Body only model of URSA Cine Immersive 100G designed for when you have existing immersive video accessories. Excludes media module, top handle, baseplate, power supply and battery plate.

Introducing the World's Most Advanced Digital Film Camera!

Blackmagic URSA Cine is a revolutionary digital film camera platform combining advanced technologies with total integration into the latest post-production workflows. It's the first digital film camera with high-speed network storage built in and high-speed networking for cloud sync. URSA Cine introduces new large-format RGBW sensors with larger photo-sites for incredible dynamic range. You can swap between PL, LPL, EF and B4 lens mounts. Plus, URSA Cine can output live SMPTE-2110 IP video for cinematic live production. There's even WiFi and SRT streaming for remote client viewing! Industry-standard LEMO and Fischer connections make it perfect for high-end cinema production.

The world's most advanced digital film camera can now also be used for live production! That's like having two completely different cameras in a single design. Live broadcasters can finally achieve the same stunning cinematic quality once exclusive to the film industry. No other broadcast camera can match the dynamic range, frame rates and color science of Blackmagic URSA Cine. Because it handles both film and live production, you can keep the camera busy with whatever kind of work you want.

Perfect for Feature Film and Post Production

When set to record, the camera captures Blackmagic RAW to the media module. That's perfect for film shoots as you retain the full dynamic range of the sensor, so color grading can bring out the richness of every scene. Plus, real-time proxies can be recorded and synced to an off-site post-production team. You can also connect a DaVinci workstation to the camera's 10G Ethernet for on-set grading.

Add Cinematic Quality to Live Production

Specifications

Camera Features

• Sensors: 2 x 8K sensors. Left eye and right eye.
• Pixel Pitch: 2.9 microns.
• Lens: Fixed focal length, 180°+ field of view, stereo lens pair.
• Dynamic Range: 16 Stops.
• Shooting Formats: 8K x 8K stereo immersive.
• Frame Rates: Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94, 60 and 90 fps supported.
• High Speed Frame Rates: 8K stereo immersive up to 90 fps.
• Built in ND Filters: Button activated ND filters with clear, 2-stop, 4-stop, 6-stop and 8-stop IR ND filters.
• Iris Control: Fixed iris.
• Screens: 2 x Monitoring Screens. 1 x Camera Status Screen.
• Monitoring Screen Dimensions: 5 inch.
• Monitoring Screen Resolution: 1920px x 1080px.
• Monitoring Screen Brightness: 1500 nits.
• Monitoring Screen Type: LCD capacitive touchscreen.
• Monitoring Options: Left Eye, Right Eye, Punch In, or Side by Side.
• Metadata Support: Discrete left and right eye optical calibration metadata. Automatic recording of camera settings and slate data such as project, scene number, take and special notes.
• Controls: Touchscreen menus on 5 inch screen. Push buttons for other controls. 7 assignable shortcut keys plus 3 assignable shortcut keys on PYXIS Monitor. Fischer connector for remote run/stop.
• Timecode Clock: Highly accurate timecode clock. Less than 1 frame drift every 8 hours.

Connections

• Total Video Outputs: 3
• SDI Video Outputs: 2
• SDI Rates: 1.5G, 3G, 6G, 12G.
• 2110 IP Video Outputs: 1 x 100G QSFP28 connection.
• 2110 IP Video Inputs: 1 x 100G QSFP28 connection.
• Analog Audio Inputs: 2 x XLR analog switchable between mic, line and AES audio. Phantom power support.
• Analog Audio Outputs: 1 x 3.5mm headphone jack.
• Reference Inputs: Tri-Sync/Black Burst and Timecode. PTP clock and timecode over 2110 IP network.
• USB-C Monitor Outputs: 2 x USB-C side monitor ports support URSA Cine EVF, PYXIS Monitor or DisplayPort monitors.
• Computer Interface: 2 x USB-C side expansion ports for camera accessories. Software updates using side USB-C closest to rear.
• Ethernet: 1 x 100Gb/s QSFP28 connector for sending and receiving 2110 IP video or SMB file sharing, Web Media Management, Blackmagic Cloud uploads, camera control and streaming.
• Power: 1 x 8-pin Lemo compatible +24V DC power input.

Audio

• Microphone: Integrated stereo microphone.
• Built in Speaker: 1 x mono speaker.

Standards

• SD Video Standards: None
• HD Video Standards: 1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60, 1080i50, 1080i59.94, 1080i60
• Ultra HD Video Standards: 2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60
• SDI Compliance: SMPTE 292M, SMPTE 424 Level B, SMPTE 2081-1, SMPTE 2082-1
• SDI Audio Sampling: 48 kHz and 24 bit.

IP Video Compliance

• SMPTE 2110-20 (Uncompressed Video): None
• SMPTE 2110-21 (Traffic Shaping): Sender: Narrow Receiver: Narrow, Wide Synchronous, Asynchronous
• SMPTE 2110-30 (PCM): Audio Conformance level: Level C
• SMPTE 2110-40 (Ancillary Data): Full access to entire SMPTE ancillary data stream. Includes RP 188/SMPTE 12M-2, closed captioning and HDR static metadata.
• Codec: SMPTE 2110-22 Constant Bit-Rate compressed video. Apple ProRes HQ, Apple ProRes or Apple ProRes LT with optional Blackmagic URSA Live Encoder.
• Precision Time Protocol: IEEE 1588-2008 (PTP v2) ST 2059-1 ST 2059-2
• NMOS IS-04 Discovery and Registration: v1.3.2 Peer-to-peer via mDNS/DNS-SD
• NMOS IS-05 Connection Management: v1.1.2
• NMOS BCP-002-01: Natural Grouping
• NMOS BCP-004-01: Receiver capabilities

Media

• Media Format: Blackmagic

Supported Codecs

• Codecs: Blackmagic RAW Constant Bitrate 5:1 Blackmagic RAW Constant Bitrate 8:1 Blackmagic RAW Constant Bitrate 12:1 Blackmagic RAW Constant Bitrate 18:1 Blackmagic RAW Constant Quality Q0 Blackmagic RAW Constant Quality Q1 Blackmagic RAW Constant Quality Q3 Blackmagic RAW Constant Quality Q5 With optional Blackmagic URSA Live Encoder Apple ProRes HQ Apple ProRes Apple ProRes LT

Control

• External Control: Blackmagic PYXIS Monitor and Blackmagic URSA Cine EVF can trigger record plus camera functions assigned to the F1, F2, F3. External Camera Control supported using REST API over Ethernet or WiFi. Blackmagic iPad control and Bluetooth control supported. Blackmagic Zoom Demand for controlling camera.

Network Management

• NTP: Network time protocol support allows you to sync the time on your camera, whenever connected to a network with any NTP server of your choice.
• FTP: Download files from any drive attached to your camera using FTP.
• Web Media Manager: Using a browser connected over Ethernet, web media manager allows you to access, browse, download and delete files from any drive connected to the camera. It also enables, disables control over REST API.
• SMB: File sharing using SMB.

Storage Features

• Storage Type: Blackmagic Media Module, not included.
• Storage Rates: Storage rates based on 90 frames per second.
• 8K Stereo Immersive: 8160 x 7200 x 2 Blackmagic RAW 5:1 - 3,203 MB/s Blackmagic RAW 8:1 - 2,002 MB/s Blackmagic RAW 12:1 - 1,335 MB/s Blackmagic RAW 18:1 - 889 MB/s Blackmagic RAW Q0 - 1,779 to 4,003 MB/s Blackmagic RAW Q1 - 1,456 to 3,558 MB/s Blackmagic RAW Q3 - 801 to 2,002 MB/s Blackmagic RAW Q5 - 534 to 1,602 MB/s Constant Quality Rates are: Q0 9:1 - 4:1, Q1 11:1 - 4.5:1, Q3 20:1 - 8:1, Q5 30:1 - 10:1 Actual storage rates are dependent on image subject matter.
• Recording Formats: Blackmagic RAW 5:1, 8:1, 12:1, 18:1, Q0, Q1, Q3 and Q5 at 8160 x 7200 resolution for each eye.

Power Requirements

• Power Inputs: 1 x 8 pin Lemo compatible socket for external power or battery use. Molex connector for rear battery plate.
• Power Outputs: B-Mount battery plate including 2-pin connector with +12V regulated output from camera.

Environmental Specifications

• Operating Temperature: 0° to 40°C (32° to 104°F)
• Storage Temperature: -20° to 45°C (-4° to 113°F)
• Relative Humidity: 0% to 90% non-condensing

Physical

• Weight: 29.76 lb