Designed for broadcast and live production, you get a 6K sensor with +36dB of gain, wide dynamic range and B4 lens mount. Includes Blackmagic RAW, ProRes, H.264 and H.265 record file formats.

Remotely control up to eight cameras, all from a single control panel! ATEM Camera Control Panels are professionally built broadcast camera control units that extends the software features in ATEM Software Control to add high quality physical buttons and controls that are much faster to use. ATEM Constellation supports camera control when used with the Blackmagic Studio Cameras, URSA Mini Pro and URSA Broadcast cameras for full remote camera control. The control panel lets a single person monitor and adjust a wide range of camera parameters such as black levels, gain, color balance, shutter speed and more. This leaves your camera operators free to focus on more important tasks such as framing and shot composition. Plus it works with all ATEM switcher models!

ATEM Micro Camera Panel Portable camera panel with high end broadcast CCU controls, including battery, Bluetooth, and 8 camera select buttons for iris, pedestal, shutter, white balance, master gain, RGB balance and more.

Control up to 4 cameras at the same time using the same controls used on high end broadcast camera controllers. Controls iris, shutter speed, white balance, master gain, pedestal, RGB and more!

Works with Blackmagic Studio, URSA Mini and Broadcast Cameras ATEM Constellation works with the latest Blackmagic SDI cameras that have studio camera features that you can remotely control! This means you get remote camera control, tally indicators and a DaVinci color corrector built in. All control is via the switcher aux output connection to the camera PGM SDI input, allowing you to broadcast control commands from the switcher to the camera with a single SDI cable! That means you can remotely control settings in the camera plus focus, iris and zoom on supported lenses. Pocket Cinema Cameras include a DaVinci primary color corrector so you get more than simple CCU controls as you can also do a full color grade in the camera for a cinematic look!

Control Blackmagic Pocket Cinema Cameras One person can control up to 8 cameras at the same time! When working on live production, it's important all of the cameras are matched with proper color balance so that you get a consistent look as you cut and transition between the different cameras. The ATEM Camera Control Panel features 4 individual camera controllers while ATEM Micro Camera Panel allows you to choose between up to 8 cameras in one panel. When used with a larger number of cameras, it's very quick to change which camera you control on each CCU channel. On ATEM Camera Control Panel, each camera controller includes an LCD screen with soft buttons and knobs. Both panels feature a full set of traditional CCU controls, so you always get a clear indication of the camera state.

Scene and Camera Controls The top section on each camera control has settings for changing camera settings, plus it lets you save and recall scene presets. Getting remote access to important camera settings is vital when you are working in conditions where the light can change during your job such as daylight, and with these settings you can quickly adjust cameras based on changes in the scene. Controls in this section include master gain, ND filters, white balance, shutter speed and more!

Specifications

Camera Features

• Effective Sensor Size: 2/3 inch sensor size when using 4K B4 mount (Actual sensor size 23.10mm x 12.99mm)
• Lens Mount: B4 2/3 inch installed Active EF mount also included
• Lens Control: Electronic control via 12-pin broadcast connector. Control via EF mount pins when using URSA Mini Pro EF Mount with compatible EF lenses.
• Lens Correction: In-camera correction of color fringing when using compatible broadcast lenses.
• Dynamic Range: 13 Stops
• Dual Native ISO: 0dB and 18dB gain.
• Sensitivity at 0dB Gain: f 11 with 2160p59.94. f 12 with 2160p50. at 2,000 lux with 89.9% reflectance. additional 1.1 stop light loss using 4K B4 mount.
• Signal to Noise Ratio: 64.62dB for 2160p Ultra HD scaled from 5.3K
• Built in ND Filters: Four position ND filter wheel with clear, 2 stop, 4 stop and 6 stop ND filters.
• Focus: Focus button triggers auto focus when using compatible lenses with focus servo. Touch and hold on LCD determines focus region and triggers auto focus.
• Iris Control: Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses so no pixel is clipped in film mode. Scene average auto exposure in video and extended video mode.
• Screen Dimensions: 4 inch
• Screen Type: LCD capacitive touchscreen.
• Controls: Touchscreen menus on 4 inch screen. Push buttons for other controls. 3 assignable shortcut keys and 2 assignable shortcut keys (VTR and RET) on compatible broadcast lenses.
• ProRes Shooting Resolutions and Frame Rates: 3840 x 2160 (Ultra HD) up to 60 fps from Ultra HD window or scaled from 5.3K windowed sensor 3840 x 2160 (Ultra HD) up to 50 fps scaled from full sensor 1920 x 1080 (HD) up to 120 fps scaled from 2.7K windowed sensor 1920 x 1080 (HD) up to 60 fps scaled from Ultra HD or 5.3K windowed sensor 1920 x 1080 (HD) up to 50 fps scaled from full sensor
• H.265 Shooting Resolutions and Frame Rates: 3840 x 2160 (Ultra HD) up to 60 fps from Ultra HD window or scaled from 5.3K windowed sensor 3840 x 2160 (Ultra HD) up to 50 fps scaled from full sensor
• H.264 Shooting Resolutions and Frame Rates: 1920 x 1080 (HD) up to 60 fps scaled from Ultra HD or 5.3K windowed sensor 1920 x 1080 (HD) up to 50 fps scaled from full sensor
• Blackmagic RAW Shooting Resolutions and Frame Rates: 6144 x 3456 (6K) up to 50 fps 6144 x 2560 (6K 2.4:1) up to 60 fps 5376 x 3024 (5.3K 16:9) up to 60 fps 3728 x 3104 (3.7K 6:5 anamorphic) up to 60 fps 3840 x 2160 (Ultra HD) up to 60 fps 1920 x 1080 (HD) up to 150 fps
• Project Frame Rates: 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps. Off-speed frame rates up to 60p in Ultra HD and up to 150p in HD.
• Metadata Support: Automatically populated lens data from electronic B4 lenses. Automatic recording of camera settings and slate data such as project, scene number, take and special notes.
• Timecode Clock: Highly accurate timecode clock. Less than 1 frame drift every 8 hours.

Connections

• SDI Video Inputs: 1
• SDI Video Outputs: 1
• SDI Monitor Outputs: 1
• SDI Rates: 1.5G, 3G, 6G, 12G.
• Analog Audio Inputs: 2 x XLR switchable between mic, line and AES digital audio. Phantom power support.
• Analog Audio Outputs: 1 x 3.5mm headphone jack, supports iPhone style headset for talkback.
• Reference Inputs: Tri-Sync/Black Burst/Timecode.
• Lens Control: 1 x 12-pin Hirose Broadcast Lens Connector
• Remote Control: 1 x 2.5mm LANC input for Rec Start/Stop, plus Iris and Focus control using compatible lenses.
• Computer Interface: 1 x USB Type-C 3.1 Gen 2 with power delivery for external drive recording and connecting Blackmagic Focus and Zoom Demand. 1 x USB Type-C for software updates.

Audio

• Microphone: Integrated stereo microphone.
• Built in Speaker: 1 x mono speaker.

Streaming

• Direct Streaming: Blackmagic URSA Broadcast G2 supports direct live streaming using Secure Reliable Transport (SRT) and Real Time Messaging Protocol (RTMP) in H.264 using a USB-C connection to a phone sharing mobile data or a USB-C to Ethernet connection to a local network or the internet.
• Streaming Platforms: YouTube (SRT Beta), ATEM Streaming Bridge, ATEM Television Studio HD8 ISO, Facebook, Twitch, YouTube, Twitter, Restream.IO, Vimeo, BoxCast, Castr, Afreeca TV, Bilibili, DouYu, Weibo.

Standards

• SD Video Standards: None
• HD Video Standards: 1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60 1080i50, 1080i59.94, 1080i60
• Ultra HD Video Standards: 2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60
• SDI Compliance: SMPTE 292M, SMPTE 424M, SMPTE 425M level A and B, SMPTE 2081-1, SMPTE 2081-10, SMPTE 2082-1 and SMPTE 2082-10
• SDI Audio Sampling: 48 kHz and 24 bit

Media

• Media: 2 x CFast 2.0 card slots, 2 x SD UHS-II card slots, 1 x USB-C 3.1 Gen 2 expansion port with power delivery for recording to external media.
• Media Format: Can format media to ExFAT for Windows and Mac or HFS+ for Mac (file systems).
• Media Page: Blackmagic Camera OS includes a Media Page for professional media management and viewing metadata information. Sort clips by duration, frame rate, resolution, codec, media slot, timecode, scene or upload status, plus search all clips, private storage or just clips within specific projects. Preview clips with duration, timecode and file name displayed and use the scrubber for fluid, precise frame control. Select clips to upload and share, and delete clips with a confirmation warning. You can also select multiple clips to batch upload, batch delete or playback in a custom timeline.

Control

• External Control: Lens control of compatible lenses using Blackmagic Zoom Demand and Blackmagic Focus Demand, Blackmagic SDI Control Protocol, iPad control via Bluetooth, 1 x 2.5mm LANC for lens and record control.

Color Corrector

• Color Corrector: DaVinci YRGB.

Talkback and Tally

• Talkback: SDI Channels 15/16 and iPhone headset.
• Live Tally Indicator: Tally on LCD, URSA Viewfinder and URSA Studio Viewfinder.

Storage Features

• Storage Type: 2 x CFast 2.0 2 x SD UHS-II cards 1 x high speed USB-C expansion port for external media. 2.5 inch SSD using optional URSA Mini Recorder
• Recording Modes: Standard record mode. Pre record mode with assignable pre record duration: 5 sec, 10 sec, 20 sec, 30 sec, 1 min, 2 min, 5 min, 10 min.
• Storage Rates: Storage rates based on 30 frames per second.
• Recording Formats: Apple ProRes 3840 x 2160 and 1920 x 1080 with film, video or extended video dynamic range or custom 3D LUT. H.265 3840 x 2160 with film, video or extended video dynamic range or custom 3D LUT. H.264 1920 x 1080 with film, video or extended video dynamic range or custom 3D LUT. Blackmagic RAW Q0, Q1, Q3, Q5, 3:1, 5:1, 8:1 and 12:1 at 6144 x 3456, 6144 x 2560, 5376 x 3024, 3728 x 3104, 3840 x 2160, 1920 x 1080 recorded in non-linear 12 bit with film dynamic range and extended video, video or custom 3D LUT embedded in metadata.
• Recording Modes: Standard record mode. Pre record mode with assignable pre record duration: 5 sec, 10 sec, 20 sec, 30 sec, 1 min, 2 min, 5 min, 10 min.

Software

• Software Included: Blackmagic OS DaVinci Resolve Studio for Mac and Windows including activation key Blackmagic Camera Setup Blackmagic RAW Player Blackmagic RAW QuickLook Plugin Blackmagic RAW SDK Blackmagic RAW Speed Test

Blackmagic Cloud

• Compatibility: Blackmagic Cloud and clip sharing features compatible with and DaVinci Resolve 18.6 or later.
• Sharing: Integrated Login to Blackmagic Cloud for sharing to a DaVinci Resolve project.
• Automatic Media Sharing: Captured media automatically uploads to a Blackmagic Cloud DaVinci Resolve project.
• Manual Media Sharing: Select recorded clips or files manually share to a Blackmagic Cloud DaVinci Resolve project.
• Upload Clips: Proxies Only or Originals and Proxies.

Power Requirements

• Power Supply: 1 x External 12V DC 100W power supply with 100 - 240V AC 50/60Hz IEC C14 input.
• External Power Input: 1 x 4-pin XLR port for external mains power supply or battery use. 1 x 12-pin Molex connector under rear battery plate.
• Power Output: +12V 4-pin XLR regulated output on side of camera +12V D-Tap regulated output on VLock battery plate
• Power: Rear camera mount compatible with industry standard V-mount or gold mount battery plates.

Environmental Specifications

• Operating Temperature: 0° to 40°C (32° to 104°F)
• Storage Temperature: -20° to 45°C (-4° to 113°F)
• Relative Humidity: 0% to 90% non-condensing

Physical

• Weight: 11.02 lb