003cbr\u003e\n        HF Power 1,000W Peak, 500W Program (250W RMS)\u003cbr\u003e\n        Cooling Free air convection\u003cbr\u003e\n        Rated THD \u0026lt;0.05% (20 Hz - 20 kHz)\u003cbr\u003e\n        Dynamic Range 119 dB (A-weighted)\u003cbr\u003e\n        Bandwidth 20 Hz - 20 kHz\u003cbr\u003e\n        Mains Connection Locking AC In and Out\u003cbr\u003e\n        Connections and Controls\u003cbr\u003e\n        Input Channels 1 Line\u003cbr\u003e\n        Input Connector Types 1 XLR\u003cbr\u003e\n        Line Input Impedance 40 k?\u003cbr\u003e\n        Maximum Input +4 dBu\u003cbr\u003e\n        Output Connector Direct Line Out (XLR)\u003cbr\u003e\n        Controls \u003cbr\u003e\n        Preset Select (Number of Arrayed Boxes)\u003cbr\u003e\n        HPF On\/Off\u003cbr\u003e\n        PreSonus Subwoofer Configuration Preset (None, CDL18s, ULT18, AIR18s)\u003c\/p\u003e\n        \u003cp\u003eIndicators Signal, -3 dB, Limiter, Clip\u003cbr\u003e\n          Enclosure\u003cbr\u003e\n          Material 15mm polypropylene\u003cbr\u003e\n          Grille Powder-coated steel\u003cbr\u003e\n          Dimensions (HxWxD) 18.5” x 20.5” x 18.25” (470 mm x 521 mm x 464 mm)\u003cbr\u003e\n          Unit Weight 63 lbs. (28.6 kg)\u003cbr\u003e\n          Safety\u003cbr\u003e\n          Amplifier Protection Over-current, DC, over\/under-voltage, over-temperature, high frequency\u003cbr\u003e\n          Transducer Protection Limiter\u003cbr\u003e\n          Power\u003cbr\u003e\n          AC Power Input 90-260V~, 50-60 Hz\u003cbr\u003e\n          AC Power Consumption (1\/8 Power) 4.2 amps\u003cbr\u003e\n          Suspension Mounting\u003cbr\u003e\n          Rigging Points Integrated rigging (10:1 load)\u003cbr\u003e\n          Mounting Dual-position pole mount (0° and 7.5°) 35 mm\u003cbr\u003e\n          Optional Accessories\u003cbr\u003e\n          Rigging CDL12P Rigging Grid, CDL Rigging Extension Bar, CDL12P Rigging Sling\u003cbr\u003e\n          Other CDL12-Tote Tote Bag\u003cbr\u003e\n      As a commitment to constant improvement, PreSonus® Audio Electronics, Inc., reserves the right to change any specification stated herein, at any time, without notification.\u003c\/p\u003e\n\u003c\/td\u003e\n    \u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"PreSonus","offers":[{"title":"Default Title","offer_id":40393411919917,"sku":"CDL12-P","price":949.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0379\/2529\/0029\/products\/presonus-cdl12-p-7.jpg?v=1646767197"},{"product_id":"prsstudiochannel","title":"PreSonus Studio Channel, Tube Channel Strip with Preamp, EQ and Compressor","description":"\u003ctable width=\"100%\"\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n      \u003cth height=\"30\" bgcolor=\"#f7f7f7\" style=\"text-align: left\"\u003e \u003c\/th\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd height=\"30\"\u003e\n\u003ch1\u003eStudio Channel\u003c\/h1\u003e\n        \u003ch2\u003eThe Anywhere Channel.\u003c\/h2\u003e\n        \u003cp\u003eWe named this channel strip the Studio Channel, and indeed it’s a wonderful studio tool. But it’s great for live performance, too. Featuring tube preamplification, a VCA-based compressor, and three-band EQ, it delivers a huge variety of timbres. Produce luscious, in-your-face vocals, dynamic acoustic piano, and fat, solid bass guitar, not to mention crystal-clear acoustic guitars and cracking snare. Yes, we got the name wrong; we should have called it the Anywhere Channel. But we got the design right.\u003c\/p\u003e\n      \u003cp\u003e \u003c\/p\u003e\n\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003cth height=\"30\" bgcolor=\"#f7f7f7\" style=\"text-align: left\"\u003e \u003c\/th\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd height=\"30\"\u003e\n\u003cdiv\u003e\n        \u003cdiv\u003e\n          \u003cdiv\u003e\n            \u003ch2\u003eFeatures\u003c\/h2\u003e\n          \u003c\/div\u003e\n        \u003c\/div\u003e\n      \u003c\/div\u003e\n        \u003cdiv\u003e\n          \u003cdiv\u003e\n            \u003cdiv\u003e\n              \u003ch3\u003e1 channel with Class A 12AX7 vacuum-tube mic\/instrument preamplifier\u003c\/h3\u003e\n              \u003cul\u003e\n                \u003cli\u003eGain control with +10 dB to +54 dB gain range\u003c\/li\u003e\n                \u003cli\u003eTube Drive control\u003c\/li\u003e\n                \u003cli\u003e48V phantom power switch\u003c\/li\u003e\n                \u003cli\u003e80 Hz high-pass filter\u003c\/li\u003e\n                \u003cli\u003e-20 dB pad\u003c\/li\u003e\n                \u003cli\u003ePolarity-reverse switch\u003c\/li\u003e\n              \u003c\/ul\u003e\n              \u003ch3\u003eFully Variable VCA compressor\u003c\/h3\u003e\n              \u003cul\u003e\n                \u003cli\u003eAttack, Release, Ratio, Threshold, and (makeup) Gain\u003c\/li\u003e\n                \u003cli\u003eAuto Attack\/Release switch\u003c\/li\u003e\n                \u003cli\u003eSoft\/Hard Knee switch\u003c\/li\u003e\n                \u003cli\u003eBypass switch\u003c\/li\u003e\n              \u003c\/ul\u003e\n              \u003ch3\u003e3-band parametric equalizer\u003c\/h3\u003e\n              \u003cul\u003e\n                \u003cli\u003eGain, Frequency, and Q controls (mid band)\u003c\/li\u003e\n                \u003cli\u003eGain and Frequency controls (low and high bands)\u003c\/li\u003e\n                \u003cli\u003eShelving\/peak switches (low and high bands)\u003c\/li\u003e\n                \u003cli\u003eSwitchable pre-\/post-compressor\u003c\/li\u003e\n                \u003cli\u003eBypass switch\u003c\/li\u003e\n              \u003c\/ul\u003e\n              \u003ch3\u003eMaster level control\u003c\/h3\u003e\n              \u003cul\u003e\n                \u003cli\u003eBacklit VU meter\n                  \u003cul\u003e\n                    \u003cli\u003eGain Reduction to Meter switch (selects gain reduction or output gain)\u003c\/li\u003e\n                  \u003c\/ul\u003e\n                \u003c\/li\u003e\n              \u003c\/ul\u003e\n              \u003ch3\u003eInput\/Output\u003c\/h3\u003e\n              \u003cul\u003e\n                \u003cli\u003e1 unbalanced ¼-inch instrument input (front panel)\u003c\/li\u003e\n                \u003cli\u003e1 balanced ¼-inch line input\u003c\/li\u003e\n                \u003cli\u003e1 balanced XLR mic input\u003c\/li\u003e\n                \u003cli\u003e1 balanced ¼-inch line output\u003c\/li\u003e\n                \u003cli\u003e1 balanced XLR line output\u003c\/li\u003e\n              \u003c\/ul\u003e\n              \u003ch3\u003ePhysical\u003c\/h3\u003e\n              \u003cul\u003e\n                \u003cli\u003e1U 19-inch rack-mountable, rugged steel chassis\u003c\/li\u003e\n                \u003cli\u003eSealed, detented, metal rotary controls\u003c\/li\u003e\n                \u003cli\u003eExternal 16 VAC power supply\u003c\/li\u003e\n              \u003c\/ul\u003e\n            \u003c\/div\u003e\n          \u003c\/div\u003e\n      \u003c\/div\u003e\n\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003cth height=\"30\" bgcolor=\"#f7f7f7\" style=\"text-align: left\"\u003e \u003c\/th\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd height=\"30\"\u003eTechnical Specifications\u003cbr\u003e\n        General\u003cbr\u003e\n        Channels 1\u003cbr\u003e\n        Dynamic Range \u0026gt;115 dB\u003cbr\u003e\n        Frequency Response 10 Hz to 50 kHz\u003cbr\u003e\n        Internal Operating Level 0 dBu = 0 dB\u003cbr\u003e\n        Microphone Preamp\u003cbr\u003e\n        Gain -6 dB to +66 dB (± 10 dB trim on line input)\u003cbr\u003e\n        Noise Floor -96 dBu\u003cbr\u003e\n        EIN -126 dB\u003cbr\u003e\n        THD + Noise (0% Tube Drive) \u0026lt; 0.050%\u003cbr\u003e\n        THD + Noise (100% Tube Drive) \u0026lt; 0.10%\u003cbr\u003e\n        Microphone Input Connector XLR\u003cbr\u003e\n        Microphone Input Impedance 1.3 k?\u003cbr\u003e\n        Instrument Input Connector ¼” TS\u003cbr\u003e\n        Instrument Input Impedance 1 M?\u003cbr\u003e\n        Line Input Connector ¼” TRS\u003cbr\u003e\n        Line Input Impedance 10 k?\u003cbr\u003e\n        Phantom Power (switchable) +48V\u003cbr\u003e\n        Pad (switchable) 0 dB \/ -20 dB\u003cbr\u003e\n        Phase (switchable) 0°, 180°\u003cbr\u003e\n        High-pass filter (switchable) -3 dB at 80 Hz\u003cbr\u003e\n        Compressor\u003cbr\u003e\n        Threshold (variable) -40 dBu to +-2 dBu\u003cbr\u003e\n        Ratio (variable) 1-10 (1:1 to 10:1)\u003cbr\u003e\n        Attack (variable) 0.1 to 200 ms\u003cbr\u003e\n        Release (variable) 0.05 ms to 3S\u003cbr\u003e\n        Gain Makeup -10 dB to +10 dB\u003cbr\u003e\n        Metering Analog VU (Gain Reduction \/ Output)\u003cbr\u003e\n        Equalizer\u003cbr\u003e\n        LF Band Controls: \u003cbr\u003e\n        Frequency Variable from 40 Hz to 500 kHz\u003cbr\u003e\n        Gain Variable between ±10 dB\u003cbr\u003e\n        Q 0.7 (on Peak setting)\u003cbr\u003e\n        MF Band Controls: \u003cbr\u003e\n        Frequency Variable from 200 Hz to 3 kHz\u003cbr\u003e\n        Gain Variable from -10 dB to +10 dB\u003cbr\u003e\n        Q Variable from 0.7 to 2.5\u003cbr\u003e\n        HF Band Controls: \u003cbr\u003e\n        Frequency Variable from 2 kHz to 20 kHz\u003cbr\u003e\n        Gain Variable between ±10 dB\u003cbr\u003e\n        Q 0.7 (on Peak setting)\u003cbr\u003e\n        Master\u003cbr\u003e\n        Output Fader -80 dB to +10 dB\u003cbr\u003e\n        Output Connectors XLR Balanced and ¼” TRS Balanced\/Unbalanced\u003cbr\u003e\n        Output Impedance 51?\u003cbr\u003e\n        Metering (Output level) Analog VU (-20 dBu to +6 dBu)\u003cbr\u003e\n        Metering (Gain Reduction) Analog VU -20 dB to 0 dB\u003cbr\u003e\n        Output Headroom +22 dBu\u003cbr\u003e\n        Power Supply\u003cbr\u003e\n        Type Linear\u003cbr\u003e\n        Input 16 VAC \/ 1000 mA\u003cbr\u003e\n        Power Requirements (Continuous) 16W\u003cbr\u003e\n        Transformer External (country specific)\u003cbr\u003e\n        Physical\u003cbr\u003e\n        Dimensions 1U rackmount\u003cbr\u003e\n        Height 1.75” (44.45 mm)\u003cbr\u003e\n        Depth 5.5” (139.7 mm)\u003cbr\u003e\n        Width 19” (482.6 mm)\u003cbr\u003e\n        Weight 5 lbs. (2.27 kg)\u003cbr\u003e\n      As a commitment to constant improvement, PreSonus® Audio Electronics, Inc., reserves the right to change any specification stated herein, at any time, without notification.\u003c\/td\u003e\n    \u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"PreSonus","offers":[{"title":"Default Title","offer_id":40393414148141,"sku":"STUDIO-CHANNEL","price":349.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0379\/2529\/0029\/products\/presonus-studio-channel-7.jpg?v=1646767207"},{"product_id":"allen-heath-avantis-solo","title":"Allen \u0026 Heath Avantis Solo 64-Channel 12-Fader Digital Mixer","description":"\u003cp\u003e\u003cem\u003e64-96 Channel \/ 42-56 Bus Digital Mixers\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eAllen \u0026amp; Heath Avantis Solo 64-Channel 12-Fader Digital Mixer\u003c\/strong\u003e — A 64-channel mixer, expandable to 96 channels. Features the XCVI FPGA engine, ultra-low 0.7ms latency, and dLive-class processing.\u003c\/p\u003e\u003ch3\u003eAvantis V2.0\u003c\/h3\u003e\u003cp\u003eThe biggest update to Avantis and dPack yet: more channels, more busses, a new DEEP compressor, and RackUltra FX.\u003c\/p\u003e\u003ch3\u003eChoose your Mixer\u003c\/h3\u003e\u003cp\u003eHardware: • 15.6” Full HD touchscreen • 18 assignable SoftKeys • 12 faders, 6 layers • 6 Analog\/1 stereo AES Inputs • 6 Analog\/1 stereo AES Outputs • 2 I\/O Ports (128×128) Mix Engine: • 64 Input Channels • 42 Busses • 12 RackExtra FX\u003c\/p\u003e\u003cp\u003eHardware: • Two 15.6” Full HD touchscreens • 24 assignable SoftKeys • 24 faders, 6 layers • 12 Analog\/1 stereo AES Inputs • 12 Analog\/2 stereo AES Outputs • 2 I\/O Ports (128×128) Mix Engine: • 64 Input Channels • 42 Busses • 12 RackExtra FX\u003c\/p\u003e\u003cp\u003eHardware: • 15.6” Full HD touchscreen • 18 assignable SoftKeys • 12 faders, 6 layers • 6 Analog\/1 stereo AES Inputs • 6 Analog\/1 stereo AES Outputs • 2 I\/O Ports (128×128) Mix Engine: ↑ 96 Input Channels ↑ 56 Busses + 24 Dyn8 + DEEP Preamp, Compressor \u0026amp; Expander Models + NEQ12 + 8 RackUltra FX • 12 RackExtra FX\u003c\/p\u003e\u003cp\u003eHardware: • Two 15.6” Full HD touchscreens • 24 assignable SoftKeys • 24 faders, 6 layers • 12 Analog\/1 stereo AES Inputs • 12 Analog\/2 stereo AES Outputs • 2 I\/O Ports (128×128) Mix Engine: ↑ 96 Input Channels ↑ 56 Busses + 24 Dyn8 + DEEP Preamp, Compressor \u0026amp; Expander Models + NEQ12 + 8 RackUltra FX • 12 RackExtra FX\u003c\/p\u003e\u003ch3\u003eUpgrade your Existing Mixer\u003c\/h3\u003e\u003cp\u003eA software-based expansion that scales your mixing capacity from 64 to 96 input channels and 42 to 56 busses, while unlocking the full DEEP processing suite; boutique preamp, compressor, and expander models alongside the surgical precision of Dyn8 and NEQ12. dPack Upgrade: • 96 Input Channels • 56 Busses • 24 Dyn8 • DEEP Preamp, Compressor \u0026amp; Expander Models • NEQ12 Ready to expand? dPack is available directly from our online store.\u003c\/p\u003e\u003cp\u003eA physical hardware upgrade, installed via an authorised service centre, that adds 8 dedicated FX engines to your console for premium reverbs, vocal tuning, and more. The choice for engineers who need the depth and nuance of high-end outboard and plug-ins, built directly into the signal chain. Requires dPack. RackUltra FX Upgrade: • 8 RackUltra FX RackUltra FX upgrades are installed by our authorised service network.\u003c\/p\u003e\u003cp\u003eThe complete Avantis upgrade: dPack’s 96-channel capacity and full DEEP processing suite combined with the RackUltra FX module’s eight dedicated hardware engines. Everything the platform has to offer, in a single upgrade – and at a reduced price. RackUltra FX + dPack Upgrade: • 96 Input Channels • 56 Busses • 24 Dyn8 • DEEP Preamp, Compressor \u0026amp; Expander Models • NEQ12 • 8 RackUltra FX Buy both together and save from your local distributor.\u003c\/p\u003e\u003ch3\u003eInterested in Avantis?\u003c\/h3\u003e\u003cp\u003eConnect with our sales team to buy, request more info, or arrange a demo.\u003c\/p\u003e\u003ch3\u003edPack\u003c\/h3\u003e\u003cp\u003eGet acclaimed dLive processing. Inside your Avantis.\u003c\/p\u003e\u003cp\u003eAvantis delivers a powerful toolkit right out of the box, but the dPack upgrade significantly scales your capabilities. By integrating elite dLive processing, dPack provides access to DEEP compressors , 24 instances of Dyn8 , and the cutting-edge RackUltra FX Suite (requires RackUltra FX card).\u003c\/p\u003e\u003cp\u003eThis comprehensive upgrade also transforms your console’s capacity, increasing your workspace to 96 input channels and 56 configurable mix busses to meet the most demanding production requirements.\u003c\/p\u003e\u003ch3\u003edPack Includes\u003c\/h3\u003e\u003cp\u003edPack expands Avantis and Avantis Solo’s mixer architecture from 64 to 96 input channels and from 42 to 56 configurable mixes, providing the headroom to handle larger, more complex productions without compromise.\u003c\/p\u003e\u003cp\u003eThe same processor emulations trusted on the world’s biggest stages running natively inside your Avantis’ input and mix channels, with zero latency. No FX slots consumed. No external hardware. No phase coherency compromises. Just the processing you need, exactly where you want it.\u003c\/p\u003e\u003cp\u003eFour bands of dynamic EQ and four bands of multiband compression in a single engine. Tame a vocal, tighten a sub-group, or add harmonic glue to a mix bus, and with 24 Dyn8 engines available across input and mix channels, you can use it everywhere it’s needed.\u003c\/p\u003e\u003cp\u003eA collection of eleven professional-grade algorithms brought together in the RackUltra FX suite: reverb designers, harmonic saturators, vocal processors, and more. Studio-quality tools, built for the demands of live production. Requires RackUltra FX Module.\u003c\/p\u003e\u003ch3\u003eRackUltra FX\u003c\/h3\u003e\u003cp\u003eThe RackUltra FX Card, available as a factory-fitted option for all new Avantis and Avantis Solo mixers, or available as an upgrade for existing units, adds 8 RackUltra FX engines to any dPack-enabled Avantis system without consuming any of the platform’s busses, channels, or RackExtra FX slots.\u003c\/p\u003e\u003cp\u003eThis cutting-edge hardware enables a suite of advanced vocal tools, including Vocal Shifter for radical alterations, Vocal Tuner for natural pitch correction, and Vocal Gridder for snappy, modern pitch effects.\u003c\/p\u003e\u003cp\u003eBeyond vocals, the RackUltra FX card offers Spaces Reverb Designer and Plate Reverb Designer for crafting stunning reverberation, a trio of Harmonisers for rich vocal layering, the advanced Rhythm Delay, and powerful tone-shaping tools like the Saturator and Amp+Cab Distortion.\u003c\/p\u003e\u003ch3\u003eIntegrated Tools\u003c\/h3\u003e\u003cp\u003eFrom our next-generation 61-band RTA, with 5m, 15m and 60m history views, through to Shure and Sennheiser RF integration, Avantis is designed to let engineers spend more time mixing and less time worrying about the technology.\u003c\/p\u003e\u003ch3\u003eContinuity UI\u003c\/h3\u003e\u003cp\u003eWith 15.6″ Full HD touchscreens at the heart of the experience, Continuity UI allows you to see and instantly interact with more of what matters, enabling a seamless connection between the physical controls and the screen.\u003c\/p\u003e\u003cp\u003eThe faders react on touch to immediately highlight the active channels for instant visual feedback.\u003c\/p\u003e\u003cp\u003eThe channel rotaries let you work gains or pans, then at the touch of a button, dynamically fold the display to show EQ or compressor parameters across the whole bank.\u003c\/p\u003e\u003cp\u003eEach screen also features a Soft Rotary tab on the right-hand side, giving you split-second access to key freely-assignable parameters like aux sends, EQ, compressor and FX on the currently selected or specific channel.\u003c\/p\u003e\u003cp\u003eThe whole system is set up to dynamically surface the information you need at any moment and put control right at your fingertips.\u003c\/p\u003e\u003ch3\u003eEverything I\/O\u003c\/h3\u003e\u003cp\u003eWhether you’re an owner\/operator looking to build a compact system, or a rental company with existing Allen \u0026amp; Heath stock, the SLink connection on Avantis allows true flexibility by connecting to the entire range of Allen \u0026amp; Heath audio expander hardware.\u003c\/p\u003e\u003cp\u003eAdd a Dante card to your system and you’ve got even more options, with our dedicated Dante expanders, DT168 and DT164-W.\u003c\/p\u003e\u003ch3\u003eWell Connected\u003c\/h3\u003e\u003cp\u003eFor local I\/O, Avantis is well equipped with XLR analogue inputs, XLR analogue outputs, plus AES (Stereo In, Stereo Out).\u003c\/p\u003e\u003cp\u003eTwo additional I\/O Ports allow Avantis to benefit from the full range of current dLive option cards, including Dante (64×64 and 128×128), Waves, gigaACE, MADI and more, expanding the scope for system integration, FoH \/ monitor splits and multitrack recording.\u003c\/p\u003e\u003ch3\u003eControllers\u003c\/h3\u003e\u003cp\u003eAvantis can be controlled using the Avantis Director software, MixPad app, Custom Control app or from our range of remote controllers and GPIO interfaces, with up to 48 IP remote controllers over a standard TCP\/IP network.\u003c\/p\u003e\u003cp\u003eApplications include control of IEM mixes on stage, extra fader banks at FOH, and local control in breakout rooms.\u003c\/p\u003e\u003ch3\u003eAvantis Director\u003c\/h3\u003e\u003cp\u003eAvantis Director is a free Windows and Mac OS application enabling offline editing and online control capabilities.\u003c\/p\u003e\u003ch3\u003eAvantis 4You\u003c\/h3\u003e\u003cp\u003e4You is a free personal mixing app for dLive, Avantis, SQ, and CQ series mixers, enabling performers to control their own monitor mix from their Android or iOS devices and freeing the audio engineer to focus on the front-of-house sound.\u003c\/p\u003e\u003ch3\u003eAvantis MixPad\u003c\/h3\u003e\u003cp\u003eAvantis MixPad is an engineer’s mixing tool providing wireless mobile control for Allen \u0026amp; Heath Avantis digital mixers. It gives you the freedom to walk the room or stage and control the sound right where it is needed. Avantis MixPad and the Avantis mixer can work together to provide simultaneous control of independent functions, for example one engineer using the mixer to mix front-of-house sound, and another using the iPad to mix monitors on stage. Several iPads can be connected, each providing independent control.\u003c\/p\u003e\u003ch3\u003eAvantis OneMix\u003c\/h3\u003e\u003cp\u003eOneMix is a cut down version of the Avantis MixPad app that locks control to a single Aux (monitor) mix. Multiple iPads may be set up by the ‘Admin’ user to give each musician customised personal monitor control via Wi-Fi connection to Avantis without the risk of affecting the other monitors or FOH main mix. Avantis OneMix can be configured to provide as much or as little control as needed.\u003c\/p\u003e\u003ch3\u003eIP Controllers\u003c\/h3\u003e\u003cp\u003eAvantis is compatible with our range of networkable, PoE compatible remote controllers which can be programmed via the Avantis mixer or Director software, and configured to control any aspect of the system.\u003c\/p\u003e\u003ch3\u003eCustom Control\u003c\/h3\u003e\u003cp\u003eCustom Control is a customisable, cross-platform control app, providing elegant, bespoke control over Avantis, dLive and AHM audio systems.\u003c\/p\u003e\u003ch3\u003eFeatures\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eXCVI 96kHz FPGA core with ultra-low latency (0.7ms)\u003c\/li\u003e\n\u003cli\u003e64 Channel \/ 96 with dPack\u003c\/li\u003e\n\u003cli\u003e42 Bus \/ 65 with dPack\u003c\/li\u003e\n\u003cli\u003eFully configurable mix bus architecture\u003c\/li\u003e\n\u003cli\u003e12 RackExtra FX slots with dedicated stereo returns\u003c\/li\u003e\n\u003cli\u003eAMM (Automatic Mic Mixer) up to 64 channels across 1, 2 or 4 zones\u003c\/li\u003e\n\u003cli\u003eComprehensive metering with multi-point peak detection\u003c\/li\u003e\n\u003cli\u003e144 fader strips (24 faders, 6 layers) with optional dedicated master section\u003c\/li\u003e\n\u003cli\u003e15.6” Full HD capacitive touchscreen(s) with gesture control\u003c\/li\u003e\n\u003cli\u003eContinuity UI seamlessly connects physical and touchscreen controls for the fastest, most intuitive workflows\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eChannels\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e64 (96kHz FPGA)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFaders\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e12 motorized\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTouchscreen\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSingle 15.6\" Capacitive Touchscreen\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e12 RackFX\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDimensions (W x D x H)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eCompact 12-fader form factor\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\u003cp\u003e\u003cem\u003eGenuine Allen \u0026amp; Heath product. Authorized dealer. Full manufacturer warranty.\u003c\/em\u003e\u003c\/p\u003e","brand":"Allen \u0026 Heath","offers":[{"title":"Default Title","offer_id":47297961132306,"sku":"AH-AVANTIS-SOLO","price":8999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0379\/2529\/0029\/files\/Avantis-Both-Header-2100-2_554cd31f-ecd6-4071-8a69-f26b3171d90b.jpg?v=1783571595"},{"product_id":"allen-heath-avantis","title":"Allen \u0026 Heath Avantis 96kHz 64-Channel Digital Mixer","description":"\u003cp\u003e\u003cem\u003e64-96 Channel \/ 42-56 Bus Digital Mixers\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eAllen \u0026amp; Heath Avantis 96kHz 64-Channel Digital Mixer\u003c\/strong\u003e — A 64-channel mixer, expandable to 96 channels. Features the XCVI FPGA engine, ultra-low 0.7ms latency, and dLive-class processing.\u003c\/p\u003e\u003ch3\u003eAvantis V2.0\u003c\/h3\u003e\u003cp\u003eThe biggest update to Avantis and dPack yet: more channels, more busses, a new DEEP compressor, and RackUltra FX.\u003c\/p\u003e\u003ch3\u003eChoose your Mixer\u003c\/h3\u003e\u003cp\u003eHardware: • 15.6” Full HD touchscreen • 18 assignable SoftKeys • 12 faders, 6 layers • 6 Analog\/1 stereo AES Inputs • 6 Analog\/1 stereo AES Outputs • 2 I\/O Ports (128×128) Mix Engine: • 64 Input Channels • 42 Busses • 12 RackExtra FX\u003c\/p\u003e\u003cp\u003eHardware: • Two 15.6” Full HD touchscreens • 24 assignable SoftKeys • 24 faders, 6 layers • 12 Analog\/1 stereo AES Inputs • 12 Analog\/2 stereo AES Outputs • 2 I\/O Ports (128×128) Mix Engine: • 64 Input Channels • 42 Busses • 12 RackExtra FX\u003c\/p\u003e\u003cp\u003eHardware: • 15.6” Full HD touchscreen • 18 assignable SoftKeys • 12 faders, 6 layers • 6 Analog\/1 stereo AES Inputs • 6 Analog\/1 stereo AES Outputs • 2 I\/O Ports (128×128) Mix Engine: ↑ 96 Input Channels ↑ 56 Busses + 24 Dyn8 + DEEP Preamp, Compressor \u0026amp; Expander Models + NEQ12 + 8 RackUltra FX • 12 RackExtra FX\u003c\/p\u003e\u003cp\u003eHardware: • Two 15.6” Full HD touchscreens • 24 assignable SoftKeys • 24 faders, 6 layers • 12 Analog\/1 stereo AES Inputs • 12 Analog\/2 stereo AES Outputs • 2 I\/O Ports (128×128) Mix Engine: ↑ 96 Input Channels ↑ 56 Busses + 24 Dyn8 + DEEP Preamp, Compressor \u0026amp; Expander Models + NEQ12 + 8 RackUltra FX • 12 RackExtra FX\u003c\/p\u003e\u003ch3\u003eUpgrade your Existing Mixer\u003c\/h3\u003e\u003cp\u003eA software-based expansion that scales your mixing capacity from 64 to 96 input channels and 42 to 56 busses, while unlocking the full DEEP processing suite; boutique preamp, compressor, and expander models alongside the surgical precision of Dyn8 and NEQ12. dPack Upgrade: • 96 Input Channels • 56 Busses • 24 Dyn8 • DEEP Preamp, Compressor \u0026amp; Expander Models • NEQ12 Ready to expand? dPack is available directly from our online store.\u003c\/p\u003e\u003cp\u003eA physical hardware upgrade, installed via an authorised service centre, that adds 8 dedicated FX engines to your console for premium reverbs, vocal tuning, and more. The choice for engineers who need the depth and nuance of high-end outboard and plug-ins, built directly into the signal chain. Requires dPack. RackUltra FX Upgrade: • 8 RackUltra FX RackUltra FX upgrades are installed by our authorised service network.\u003c\/p\u003e\u003cp\u003eThe complete Avantis upgrade: dPack’s 96-channel capacity and full DEEP processing suite combined with the RackUltra FX module’s eight dedicated hardware engines. Everything the platform has to offer, in a single upgrade – and at a reduced price. RackUltra FX + dPack Upgrade: • 96 Input Channels • 56 Busses • 24 Dyn8 • DEEP Preamp, Compressor \u0026amp; Expander Models • NEQ12 • 8 RackUltra FX Buy both together and save from your local distributor.\u003c\/p\u003e\u003ch3\u003eInterested in Avantis?\u003c\/h3\u003e\u003cp\u003eConnect with our sales team to buy, request more info, or arrange a demo.\u003c\/p\u003e\u003ch3\u003edPack\u003c\/h3\u003e\u003cp\u003eGet acclaimed dLive processing. Inside your Avantis.\u003c\/p\u003e\u003cp\u003eAvantis delivers a powerful toolkit right out of the box, but the dPack upgrade significantly scales your capabilities. By integrating elite dLive processing, dPack provides access to DEEP compressors , 24 instances of Dyn8 , and the cutting-edge RackUltra FX Suite (requires RackUltra FX card).\u003c\/p\u003e\u003cp\u003eThis comprehensive upgrade also transforms your console’s capacity, increasing your workspace to 96 input channels and 56 configurable mix busses to meet the most demanding production requirements.\u003c\/p\u003e\u003ch3\u003edPack Includes\u003c\/h3\u003e\u003cp\u003edPack expands Avantis and Avantis Solo’s mixer architecture from 64 to 96 input channels and from 42 to 56 configurable mixes, providing the headroom to handle larger, more complex productions without compromise.\u003c\/p\u003e\u003cp\u003eThe same processor emulations trusted on the world’s biggest stages running natively inside your Avantis’ input and mix channels, with zero latency. No FX slots consumed. No external hardware. No phase coherency compromises. Just the processing you need, exactly where you want it.\u003c\/p\u003e\u003cp\u003eFour bands of dynamic EQ and four bands of multiband compression in a single engine. Tame a vocal, tighten a sub-group, or add harmonic glue to a mix bus, and with 24 Dyn8 engines available across input and mix channels, you can use it everywhere it’s needed.\u003c\/p\u003e\u003cp\u003eA collection of eleven professional-grade algorithms brought together in the RackUltra FX suite: reverb designers, harmonic saturators, vocal processors, and more. Studio-quality tools, built for the demands of live production. Requires RackUltra FX Module.\u003c\/p\u003e\u003ch3\u003eRackUltra FX\u003c\/h3\u003e\u003cp\u003eThe RackUltra FX Card, available as a factory-fitted option for all new Avantis and Avantis Solo mixers, or available as an upgrade for existing units, adds 8 RackUltra FX engines to any dPack-enabled Avantis system without consuming any of the platform’s busses, channels, or RackExtra FX slots.\u003c\/p\u003e\u003cp\u003eThis cutting-edge hardware enables a suite of advanced vocal tools, including Vocal Shifter for radical alterations, Vocal Tuner for natural pitch correction, and Vocal Gridder for snappy, modern pitch effects.\u003c\/p\u003e\u003cp\u003eBeyond vocals, the RackUltra FX card offers Spaces Reverb Designer and Plate Reverb Designer for crafting stunning reverberation, a trio of Harmonisers for rich vocal layering, the advanced Rhythm Delay, and powerful tone-shaping tools like the Saturator and Amp+Cab Distortion.\u003c\/p\u003e\u003ch3\u003eIntegrated Tools\u003c\/h3\u003e\u003cp\u003eFrom our next-generation 61-band RTA, with 5m, 15m and 60m history views, through to Shure and Sennheiser RF integration, Avantis is designed to let engineers spend more time mixing and less time worrying about the technology.\u003c\/p\u003e\u003ch3\u003eContinuity UI\u003c\/h3\u003e\u003cp\u003eWith 15.6″ Full HD touchscreens at the heart of the experience, Continuity UI allows you to see and instantly interact with more of what matters, enabling a seamless connection between the physical controls and the screen.\u003c\/p\u003e\u003cp\u003eThe faders react on touch to immediately highlight the active channels for instant visual feedback.\u003c\/p\u003e\u003cp\u003eThe channel rotaries let you work gains or pans, then at the touch of a button, dynamically fold the display to show EQ or compressor parameters across the whole bank.\u003c\/p\u003e\u003cp\u003eEach screen also features a Soft Rotary tab on the right-hand side, giving you split-second access to key freely-assignable parameters like aux sends, EQ, compressor and FX on the currently selected or specific channel.\u003c\/p\u003e\u003cp\u003eThe whole system is set up to dynamically surface the information you need at any moment and put control right at your fingertips.\u003c\/p\u003e\u003ch3\u003eEverything I\/O\u003c\/h3\u003e\u003cp\u003eWhether you’re an owner\/operator looking to build a compact system, or a rental company with existing Allen \u0026amp; Heath stock, the SLink connection on Avantis allows true flexibility by connecting to the entire range of Allen \u0026amp; Heath audio expander hardware.\u003c\/p\u003e\u003cp\u003eAdd a Dante card to your system and you’ve got even more options, with our dedicated Dante expanders, DT168 and DT164-W.\u003c\/p\u003e\u003ch3\u003eWell Connected\u003c\/h3\u003e\u003cp\u003eFor local I\/O, Avantis is well equipped with XLR analogue inputs, XLR analogue outputs, plus AES (Stereo In, Stereo Out).\u003c\/p\u003e\u003cp\u003eTwo additional I\/O Ports allow Avantis to benefit from the full range of current dLive option cards, including Dante (64×64 and 128×128), Waves, gigaACE, MADI and more, expanding the scope for system integration, FoH \/ monitor splits and multitrack recording.\u003c\/p\u003e\u003ch3\u003eControllers\u003c\/h3\u003e\u003cp\u003eAvantis can be controlled using the Avantis Director software, MixPad app, Custom Control app or from our range of remote controllers and GPIO interfaces, with up to 48 IP remote controllers over a standard TCP\/IP network.\u003c\/p\u003e\u003cp\u003eApplications include control of IEM mixes on stage, extra fader banks at FOH, and local control in breakout rooms.\u003c\/p\u003e\u003ch3\u003eAvantis Director\u003c\/h3\u003e\u003cp\u003eAvantis Director is a free Windows and Mac OS application enabling offline editing and online control capabilities.\u003c\/p\u003e\u003ch3\u003eAvantis 4You\u003c\/h3\u003e\u003cp\u003e4You is a free personal mixing app for dLive, Avantis, SQ, and CQ series mixers, enabling performers to control their own monitor mix from their Android or iOS devices and freeing the audio engineer to focus on the front-of-house sound.\u003c\/p\u003e\u003ch3\u003eAvantis MixPad\u003c\/h3\u003e\u003cp\u003eAvantis MixPad is an engineer’s mixing tool providing wireless mobile control for Allen \u0026amp; Heath Avantis digital mixers. It gives you the freedom to walk the room or stage and control the sound right where it is needed. Avantis MixPad and the Avantis mixer can work together to provide simultaneous control of independent functions, for example one engineer using the mixer to mix front-of-house sound, and another using the iPad to mix monitors on stage. Several iPads can be connected, each providing independent control.\u003c\/p\u003e\u003ch3\u003eAvantis OneMix\u003c\/h3\u003e\u003cp\u003eOneMix is a cut down version of the Avantis MixPad app that locks control to a single Aux (monitor) mix. Multiple iPads may be set up by the ‘Admin’ user to give each musician customised personal monitor control via Wi-Fi connection to Avantis without the risk of affecting the other monitors or FOH main mix. Avantis OneMix can be configured to provide as much or as little control as needed.\u003c\/p\u003e\u003ch3\u003eIP Controllers\u003c\/h3\u003e\u003cp\u003eAvantis is compatible with our range of networkable, PoE compatible remote controllers which can be programmed via the Avantis mixer or Director software, and configured to control any aspect of the system.\u003c\/p\u003e\u003ch3\u003eCustom Control\u003c\/h3\u003e\u003cp\u003eCustom Control is a customisable, cross-platform control app, providing elegant, bespoke control over Avantis, dLive and AHM audio systems.\u003c\/p\u003e\u003ch3\u003eFeatures\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eXCVI 96kHz FPGA core with ultra-low latency (0.7ms)\u003c\/li\u003e\n\u003cli\u003e64 Channel \/ 96 with dPack\u003c\/li\u003e\n\u003cli\u003e42 Bus \/ 65 with dPack\u003c\/li\u003e\n\u003cli\u003eFully configurable mix bus architecture\u003c\/li\u003e\n\u003cli\u003e12 RackExtra FX slots with dedicated stereo returns\u003c\/li\u003e\n\u003cli\u003eAMM (Automatic Mic Mixer) up to 64 channels across 1, 2 or 4 zones\u003c\/li\u003e\n\u003cli\u003eComprehensive metering with multi-point peak detection\u003c\/li\u003e\n\u003cli\u003e144 fader strips (24 faders, 6 layers) with optional dedicated master section\u003c\/li\u003e\n\u003cli\u003e15.6” Full HD capacitive touchscreen(s) with gesture control\u003c\/li\u003e\n\u003cli\u003eContinuity UI seamlessly connects physical and touchscreen controls for the fastest, most intuitive workflows\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eChannels\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e64 (96kHz FPGA)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFaders\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e24 motorized\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTouchscreen\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDual 12\" Capacitive Touchscreens\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e12 RackFX\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eWeight (kg)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e14.5\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDimensions (W x D x H)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e664 x 538 x 215 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\u003cp\u003e\u003cem\u003eGenuine Allen \u0026amp; Heath product. Authorized dealer. 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