{"product_id":"blackmagic-ursa-broadcast-g2","title":"Blackmagic URSA Broadcast G2, Designed for broadcast and live production, you get a 6K sensor with +36dB of gain, wide dynamic range and B4 lens mount","description":"\u003cp\u003eDesigned for broadcast and live production, you get a 6K sensor with +36dB of gain, wide dynamic range and B4 lens mount. Includes Blackmagic RAW, ProRes, H.264 and H.265 record file formats.\u003c\/p\u003e\n\u003cp\u003eRemotely control up to eight cameras, all from a single control panel! ATEM Camera Control Panels are professionally built broadcast camera control units that extends the software features in ATEM Software Control to add high quality physical buttons and controls that are much faster to use. ATEM Constellation supports camera control when used with the Blackmagic Studio Cameras, URSA Mini Pro and URSA Broadcast cameras for full remote camera control. The control panel lets a single person monitor and adjust a wide range of camera parameters such as black levels, gain, color balance, shutter speed and more. This leaves your camera operators free to focus on more important tasks such as framing and shot composition. Plus it works with all ATEM switcher models!\u003c\/p\u003e\n\u003cp\u003eATEM Micro Camera Panel Portable camera panel with high end broadcast CCU controls, including battery, Bluetooth, and 8 camera select buttons for iris, pedestal, shutter, white balance, master gain, RGB balance and more.\u003c\/p\u003e\n\u003cp\u003eControl up to 4 cameras at the same time using the same controls used on high end broadcast camera controllers. Controls iris, shutter speed, white balance, master gain, pedestal, RGB and more!\u003c\/p\u003e\n\u003cp\u003eWorks with Blackmagic Studio, URSA Mini and Broadcast Cameras ATEM Constellation works with the latest Blackmagic SDI cameras that have studio camera features that you can remotely control! This means you get remote camera control, tally indicators and a DaVinci color corrector built in. All control is via the switcher aux output connection to the camera PGM SDI input, allowing you to broadcast control commands from the switcher to the camera with a single SDI cable! That means you can remotely control settings in the camera plus focus, iris and zoom on supported lenses. Pocket Cinema Cameras include a DaVinci primary color corrector so you get more than simple CCU controls as you can also do a full color grade in the camera for a cinematic look!\u003c\/p\u003e\n\u003cp\u003eControl Blackmagic Pocket Cinema Cameras One person can control up to 8 cameras at the same time! When working on live production, it's important all of the cameras are matched with proper color balance so that you get a consistent look as you cut and transition between the different cameras. The ATEM Camera Control Panel features 4 individual camera controllers while ATEM Micro Camera Panel allows you to choose between up to 8 cameras in one panel. When used with a larger number of cameras, it's very quick to change which camera you control on each CCU channel. On ATEM Camera Control Panel, each camera controller includes an LCD screen with soft buttons and knobs. Both panels feature a full set of traditional CCU controls, so you always get a clear indication of the camera state.\u003c\/p\u003e\n\u003cp\u003eScene and Camera Controls The top section on each camera control has settings for changing camera settings, plus it lets you save and recall scene presets. Getting remote access to important camera settings is vital when you are working in conditions where the light can change during your job such as daylight, and with these settings you can quickly adjust cameras based on changes in the scene. Controls in this section include master gain, ND filters, white balance, shutter speed and more!\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ch4\u003eCamera Features\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eEffective Sensor Size:\u003c\/strong\u003e 2\/3 inch sensor size when using 4K B4 mount (Actual sensor size 23.10mm x 12.99mm)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLens Mount:\u003c\/strong\u003e B4 2\/3 inch installed Active EF mount also included\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLens Control:\u003c\/strong\u003e Electronic control via 12-pin broadcast connector. Control via EF mount pins when using URSA Mini Pro EF Mount with compatible EF lenses.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLens Correction:\u003c\/strong\u003e In-camera correction of color fringing when using compatible broadcast lenses.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDynamic Range:\u003c\/strong\u003e 13 Stops\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDual Native ISO:\u003c\/strong\u003e 0dB and 18dB gain.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSensitivity at 0dB Gain:\u003c\/strong\u003e f 11 with 2160p59.94. f 12 with 2160p50. at 2,000 lux with 89.9% reflectance. additional 1.1 stop light loss using 4K B4 mount.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignal to Noise Ratio:\u003c\/strong\u003e 64.62dB for 2160p Ultra HD scaled from 5.3K\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBuilt in ND Filters:\u003c\/strong\u003e Four position ND filter wheel with clear, 2 stop, 4 stop and 6 stop ND filters.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFocus:\u003c\/strong\u003e Focus button triggers auto focus when using compatible lenses with focus servo. Touch and hold on LCD determines focus region and triggers auto focus.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIris Control:\u003c\/strong\u003e Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses so no pixel is clipped in film mode. Scene average auto exposure in video and extended video mode.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eScreen Dimensions:\u003c\/strong\u003e 4 inch\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eScreen Type:\u003c\/strong\u003e LCD capacitive touchscreen.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eControls:\u003c\/strong\u003e Touchscreen menus on 4 inch screen. Push buttons for other controls. 3 assignable shortcut keys and 2 assignable shortcut keys (VTR and RET) on compatible broadcast lenses.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eProRes Shooting Resolutions and Frame Rates:\u003c\/strong\u003e 3840 x 2160 (Ultra HD) up to 60 fps from Ultra HD window or scaled from 5.3K windowed sensor 3840 x 2160 (Ultra HD) up to 50 fps scaled from full sensor 1920 x 1080 (HD) up to 120 fps scaled from 2.7K windowed sensor 1920 x 1080 (HD) up to 60 fps scaled from Ultra HD or 5.3K windowed sensor 1920 x 1080 (HD) up to 50 fps scaled from full sensor\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eH.265 Shooting Resolutions and Frame Rates:\u003c\/strong\u003e 3840 x 2160 (Ultra HD) up to 60 fps from Ultra HD window or scaled from 5.3K windowed sensor 3840 x 2160 (Ultra HD) up to 50 fps scaled from full sensor\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eH.264 Shooting Resolutions and Frame Rates:\u003c\/strong\u003e 1920 x 1080 (HD) up to 60 fps scaled from Ultra HD or 5.3K windowed sensor 1920 x 1080 (HD) up to 50 fps scaled from full sensor\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBlackmagic RAW Shooting Resolutions and Frame Rates:\u003c\/strong\u003e 6144 x 3456 (6K) up to 50 fps 6144 x 2560 (6K 2.4:1) up to 60 fps 5376 x 3024 (5.3K 16:9) up to 60 fps 3728 x 3104 (3.7K 6:5 anamorphic) up to 60 fps 3840 x 2160 (Ultra HD) up to 60 fps 1920 x 1080 (HD) up to 150 fps\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eProject Frame Rates:\u003c\/strong\u003e 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps. Off-speed frame rates up to 60p in Ultra HD and up to 150p in HD.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMetadata Support:\u003c\/strong\u003e Automatically populated lens data from electronic B4 lenses. Automatic recording of camera settings and slate data such as project, scene number, take and special notes.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTimecode Clock:\u003c\/strong\u003e Highly accurate timecode clock. Less than 1 frame drift every 8 hours.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eConnections\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSDI Video Inputs:\u003c\/strong\u003e 1\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSDI Video Outputs:\u003c\/strong\u003e 1\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSDI Monitor Outputs:\u003c\/strong\u003e 1\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSDI Rates:\u003c\/strong\u003e 1.5G, 3G, 6G, 12G.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAnalog Audio Inputs:\u003c\/strong\u003e 2 x XLR switchable between mic, line and AES digital audio. Phantom power support.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAnalog Audio Outputs:\u003c\/strong\u003e 1 x 3.5mm headphone jack, supports iPhone style headset for talkback.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReference Inputs:\u003c\/strong\u003e Tri-Sync\/Black Burst\/Timecode.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLens Control:\u003c\/strong\u003e 1 x 12-pin Hirose Broadcast Lens Connector\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRemote Control:\u003c\/strong\u003e 1 x 2.5mm LANC input for Rec Start\/Stop, plus Iris and Focus control using compatible lenses.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eComputer Interface:\u003c\/strong\u003e 1 x USB Type-C 3.1 Gen 2 with power delivery for external drive recording and connecting Blackmagic Focus and Zoom Demand. 1 x USB Type-C for software updates.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eAudio\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eMicrophone:\u003c\/strong\u003e Integrated stereo microphone.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBuilt in Speaker:\u003c\/strong\u003e 1 x mono speaker.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eStreaming\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirect Streaming:\u003c\/strong\u003e Blackmagic URSA Broadcast G2 supports direct live streaming using Secure Reliable Transport (SRT) and Real Time Messaging Protocol (RTMP) in H.264 using a USB-C connection to a phone sharing mobile data or a USB-C to Ethernet connection to a local network or the internet.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStreaming Platforms:\u003c\/strong\u003e YouTube (SRT Beta), ATEM Streaming Bridge, ATEM Television Studio HD8 ISO, Facebook, Twitch, YouTube, Twitter, Restream.IO, Vimeo, BoxCast, Castr, Afreeca TV, Bilibili, DouYu, Weibo.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eStandards\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSD Video Standards:\u003c\/strong\u003e None\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHD Video Standards:\u003c\/strong\u003e 1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60 1080i50, 1080i59.94, 1080i60\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUltra HD Video Standards:\u003c\/strong\u003e 2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSDI Compliance:\u003c\/strong\u003e SMPTE 292M, SMPTE 424M, SMPTE 425M level A and B, SMPTE 2081-1, SMPTE 2081-10, SMPTE 2082-1 and SMPTE 2082-10\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSDI Audio Sampling:\u003c\/strong\u003e 48 kHz and 24 bit\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eMedia\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eMedia:\u003c\/strong\u003e 2 x CFast 2.0 card slots, 2 x SD UHS-II card slots, 1 x USB-C 3.1 Gen 2 expansion port with power delivery for recording to external media.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMedia Format:\u003c\/strong\u003e Can format media to ExFAT for Windows and Mac or HFS+ for Mac (file systems).\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMedia Page:\u003c\/strong\u003e Blackmagic Camera OS includes a Media Page for professional media management and viewing metadata information. Sort clips by duration, frame rate, resolution, codec, media slot, timecode, scene or upload status, plus search all clips, private storage or just clips within specific projects. Preview clips with duration, timecode and file name displayed and use the scrubber for fluid, precise frame control. Select clips to upload and share, and delete clips with a confirmation warning. You can also select multiple clips to batch upload, batch delete or playback in a custom timeline.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eControl\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eExternal Control:\u003c\/strong\u003e Lens control of compatible lenses using Blackmagic Zoom Demand and Blackmagic Focus Demand, Blackmagic SDI Control Protocol, iPad control via Bluetooth, 1 x 2.5mm LANC for lens and record control.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eColor Corrector\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eColor Corrector:\u003c\/strong\u003e DaVinci YRGB.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eTalkback and Tally\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eTalkback:\u003c\/strong\u003e SDI Channels 15\/16 and iPhone headset.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLive Tally Indicator:\u003c\/strong\u003e Tally on LCD, URSA Viewfinder and URSA Studio Viewfinder.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eStorage Features\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eStorage Type:\u003c\/strong\u003e 2 x CFast 2.0 2 x SD UHS-II cards 1 x high speed USB-C expansion port for external media. 2.5 inch SSD using optional URSA Mini Recorder\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecording Modes:\u003c\/strong\u003e Standard record mode. Pre record mode with assignable pre record duration: 5 sec, 10 sec, 20 sec, 30 sec, 1 min, 2 min, 5 min, 10 min.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStorage Rates:\u003c\/strong\u003e Storage rates based on 30 frames per second.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecording Formats:\u003c\/strong\u003e Apple ProRes 3840 x 2160 and 1920 x 1080 with film, video or extended video dynamic range or custom 3D LUT. H.265 3840 x 2160 with film, video or extended video dynamic range or custom 3D LUT. H.264 1920 x 1080 with film, video or extended video dynamic range or custom 3D LUT. Blackmagic RAW Q0, Q1, Q3, Q5, 3:1, 5:1, 8:1 and 12:1 at 6144 x 3456, 6144 x 2560, 5376 x 3024, 3728 x 3104, 3840 x 2160, 1920 x 1080 recorded in non-linear 12 bit with film dynamic range and extended video, video or custom 3D LUT embedded in metadata.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecording Modes:\u003c\/strong\u003e Standard record mode. Pre record mode with assignable pre record duration: 5 sec, 10 sec, 20 sec, 30 sec, 1 min, 2 min, 5 min, 10 min.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eSoftware\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSoftware Included:\u003c\/strong\u003e Blackmagic OS DaVinci Resolve Studio for Mac and Windows including activation key Blackmagic Camera Setup Blackmagic RAW Player Blackmagic RAW QuickLook Plugin Blackmagic RAW SDK Blackmagic RAW Speed Test\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eBlackmagic Cloud\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompatibility:\u003c\/strong\u003e Blackmagic Cloud and clip sharing features compatible with and DaVinci Resolve 18.6 or later.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSharing:\u003c\/strong\u003e Integrated Login to Blackmagic Cloud for sharing to a DaVinci Resolve project.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAutomatic Media Sharing:\u003c\/strong\u003e Captured media automatically uploads to a Blackmagic Cloud DaVinci Resolve project.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eManual Media Sharing:\u003c\/strong\u003e Select recorded clips or files manually share to a Blackmagic Cloud DaVinci Resolve project.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUpload Clips:\u003c\/strong\u003e Proxies Only or Originals and Proxies.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003ePower Requirements\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower Supply:\u003c\/strong\u003e 1 x External 12V DC 100W power supply with 100 - 240V AC 50\/60Hz IEC C14 input.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eExternal Power Input:\u003c\/strong\u003e 1 x 4-pin XLR port for external mains power supply or battery use. 1 x 12-pin Molex connector under rear battery plate.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower Output:\u003c\/strong\u003e +12V 4-pin XLR regulated output on side of camera +12V D-Tap regulated output on VLock battery plate\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower:\u003c\/strong\u003e Rear camera mount compatible with industry standard V-mount or gold mount battery plates.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eEnvironmental Specifications\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eOperating Temperature:\u003c\/strong\u003e 0° to 40°C (32° to 104°F)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStorage Temperature:\u003c\/strong\u003e -20° to 45°C (-4° to 113°F)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRelative Humidity:\u003c\/strong\u003e 0% to 90% non-condensing\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003ePhysical\u003c\/h4\u003e\u003cul\u003e\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 11.02 lb\u003c\/li\u003e\u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":52428016189714,"sku":"BMD-CINEURSAMWC6KG2","price":4815.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0379\/2529\/0029\/files\/blackmagic-ursa-broadcast-g2_2x_bde953e7-2687-408f-ac71-e48e98c40871.jpg?v=1782793679","url":"https:\/\/sixstarpsl.com\/products\/blackmagic-ursa-broadcast-g2","provider":"SixStarPSL","version":"1.0","type":"link"}