Body only model of URSA Cine 12K but with 100G Ethernet for SMPTE-2110 live digital film up to 240fps. Large format RGBW 36x24mm sensor, 16 stops dynamic range, optional PL, LPL, EF and B4 mounts.

Introducing the World's Most Advanced Digital Film Camera!

Blackmagic URSA Cine is a revolutionary digital film camera platform combining advanced technologies with total integration into the latest post-production workflows. It's the first digital film camera with high-speed network storage built in and high-speed networking for cloud sync. URSA Cine introduces new large-format RGBW sensors with larger photo-sites for incredible dynamic range. You can swap between PL, LPL, EF and B4 lens mounts. Plus, URSA Cine can output live SMPTE-2110 IP video for cinematic live production. There's even WiFi and SRT streaming for remote client viewing! Industry-standard LEMO and Fischer connections make it perfect for high-end cinema production.

The world's most advanced digital film camera can now also be used for live production! That's like having two completely different cameras in a single design. Live broadcasters can finally achieve the same stunning cinematic quality once exclusive to the film industry. No other broadcast camera can match the dynamic range, frame rates and color science of Blackmagic URSA Cine. Because it handles both film and live production, you can keep the camera busy with whatever kind of work you want.

Perfect for Feature Film and Post Production

When set to record, the camera captures Blackmagic RAW to the media module. That's perfect for film shoots as you retain the full dynamic range of the sensor, so color grading can bring out the richness of every scene. Plus, real-time proxies can be recorded and synced to an off-site post-production team. You can also connect a DaVinci workstation to the camera's 10G Ethernet for on-set grading.

Add Cinematic Quality to Live Production

Specifications

Camera Features

• Effective Sensor Size: 35.64mm x 23.32mm (Large Format)
• Pixel Pitch: 2.9 microns
• Lens Mount: URSA Cine lockable EF mount. Interchangeable with optional URSA Cine PL mount.
• Lens Control: Lens control of compatible EF lenses. Lens data from compatible PL lenses and control of some PL lenses.
• Dynamic Range: 16 Stops
• Shooting Formats: 12,288 x 8040 (12K 3:2 open gate) 12,288 x 6912 (12K 16:9) 12,288 x 6480 (12K 17:9) 12,288 x 5112 (12K 2.4:1) 9648 x 8040 (12K 6:5) 9408 x 6264 (9K 3:2) 8688 x 4896 (9K 16:9) 9312 x 4896 (9K 17:9) 9312 x 3864 (9K 2.4:1) 7680 x 6408 (9K 6:5) 8192 x 5360 (8K 3:2 open gate) 8192 x 4608 (8K 16:9) 8192 x 4320 (8K 17:9) 8192 x 3408 (8K 2.4:1) 6432 x 5360 (8K 6:5) 4608 x 2592 (4.6K 16:9 B4 crop) 4096 x 2680 (4K 3:2 open gate) 4096 x 2304 (4K 16:9) 4096 x 2160 (4K 17:9) 4096 x 1704 (4K 2.4:1) 3216 x 2680 (4K 6:5)
• Frame Rates: Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported. Maximum sensor frame rate dependent on resolution selected.
• High Speed Frame Rates: 12K 3:2 open gate up to 80 fps 12K 17:9 up to 100 fps 12K 2.4:1 up to 120 fps 9K 3:2 Super 35 up to 100 fps 8K / 4K 3:2 open gate up to 144 fps 8K / 4K 2.4:1 up to 224 fps 4.6K B4 crop 16:9 up to 240 fps
• Built in ND Filters: Button activated ND filters with clear, 2-stop, 4-stop and 6-stop IR ND filters.
• Focus: Focus button turns on peaking, auto focus available using compatible lenses.
• Iris Control: Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses so no pixel is clipped in film mode. Scene average auto exposure in video mode.
• Screens: 2 x Monitoring Screens 1 x Camera Status Screen
• Monitoring Screen Dimensions: 5 inch.
• Monitoring Screen Resolution: 1920px x 1080px
• Monitoring Screen Brightness: 1500 nits.
• Monitoring Screen Type: LCD capacitive touchscreen
• Metadata Support: Automatically populated lens data from compatible EF lenses. Automatic recording of camera settings and slate data such as project, scene number, take and special notes.
• Controls: Touchscreen menus on 5 inch screen. Push buttons for other controls. 6 assignable shortcut keys plus 6 assignable viewfinder shortcut keys on optional URSA Cine EVF.
• Timecode Clock: Highly accurate timecode clock. Less than 1 frame drift every 8 hours.

Connections

• Total Video Outputs: 3
• SDI Video Outputs: 2
• SDI Rates: 1.5G, 3G, 6G, 12G.
• 100G 2110 IP Networks: 1 x 100G QSFP28 connection.
• 2110 IP Video Outputs: 1 x 100G QSFP28 connection.
• 2110 IP Video Inputs: 1 x 100G QSFP28 connection.
• Senders and Receivers per 100G: 1 x Ultra HD
• Analog Audio Inputs: 2 x XLR analog switchable between mic, line and AES audio. Phantom power support. 1 x 3.5mm headset jack
• Analog Audio Outputs: 1 x 3.5mm headset jack
• Reference Inputs: Tri-Sync/Black Burst and Timecode. PTP clock and timecode over 2110 IP network.
• Viewfinder: 1 x Viewfinder USB-C with video, power, camera control data and locking connector. Works with URSA Cine EVF and PYXIS Monitor.
• USB-C Monitor Outputs: 2 x USB-C side monitor ports support URSA Cine EVF, PYXIS Monitor or DisplayPort monitors.
• Accessories: 1 x 7-pin Lemo 'EXT' for power out, serial communication, and run/stop. 1 x 3-pin Fischer 'RS' for power out and run/stop.
• Computer Interface: 2 x USB-C side expansion ports for camera accessories. Software updates using side USB-C closer to rear.
• Ethernet: 1 x 100Gb/s QSFP28 connector for sending and receiving 2110 IP video or SMB file sharing, Web Media Management, Blackmagic Cloud uploads, camera control and streaming.
• Power: 1 x 8-pin Lemo compatible +24V DC power input.

Audio

• Microphone: Integrated stereo microphone.
• Built in Speaker: 1 x mono speaker.

Standards

• HD Video Standards: 1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60, 1080i50, 1080i59.94, 1080i60
• Ultra HD Video Standards: 2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60
• SMPTE Compliance: SMPTE 2110-20, SMPTE 2110-21, SMPTE 2110-30, SMPTE 2110-40, SMPTE 292M, SMPTE 424 level A and B, SMPTE 2081-1, SMPTE 2082-1
• SDI Audio Sampling: 48 kHz and 24 bit

IP Video Compliance

• SMPTE 2110-20 (Uncompressed Video): IGMP v3
• SMPTE 2110-21 (Traffic Shaping): Sender: Narrow Receiver: Narrow, Wide Synchronous, Asynchronous
• SMPTE 2110-30 (PCM): Audio Conformance level: Level C
• SMPTE 2110-40 (Ancillary Data): Full access to entire SMPTE ancillary data stream. Includes RP 188/SMPTE 12M-2, closed captioning and HDR static metadata.
• Codec: Blackmagic IP10 codec optional for 2160p59.94 and 2160p60 as 2110 IP video.
• Precision Time Protocol: IEEE 1588-2008 (PTP v2) ST 2059-1 ST 2059-2
• NMOS IS-04 Discovery and Registration: v1.3.2 Peer-to-peer via mDNS/DNS-SD
• NMOS IS-05 Connection Management: v1.1.2
• NMOS BCP-002-01: Natural Grouping
• NMOS BCP-004-01: Receiver capabilities

Media

• Media: Blackmagic Media Module CF includes 2 x slots for CFexpress Type B media. Also compatible with optional Blackmagic Media Module 8TB or 16TB.
• Media Format: Blackmagic

Supported Codecs

• Codecs: Blackmagic RAW Constant Bitrate 3:1 Blackmagic RAW Constant Bitrate 5:1 Blackmagic RAW Constant Bitrate 8:1 Blackmagic RAW Constant Bitrate 12:1 Blackmagic RAW Constant Bitrate 18:1 Blackmagic RAW Constant Quality Q0 Blackmagic RAW Constant Quality Q1 Blackmagic RAW Constant Quality Q3 Blackmagic RAW Constant Quality Q5 H.264 Proxy in 1920 x 1080, 8-bit 4:2:0 Blackmagic IP10

Control

• External Control: Blackmagic URSA Cine EVF can trigger record plus camera functions assigned to the VF1, VF2, VF3, Zoom, Exp and Record buttons. External Camera Control supported using REST API over Ethernet, WiFi or serial communication via the 7-pin Lemo connector. Run / Stop supported via 3-pin Fischer and 7-pin Lemo connector. Blackmagic iPad control and Bluetooth control supported. Blackmagic Zoom Demand and Blackmagic Focus Demand for controlling camera and compatible lenses.

Streaming

• Direct Streaming: Supports Secure Reliable Transport (SRT) and Real Time Messaging Protocol (RTMP) local live streaming using a Ethernet or WiFi, or global live streaming using an internet connection via Ethernet, WiFi or USB-C cellular data.

Network Management

• NTP: Network time protocol support allows you to sync the time on your camera, whenever connected to a network with any NTP server of your choice.
• FTP: Download files from any drive attached to your camera using FTP.
• Web Media Manager: Using a browser connected over Ethernet, web media manager allows you to access, browse, download and delete files from any drive connected to the camera.
• SMB: File sharing using SMB

Storage Features

• Storage Type: 2 x CFexpress Type B
• Storage Rates: Storage rates based on 24 frames per second.
• Recording Formats: Blackmagic RAW 3:1, 8:1, 12:1, 18:1, Q0, Q1, Q3 and Q5 at full sensor width or height resolutions: [12,288 x 8,040], [12,288 x 6,912], [12,288 x 6,480], [12,288 x 5,112] and [9,648 x 8,040] with film, extended video or video dynamic range or custom 3D LUT embedded in metadata plus simultaneous recording of H.264 1920 x 1080 Proxies. Blackmagic RAW 3:1, 8:1, 12:1, 18:1, Q0, Q1, Q3 and Q5 at Super 35 windowed sensor resolutions: [9,408 x 6,264], [8,688 x 4,896], [9,312 x 4,896], [9,312 x 3,864] and [7,680 x 6,408] with film, extended video or video dynamic range or custom 3D LUT embedded in metadata plus simultaneous recording of H.264 1920 x 1080 Proxies. Blackmagic RAW 3:1, 5:1, 8:1, 12:1, Q0, Q1, Q3 and Q5 at full sensor width or height scaled to: [8,192 x 5,360], [8,192 x 4,608], [8,192 x 4,320], [8,192 x 3,408] and [6,432 x 5,360] with film, extended video or video dynamic range or custom 3D LUT embedded in metadata plus simultaneous recording of H.264 1920 x 1080 Proxies. Blackmagic RAW 3:1, 4:1, 5:1, 6:1, Q0, Q1, Q3 and Q5 at full sensor width or height scaled to: [4,096 x 2,680], [4,096 x 2,304], [4,096 x 2,160], [4,096 x 1,704] and [3,216 x 2,680] with film, extended video or video dynamic range or custom 3D LUT embedded in metadata plus simultaneous recording of H.264 1920 x 1080 Proxies. Blackmagic RAW 3:1, 8:1, 12:1, 18:1, Q0, Q1, Q3 and Q5 at: [4608 x 2592] sensor centre crop format suitable for Blackmagic URSA Cine Mount B4 with film, extended video or video dynamic range or custom 3D LUT embedded in metadata plus simultaneous recording of H.264 1920 x 1080 Proxies.

Power Requirements

• Power Supply: +24V DC external power supply 100 - 240 AC 50/60Hz compatible with IEC C14 socket. B-Mount battery plate.
• Power Input: 1 x 8 pin Lemo compatible socket for +12V to 34V DC external power supply or battery. Molex connector for rear battery plate.
• Power Output: 1 x 7-pin connector with +24V DC power output when camera is powered by +24V DC batteries or power supply. 1 x 3-pin Fischer with +24V DC power output when camera is powered by +24V DC batteries or power supply. B-Mount battery plate including 2-pin connector with +12V regulated output from camera.

Environmental Specifications

• Operating Temperature: 0° to 40°C (32° to 104°F)
• Storage Temperature: -20° to 45°C (-4° to 113°F)
• Relative Humidity: 0% to 90% non-condensing

Physical

• Weight: 29.76 lb