{"product_id":"blackmagic-ursa-cine-immersive-100g-body","title":"Blackmagic URSA Cine Immersive 100G Body, Body only model of URSA Cine Immersive 100G designed for when you have existing immersive video accessories","description":"\u003cp\u003eBody only model of URSA Cine Immersive 100G designed for when you have existing immersive video accessories. Excludes media module, top handle, baseplate, power supply and battery plate.\u003c\/p\u003e\n\u003cp\u003eIntroducing the World's Most Advanced Digital Film Camera!\u003c\/p\u003e\n\u003cp\u003eBlackmagic URSA Cine is a revolutionary digital film camera platform combining advanced technologies with total integration into the latest post-production workflows. It's the first digital film camera with high-speed network storage built in and high-speed networking for cloud sync. URSA Cine introduces new large-format RGBW sensors with larger photo-sites for incredible dynamic range. You can swap between PL, LPL, EF and B4 lens mounts. Plus, URSA Cine can output live SMPTE-2110 IP video for cinematic live production. There's even WiFi and SRT streaming for remote client viewing! Industry-standard LEMO and Fischer connections make it perfect for high-end cinema production.\u003c\/p\u003e\n\u003cp\u003eThe world's most advanced digital film camera can now also be used for live production! That's like having two completely different cameras in a single design. Live broadcasters can finally achieve the same stunning cinematic quality once exclusive to the film industry. No other broadcast camera can match the dynamic range, frame rates and color science of Blackmagic URSA Cine. Because it handles both film and live production, you can keep the camera busy with whatever kind of work you want.\u003c\/p\u003e\n\u003cp\u003ePerfect for Feature Film and Post Production\u003c\/p\u003e\n\u003cp\u003eWhen set to record, the camera captures Blackmagic RAW to the media module. That's perfect for film shoots as you retain the full dynamic range of the sensor, so color grading can bring out the richness of every scene. Plus, real-time proxies can be recorded and synced to an off-site post-production team. You can also connect a DaVinci workstation to the camera's 10G Ethernet for on-set grading.\u003c\/p\u003e\n\u003cp\u003eAdd Cinematic Quality to Live Production\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ch4\u003eCamera Features\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSensors:\u003c\/strong\u003e 2 x 8K sensors. Left eye and right eye.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePixel Pitch:\u003c\/strong\u003e 2.9 microns.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLens:\u003c\/strong\u003e Fixed focal length, 180°+ field of view, stereo lens pair.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDynamic Range:\u003c\/strong\u003e 16 Stops.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eShooting Formats:\u003c\/strong\u003e 8K x 8K stereo immersive.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrame Rates:\u003c\/strong\u003e Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94, 60 and 90 fps supported.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHigh Speed Frame Rates:\u003c\/strong\u003e 8K stereo immersive up to 90 fps.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBuilt in ND Filters:\u003c\/strong\u003e Button activated ND filters with clear, 2-stop, 4-stop, 6-stop and 8-stop IR ND filters.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIris Control:\u003c\/strong\u003e Fixed iris.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eScreens:\u003c\/strong\u003e 2 x Monitoring Screens. 1 x Camera Status Screen.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMonitoring Screen Dimensions:\u003c\/strong\u003e 5 inch.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMonitoring Screen Resolution:\u003c\/strong\u003e 1920px x 1080px.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMonitoring Screen Brightness:\u003c\/strong\u003e 1500 nits.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMonitoring Screen Type:\u003c\/strong\u003e LCD capacitive touchscreen.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMonitoring Options:\u003c\/strong\u003e Left Eye, Right Eye, Punch In, or Side by Side.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMetadata Support:\u003c\/strong\u003e Discrete left and right eye optical calibration metadata. Automatic recording of camera settings and slate data such as project, scene number, take and special notes.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eControls:\u003c\/strong\u003e Touchscreen menus on 5 inch screen. Push buttons for other controls. 7 assignable shortcut keys plus 3 assignable shortcut keys on PYXIS Monitor. Fischer connector for remote run\/stop.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTimecode Clock:\u003c\/strong\u003e Highly accurate timecode clock. Less than 1 frame drift every 8 hours.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eConnections\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eTotal Video Outputs:\u003c\/strong\u003e 3\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSDI Video Outputs:\u003c\/strong\u003e 2\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSDI Rates:\u003c\/strong\u003e 1.5G, 3G, 6G, 12G.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2110 IP Video Outputs:\u003c\/strong\u003e 1 x 100G QSFP28 connection.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2110 IP Video Inputs:\u003c\/strong\u003e 1 x 100G QSFP28 connection.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAnalog Audio Inputs:\u003c\/strong\u003e 2 x XLR analog switchable between mic, line and AES audio. Phantom power support.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAnalog Audio Outputs:\u003c\/strong\u003e 1 x 3.5mm headphone jack.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReference Inputs:\u003c\/strong\u003e Tri-Sync\/Black Burst and Timecode. PTP clock and timecode over 2110 IP network.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUSB-C Monitor Outputs:\u003c\/strong\u003e 2 x USB-C side monitor ports support URSA Cine EVF, PYXIS Monitor or DisplayPort monitors.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eComputer Interface:\u003c\/strong\u003e 2 x USB-C side expansion ports for camera accessories. Software updates using side USB-C closest to rear.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEthernet:\u003c\/strong\u003e 1 x 100Gb\/s QSFP28 connector for sending and receiving 2110 IP video or SMB file sharing, Web Media Management, Blackmagic Cloud uploads, camera control and streaming.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower:\u003c\/strong\u003e 1 x 8-pin Lemo compatible +24V DC power input.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eAudio\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eMicrophone:\u003c\/strong\u003e Integrated stereo microphone.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBuilt in Speaker:\u003c\/strong\u003e 1 x mono speaker.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eStandards\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSD Video Standards:\u003c\/strong\u003e None\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHD Video Standards:\u003c\/strong\u003e 1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60, 1080i50, 1080i59.94, 1080i60\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUltra HD Video Standards:\u003c\/strong\u003e 2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSDI Compliance:\u003c\/strong\u003e SMPTE 292M, SMPTE 424 Level B, SMPTE 2081-1, SMPTE 2082-1\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSDI Audio Sampling:\u003c\/strong\u003e 48 kHz and 24 bit.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eIP Video Compliance\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSMPTE 2110-20 (Uncompressed Video):\u003c\/strong\u003e None\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSMPTE 2110-21 (Traffic Shaping):\u003c\/strong\u003e Sender: Narrow Receiver: Narrow, Wide Synchronous, Asynchronous\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSMPTE 2110-30 (PCM):\u003c\/strong\u003e Audio Conformance level: Level C\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSMPTE 2110-40 (Ancillary Data):\u003c\/strong\u003e Full access to entire SMPTE ancillary data stream. Includes RP 188\/SMPTE 12M-2, closed captioning and HDR static metadata.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCodec:\u003c\/strong\u003e SMPTE 2110-22 Constant Bit-Rate compressed video. Apple ProRes HQ, Apple ProRes or Apple ProRes LT with optional Blackmagic URSA Live Encoder.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePrecision Time Protocol:\u003c\/strong\u003e IEEE 1588-2008 (PTP v2) ST 2059-1 ST 2059-2\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNMOS IS-04 Discovery and Registration:\u003c\/strong\u003e v1.3.2 Peer-to-peer via mDNS\/DNS-SD\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNMOS IS-05 Connection Management:\u003c\/strong\u003e v1.1.2\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNMOS BCP-002-01:\u003c\/strong\u003e Natural Grouping\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNMOS BCP-004-01:\u003c\/strong\u003e Receiver capabilities\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eMedia\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eMedia Format:\u003c\/strong\u003e Blackmagic\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eSupported Codecs\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eCodecs:\u003c\/strong\u003e Blackmagic RAW Constant Bitrate 5:1 Blackmagic RAW Constant Bitrate 8:1 Blackmagic RAW Constant Bitrate 12:1 Blackmagic RAW Constant Bitrate 18:1 Blackmagic RAW Constant Quality Q0 Blackmagic RAW Constant Quality Q1 Blackmagic RAW Constant Quality Q3 Blackmagic RAW Constant Quality Q5 With optional Blackmagic URSA Live Encoder Apple ProRes HQ Apple ProRes Apple ProRes LT\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eControl\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eExternal Control:\u003c\/strong\u003e Blackmagic PYXIS Monitor and Blackmagic URSA Cine EVF can trigger record plus camera functions assigned to the F1, F2, F3. External Camera Control supported using REST API over Ethernet or WiFi. Blackmagic iPad control and Bluetooth control supported. Blackmagic Zoom Demand for controlling camera.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eNetwork Management\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eNTP:\u003c\/strong\u003e Network time protocol support allows you to sync the time on your camera, whenever connected to a network with any NTP server of your choice.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFTP:\u003c\/strong\u003e Download files from any drive attached to your camera using FTP.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeb Media Manager:\u003c\/strong\u003e Using a browser connected over Ethernet, web media manager allows you to access, browse, download and delete files from any drive connected to the camera. It also enables, disables control over REST API.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSMB:\u003c\/strong\u003e File sharing using SMB.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eStorage Features\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eStorage Type:\u003c\/strong\u003e Blackmagic Media Module, not included.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStorage Rates:\u003c\/strong\u003e Storage rates based on 90 frames per second.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8K Stereo Immersive:\u003c\/strong\u003e 8160 x 7200 x 2 Blackmagic RAW 5:1 - 3,203 MB\/s Blackmagic RAW 8:1 - 2,002 MB\/s Blackmagic RAW 12:1 - 1,335 MB\/s Blackmagic RAW 18:1 - 889 MB\/s Blackmagic RAW Q0 - 1,779 to 4,003 MB\/s Blackmagic RAW Q1 - 1,456 to 3,558 MB\/s Blackmagic RAW Q3 - 801 to 2,002 MB\/s Blackmagic RAW Q5 - 534 to 1,602 MB\/s Constant Quality Rates are: Q0 9:1 - 4:1, Q1 11:1 - 4.5:1, Q3 20:1 - 8:1, Q5 30:1 - 10:1 Actual storage rates are dependent on image subject matter.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecording Formats:\u003c\/strong\u003e Blackmagic RAW 5:1, 8:1, 12:1, 18:1, Q0, Q1, Q3 and Q5 at 8160 x 7200 resolution for each eye.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003ePower Requirements\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower Inputs:\u003c\/strong\u003e 1 x 8 pin Lemo compatible socket for external power or battery use. Molex connector for rear battery plate.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower Outputs:\u003c\/strong\u003e B-Mount battery plate including 2-pin connector with +12V regulated output from camera.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eEnvironmental Specifications\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eOperating Temperature:\u003c\/strong\u003e 0° to 40°C (32° to 104°F)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStorage Temperature:\u003c\/strong\u003e -20° to 45°C (-4° to 113°F)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRelative Humidity:\u003c\/strong\u003e 0% to 90% non-condensing\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003ePhysical\u003c\/h4\u003e\u003cul\u003e\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 29.76 lb\u003c\/li\u003e\u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":52428014911762,"sku":"BMD-CINEURSAAF24DS\/IMB0BD","price":23095.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0379\/2529\/0029\/files\/blackmagic-ursa-cine-immersive-100g-body_2x_5b89ba7a-ae45-48e8-a68a-0896acef7117.jpg?v=1782793605","url":"https:\/\/sixstarpsl.com\/products\/blackmagic-ursa-cine-immersive-100g-body","provider":"SixStarPSL","version":"1.0","type":"link"}